The world is one and complete, and each part of it is a fragmentary reflection of everything common in the small.

The frequency of 432 Hz is an alternative setting that is in accordance with the harmonics of the Universe.

432 Hz based music has beneficial healing energy because it is the pure tone of nature's mathematical foundation.

The archaic Egyptian instruments that have been discovered so far have mostly been tuned to 432 Hz.

In Ancient Greece, musical instruments were predominantly tuned to 432 Hz. In the archaic Greek mysteries, Orpheus was the god of music, death and rebirth, as well as the guardian of Ambrosia and the music of transformation (his instruments were tuned to 432 Hz). And this is no coincidence; the ancients knew more about the unity of the Universe than their contemporaries.

The current 440Hz based music tuning is not harmonious on any level and does not match the cosmic movement, rhythm or natural vibration.

When did the frequency change from 432 Hz to 440 Hz occur?

The first attempt to massively change the waves occurred in 1884, but through the efforts of G. Verdi they retained the previous system, after which the setting “A” = 432 Hz began to be called “Verdi scale”.

Later, J.C. Digen, serving in the US Navy, a student of the physicist Hermann Helmholtz, in 1910 convinced the American Federation of Musicians at its annual meeting to adopt A = 440 Hz as the standard universal tuning for orchestras and musical groups. He was a professional in the field of astronomy, geology, chemistry, and studied many branches of physics, especially the theory of light and sound. His opinion was fundamental in the study musical acoustics. J.C. Digen designed the 440 Hz military chime, which was used for propaganda news during World War II.

Also, shortly before World War II, in 1936, the minister of the Nazi movement and the secret leader in controlling the masses, P. J. Goebbels, revised the standard to 440 Hz - the frequency that has the strongest effect on the human brain and can be used to control large numbers of people. people and Nazi propaganda. This was explained by the fact that if the human body is deprived of its natural tuning and the natural tone is raised a little higher, the brain will regularly receive irritation. In addition, people will stop developing, many mental abnormalities will appear, a person will begin to withdraw into himself, and it will become much easier for him to lead. This was the main reason why the Nazis adopted the new frequency of the note "A".

Around 1940 US authorities introduced a 440 Hz setting worldwide, and it finally became an ISO 16 standard in 1953. The change from 432 Hz to 440 Hz is due to the Rockefeller Foundation's war on mind control by replacing and superimposing the 440 Hz frequency instead of the standard tuning.

440 Hz is an unnatural tuning standard, and music at 440 Hz conflicts with . Music industry uses the introduction of this frequency to influence the population to achieve greater aggression, psycho-social agitation and emotional distress, leading people to physical illness. Such music can also generate unhealthy effects or antisocial behavior, discord in a person's mind.

The science of cymatics (the study of visualizing sound and vibration) proves that frequency and vibration are the master keys and organizational basis to create all matter and life on this planet. When sound waves travel through a physical medium (sand, air, water, etc.), the frequency of the waves has a direct bearing on the formation of structures that are created by the sound waves as they pass through a specific medium, such as the human body, which consists of more than 70% water!

The frequency comparison can be seen in the picture.

Special operation to change the classical music frequency 432 to 440

What do we know about the note “A” 432 Hz? I think not so much, because 58 years have passed since the “International Organization for Standardization (ISO)” adopted the “A” tuning of 440 Hz as the main one for concerts.

Nobody plays at 432 Hz anymore.

Musicians performing works from the Baroque era prefer “A” - 415 Hz, which was most often used before the Classical era. Modern musicians 440-442 Hz is more often used, and sometimes higher, as the most familiar and convenient tuning. But for a long period musical history It was the note “A” with a frequency of 432 Hz that was used.

Even after the adoption of the standard, in 1953, 23 thousand musicians from France held a referendum in support of the “Verdi” 432 Hertz tuning, but were politely ignored. Where did “A” 440 Hz come from, and why did it replace the similar note 432 Hz that had existed for so long?

System 432 existed in Ancient Greece, starting from Plato, Hippocrates, Aristotle, Pythagoras and other great thinkers and philosophers of antiquity, who, as we know, possessed invaluable knowledge about the healing effects of music on humans and cured many people precisely with the power of music!

What note does the classical scale begin with? From the note “C”, isn’t it!? So, the note “C” in this scale will be equal to 512 Hz, an octave lower than 256 Hz, even lower - 128-64-32-16-8-4-2-1. Those. the lowest note will be equal to one vibration per second, accordingly, this is the first note of the scale!

Greatest violin maker of all times - Antonio Stradivari (the secret of whose mastery of creating instruments has not yet been revealed), created his masterpieces precisely in the 432 Hz setting! The sound of 432 is much calmer, warmer and closer. You feel it with all your heart.

Prohibited frequency 432 Hz

Despite the control imposed by the Illuminati since the time of Helmholtz and the Nazi Goebbels regarding the replacement of the frequency 432 with 440, musicians continue to play in an independent setting at the frequency 432. Because there is a decrease in stretch along the strings, the drummer thus weakens the drum skin a little, the keyboard player It’s easier to tune in to control.

Goebbels knew that frequency 432 had perfect harmonic balance. This is the only frequency that evokes the Pythagorean musical spiral containing the famous and unsolved PLATO CODE.

True, recently the American mathematician and science historian Jay Kennedy, who works at the University of Manchester in the UK, announced that he had hacked secret code, hidden in the works ancient Greek philosopher Plato. According to Kennedy, Plato shared the Pythagorean ideas about the music of the spheres - inaudible musical harmony the universe - and built his works according to the laws of musical harmony.

« One of Plato’s most famous dialogues, “The Republic,” is divided into twelve parts, according to the number of sounds in the chromatic musical scale, which the ancient Greeks had ideas about. Moreover, at each junction there are phrases that in one way or another relate to music or sounