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Biography, life story of Permyak Evgeniy Andreevich
Permyak Evgeniy Andreevich ( real name Vissov; 18 (31 - according to the new style) October 1902, Votkinsk - August 17, 1982, Moscow) - Russian Soviet writer, playwright.
Childhood
Evgeniy Andreevich Vissov was born in 1902, October 31, in the city of Perm. However, in the first year of his life he was sent with his mother to Votkinsk. During his childhood, the future author returned to hometown, visited relatives, but the visits were short and rare. Most of childhood and early years little Zhenya spent in Votkinsk.
In Votkinsk he studied at a parochial school, a pro-gymnasium and a gymnasium, but did not finish the latter due to the Civil War.
Army
In 1920 he ended up in Altai, where he served as a clerk at the Kupino meat station (village of Kupino, Tomsk province), and later worked as a shepherd. He was mobilized to the Prodarmiya, where he participated in collecting surplus grain. In 1923 he was demobilized and came to Perm.
Work, creativity
He worked as an assistant confectioner at the confectionery factory I.D. Lieberman "Record". At the same time, he published workers’ correspondence and poems in the newspapers “Zvezda” (Perm), “Krasnoye Prikamye” (Sarapul) under the pseudonym “Master Nepryakhin”. He was the second director of the drama club at the Workers' Club of Communal Workers named after. Tomsky (Perm).
In 1924-1930 he studied at the socio-economic department of the Pedagogical Faculty of PSU. He was involved in club work, actively participated in the organization of the popular circle of the Living Theatrical Newspaper (LTG) “Forge”. From 1926 to 1931 was the editor of the all-Union methodological publication (magazine) "Living Theatrical Newspaper" (Perm, Sverdlovsk).
In 1932 he moved to Moscow. In the mid-1930s, Permyak turned to drama and in 1935 the first play “The Green Avant-Garde” was published. In 1937, his most famous play"The Forest is Noisy", which was staged in more than fifty Soviet theaters. In 1938 he was admitted to the Union of Writers of the USSR. In the 1940s, several plays by E. Permyak were banned and the author decided to leave drama.
CONTINUED BELOW
During the war
In 1941, he moved with his family to Sverdlovsk (evacuation), where, on the instructions of A.A. Fadeeva was appointed organizing secretary " Literary Center"in the Urals until 1942, when he was appointed correspondent of the Sovinformburo. In 1944 E. Permyak returned to Moscow.
Post-war time
In the post-war period, E. Permyak turned to prose. In 1946, he published his first popular science novel, “Who to Be,” which was a success and was reprinted several times.
He was called to the NKVD in the case of the poet Ivan Pribludny, testified against him, Pribludny was shot.
At the III Congress of Writers of the RSFSR he was elected chairman of the Audit Commission of the Writers' Union of the RSFSR (1959-1980).
Permyak’s creative style was strongly influenced by the “Ural tales” of P. P. Bazhov, with whom the writer collaborated during the evacuation to Sverdlovsk.
The novel "The Tale of gray wolf"depicts the arrival of a Russian emigrant - an American farmer - to visit his brother, who opens his eyes to the superiority of the collective farm system. In the novel “The Happy Crash” (1964), Permyak tried to show that the physiological side of marriage plays a very insignificant role under socialism.
In the post-war years, he often turned to children's literature and was widely published as the author of fairy tales and miniatures of a popular, educational and moralizing nature.
Death
short biography
In Votkinsk E. Vissov graduated from school
short biography
Evgeny Permyak is the pseudonym of Evgeny Andreevich Vissov. He was born on October 31, 1902 in Perm, but in the very first days after birth he was brought to Votkinsk with his mother. IN different years lived for a short time in Perm with relatives, but most of his childhood and youth were spent in Votkinsk.In Votkinsk, E. Vissov graduated from a second-level school, then served as a clerk at the Kupinsky meat station, and worked at the Record candy factory in Perm. At the same time, he tried out as a public correspondent in the newspapers “Zvezda” and “Krasnoye Prikamye” (Votkinsk), signed his rabselkorov correspondence and poems with the pseudonym “Master Nepryakhin”; was the director of the drama club at the workers' club. Tomsky.
In 1924, Evgeny Vissov entered Perm University at the Faculty of Pedagogy in the socio-economic department. At the university, he plunged headlong into social work: he was involved in club work, and actively participated in the organization of the Live Theatrical Newspaper (LTG) group, which was popular at that time.
As a delegate from PGU, Evgeny Vissov traveled to Moscow to the All-Union Congress of Club Workers in 1925, and to the All-Union Conference of Living Newspapers in 1926.
Student life was not easy, and although E. Vissov received a scholarship and small fees from newspapers, there was not enough money. I had to earn extra money: Evgeniy Andreevich was a water supply inspector.
After graduating from university, Evgeniy Andreevich left for the capital, starting a writing career as a playwright. His plays “The Forest is Noisy” and “Rollover” were performed in almost all theaters in the country, but the Urals did not forget. When did the Great Patriotic War, he was evacuated to Sverdlovsk, where he lived throughout the war years. At that time, Fyodor Gladkov, Lev Kassil, Agniya Barto, Anna Karavaeva, Marietta Shaginyan, Evgeny Permyak, Ilya Sadofyev, Olga Forsh, Yuri Verkhovsky, Elena Blaginina, Oksana Ivanenko, Olga Vysotskaya and many others came to Sverdlovsk at that time. A large writer's family has gathered.
At that time, the Sverdlovsk writers' organization was headed by P.P. Bazhov.
Life in Perm, Votkinsk, and Sverdlovsk is reflected in the writer’s books: “The ABC of Our Life,” “High Steps,” “Grandfather’s Piggy Bank,” “Mavrik’s Childhood,” “My Land,” “Memorable Knots,” “Solvinsky Memories.” He is the author of collections of fairy tales and popular science books for children and youth, “Who Should I Be?” (1946), “Grandfather’s Piggy Bank” (1957), “From the Fire to the Cauldron” (1959), “Lock Without a Key” (1962), etc., which affirm the great importance of labor. The writer is faithful to this theme in the novels: “The Tale of the Gray Wolf” (1960), “The Last Frost” (1962), “Humpback Bear” (1965), “The Kingdom of Quiet Lutoni” (1970), etc.
Almost all of the writer’s works are about working people, masters of their craft, about their talent, creative search, and spiritual wealth.
Evgeniy Permyak's books have been translated into many languages and published in many countries. He was awarded two orders and medals.
Evgeny Permyak died on August 17, 1982 in Moscow.
On our book website you can download books by the author Evgeniy Permyak in a variety of formats (epub, fb2, pdf, txt and many others). You can also read books online and for free on any device - iPad, iPhone, Android tablet, or on any specialized e-reader. The KnigoGid electronic library offers literature by Permyak Evgeniy in genres art, applied arts.
Evgeny Permyak is the pseudonym of Evgeny Andreevich Vissov. He was born on October 31, 1902 in Perm, but in the very first days after birth he was brought to Votkinsk with his mother. Over the years, Zhenya Vissov lived for a short time in Perm with relatives, but most of his childhood and youth were spent in Votkinsk.
“The years I lived with my aunt at the Votkinsk plant,” the writer recalled, “can be called the primary source of my childhood and adolescence... I looked into the open-hearth furnace before I looked at the primer. I became friends with an axe, a hammer, a chisel, and tools in general before I met multiplication table."
In Votkinsk, E. Vissov graduated from a second-level school, then served as a clerk at the Kupinsky meat station, and worked at the Record candy factory in Perm. At the same time, he tried out as a public correspondent in the newspapers “Zvezda” and “Krasnoe Prikamye” (Votkinsk), signed his rabselkorov correspondence and poems with the pseudonym “Master Nepryakhin”; was the director of the drama club at the Tomsky workers' club.
IN State Archives In the Perm region, the first correspondent card of Evgeniy Andreevich is kept, which states that “the ticket was issued to Comrade Evgeniy Andreevich Vissov-Nepryakhin, that he was entrusted with the editorial work of a correspondent for the city of Votkinsk. All responsible, professional, party and Soviet workers are invited to provide comrade Vissov with Nepryakhin full assistance. Comrade Vissov-Nepryakhin, as a representative of the local press, has the right to be at all open meetings, institutions and meetings. In the interests of the cause, all institutions and organizations are pleased to provide comrade Vissov-Nepryakhin with full assistance. . Government paper, but what style!
In 1924, Evgeny Vissov entered Perm University at the Faculty of Pedagogy in the socio-economic department. In the application form for admission to the question “What determines the decision to enroll at PSU?” he wrote: "I have a desire to work in the field public education in a branch of the economy." At the university, he plunged headlong into social work: he was involved in club work, and actively participated in the organization of the Live Theatrical Newspaper (LTG) group, which was popular at that time.
This is what Evgeniy Andreevich wrote, addressing Perm students on the occasion of the 50th anniversary of the Komsomol organization of PSU in 1973: “In the Komsomol work of Perm University in the late twenties, a significant place was occupied by ZhTG (Living Theatrical Newspaper), which we called, although not very loudly, but accurately: “Forge” in those years in the Urals was perhaps the only higher education institution. educational institution. And, without exaggeration, he was a forge of teachers, doctors, agronomists, chemists and pharmacists. ZhTG "Kuznitsa" was created shortly after the first workers' live newspaper "Rupor" in Perm in the club of communal workers. "Forge"... was the best newspaper in the city. And this is understandable. There were great opportunities for selecting those willing to work in the ZhTG. For those who are not entirely clear what the ZhTG were, I will say in a nutshell: The Living Theatrical Newspaper differed from the printed and wall newspapers mainly in the means of “reproducing” newspaper material. And the main means was theatricalization. The material of ZhTG from the editorial to the chronicle, from the feuilleton to the announcements was “played out” in faces, “theatricalized”. Sometimes there was an oral reading, such as we now see on television, and sometimes (and most often) it was performed in the form of skits, couplets, ditties with dancing, etc. (well, why not modern KVN! Note from the author).
The release of the issue of "Forge" at the university was a small sensation. Firstly, this is the most “topical topic” of the day. Secondly, the courage and sometimes mercilessness of criticism. And finally, a spectacle! Recitative. Singing. Dancing and... even, in a way, “acrobatics” and, of course, music. Sometimes even a small orchestra. And if at the university at the ZhTG graduation it was more cramped in the hall, then you can imagine what was done at the ZhTG outings. They were trying to get her. They demanded it almost through the district committee... The Living Newspaper, like any other world, belongs to the category of undying phenomena. And a newspaper as a newspaper, as a public agitator, propagandist and organizer is a completely unshakable phenomenon."
As a delegate from PGU, Evgeny Vissov traveled to Moscow to the All-Union Congress of Club Workers in 1925, and to the All-Union Conference of Living Newspapers in 1926.
Student life was not easy, and although E. Vissov received a scholarship and small fees from newspapers, there was not enough money. I had to earn extra money. And in the personal file of student Vissov-Nepryakhin we come across a document stating that he was “dismissed from service in the Vodokanal Administration on October 1, 1925, where he received a salary of 31 rubles per month...” Unfortunately, the documents on his employment and work in the Perm Vodokanal were not found. The only thing that became known: Evgeniy Andreevich was a water supply inspector, earning a living during summer holidays in 1925. The ways of God are mysterious! Perhaps his water utility experience was to some extent reflected in the writer’s work?
After graduating from university, Evgeniy Andreevich left for the capital, starting a writing career as a playwright. His plays “The Forest is Noisy” and “Rollover” were performed in almost all theaters in the country, but the Urals did not forget. When the Great Patriotic War began, he was evacuated to Sverdlovsk, where he lived throughout the war years. At that time, Fedor Gladkov, Lev Kassil, Agniya Barto, Anna Karavaeva, Marietta Shaginyan, Evgeny Permyak, Ilya Sadofyev, Olga Forsh, Yuri Verkhovsky, Elena Blaginina, Oksana Ivanenko, Olga Vysotskaya and many others came to Sverdlovsk at that time. A large writer's family has gathered.
At that time, the Sverdlovsk writers' organization was headed by P.P. Bazhov. E.A. Permyak often visited Pavel Petrovich and not only on literary matters, but also simply at friendly gatherings. This is what P.P. Bazhov’s grandson Vladimir Bazhov writes, remembering those times: “On a visit to my grandfather on New Year The writer Evgeny Permyak came with his wife and daughter Oksana. Evgeniy Andreevich loved to surprise with something unusual. That evening he brought a pack of pictures drawn by his daughter under his guidance. In each drawing, someone from the family of P. P. Bazhov or E. A. Permyak was drawn with colored pencils. The Christmas tree was very fun and unforgettable. Oksana and I recited poems and danced to the friendly laughter of the adults. In general, Evgeny Permyak was known as a cheerful and cheerful person. Of all the people who were in my grandfather’s house at that time, I remember him the most."
Life in Perm, Votkinsk, and Sverdlovsk is reflected in the writer’s books: “The ABC of Our Life,” “High Steps,” “Grandfather’s Piggy Bank,” “Mavrik’s Childhood,” “My Land,” “Memorable Knots,” “Solvinsky Memories.” He is the author of collections of fairy tales and popular science books for children and youth, “Who Should I Be?” (1946), “Grandfather’s Piggy Bank” (1957), “From the Fire to the Cauldron” (1959), “Lock Without a Key” (1962), etc., which affirm the great importance of labor. The writer is faithful to this theme in the novels: “The Tale of the Gray Wolf” (1960), “The Last Frost” (1962), “Humpback Bear” (1965), “The Kingdom of Quiet Lutoni” (1970), etc.
“I am books. Let them know and judge me by them. And cards, photographs, articles are all a breeze, and a changeable one at that. Books and only books determine the place of the writer in the literary system. And there is no power in the positive and negative sense , except for books that could exalt the writer or cross out,” these are lines from a letter from the writer N.P. Suntsova, head of the city children's library No. 1 of Votkinsk. Almost all of the writer’s works are about working people, masters of their craft, about their talent, creative search, and spiritual wealth.
Evgeniy Permyak's books have been translated into many languages and published in many countries. He was awarded 2 orders and medals.
Inf.: Styazhkova L. Oct. 2005
Evgeniy Andreevich Permyak
Evgeniy Andreevich Permyak was born on October 31, 1902 in Perm. This city played and big role in his creative biography: It is not for nothing that the writer preferred the pseudonym Permyak to his real surname - Vissov.
Evgeny Vissov's father, a small postal worker, died of consumption when his son was three years old. It was not easy for a mother to raise her son alone, so most of his children's and teenage years took place in Votkinsk, in the company of his grandmother, grandfather and aunt, his mother’s sister, who surrounded the boy with care, warmth and attention.
In Votkinsk, Zhenya studied at a parish school, a pro-gymnasium and a gymnasium, where, along with educational disciplines, industrial training was also conducted. Vissov mastered five crafts: carpentry, plumbing, shoemaking, blacksmithing and turning. It is quite possible that at that time the young man did not think at all that he would have to master another very important craft - writing. In Votkinsk, a young man took up his pen. His first rabselkorov notes and poems were signed with the pseudonym “Master Nepryakhin.”
In 1930, Evgeny Permyak graduated from the pedagogical faculty of Perm University. He soon moved to Moscow, starting a writing career as a playwright. His plays “The Forest is Noisy” and “Roll” were performed in almost all theaters in the country. During the Great Patriotic warrior Permyak, together with Moscow writers, was in Sverdlovsk. At this time, he became very friendly with Pavel Petrovich Bazhov and helped him run a local writers' organization. Based on the books by P.P. Bazhov Evgeniy Andreevich wrote the plays "Ermakov's Swans", " Silver hoof"Subsequently, Permyak dedicated the book "Dolgovsky Master" to Bazhov.
"Coming from an indigenous Ural environment, Evgeny Permyak brought his experience, his work history, which largely determined the writer’s creative identity. He didn't need to invent heroes. His books are populated by living people snatched from life itself. They passed through the heart of the writer, are endowed with his joys and pains, live in labor and struggle, do not boast of feats and do not look for an easy life,” wrote Moscow publicist and writer Viktor Gura.
Evgeny Permyak worshiped the greatness of labor and glorified it in his novels, stories and fairy tales. Evgeny Permyak devoted his entire life to searching for the “secret of price” human labor. Almost all of the writer’s books are about hard workers, masters of their craft, about their talent, creative search, and spiritual wealth. And the living folk word always “sings” in all of Evgeny Permyak’s works.
Boris Stepanovich Zhitkov
Boris Zhitkov was born on August 30 (September 11), 1882 in Novgorod; his father was a mathematics teacher at the Novgorod Teachers' Institute, his mother was a pianist. He spent his childhood in Odessa. Got the basic home education, then graduated from high school. During his studies, he became friends with K.I. Chukovsky.
After high school, he entered the natural sciences department of Novorossiysk University, which he graduated in 1906. After university, he made a career as a sailor and mastered several other professions. He worked as a navigator on a sailing ship, was the captain of a research vessel, an ichthyologist, a metal worker, a shipbuilding engineer, a teacher of physics and drawing, the head of a technical school, and a traveler. Then, from 1911 to 1916, he studied at the shipbuilding department of the St. Petersburg Polytechnic Institute. From 1917 he worked as an engineer in the Odessa port, and in 1923 he moved to Petrograd.
In 1924, Zhitkov began publishing and soon became a professional writer. From 1924 to 1938 he published about 60 children's books. Boris Zhitkov collaborated with many children's newspapers and magazines: “Lenin Sparks”, “New Robinson”, “Hedgehog”, “Chizh”, “Young Naturalist”, “Pioneer”. Worked as a correspondent in Denmark. Wide life experience and impressive knowledge in many fields of activity are reflected in the writer’s stories about science. Zhitkov wrote about different professions. In his works, he praised such traits as competence, diligence, and most importantly, a sense of responsibility. His love for the sea and other countries was his greatest source of inspiration. Zhitkov's heroes often end up in extreme situations: cycle “On the Water”, “Above the Water”, “Under the Water”, “Mechanic of Salerno”, etc.
Zhitkov’s works are full of action, he often uses the form of conversation with the reader, and always writes figuratively and clearly. The goal of Zhitkov’s creativity is to provide children with useful information and cultivate in them the best human qualities.
- (1902 82) Russian writer. Collections of fairy tales, popular science books for children, plays; novels The Tale of the Gray Wolf (1960), The Kingdom of Quiet Lutoni (1970) ... Big encyclopedic Dictionary
- [born 18(31). 10.1902, Perm], Russian Soviet writer. Graduated from the pedagogical faculty of Perm University (1930). Published since 1924. In the 30s. acted as a playwright (plays “The Forest is Noisy”, 1937; “Roll”, 1939, etc.). Author of collections... ...
- (1902 1982), Russian writer. Collections of fairy tales, popular science books for children, plays; novels “The Tale of the Gray Wolf” (1960), “The Kingdom of Quiet Lutoni” (1970). * * * PERMYAK Evgeniy Andreevich PERMYAK Evgeniy Andreevich (real name Vissov), Russian Soviet writer. Graduated from the pedagogical faculty of Perm University (1930). Published since 1924. In the 30s. acted as a playwright (plays “The Forest is Noisy”, 1937; “Roll”, 1939 ... Great Soviet Encyclopedia
Permyak E. A.- PERMYAK Evgeniy Andreevich (19021982), Russian. writer. Collection of fairy tales, scientific. popular books for children, plays; rum The Tale of the Gray Wolf (1960), The Kingdom of Quiet Lutoni (1970) ... Biographical Dictionary
Books
- Kite. Stories and fairy tales, Permyak Evgeniy Andreevich. Evgeny Andreevich Permyak, real name Vissov (1902-1982), is a Russian writer, author of essays, short stories, fairy tales, plays, novellas. The writer chose his creative pseudonym in...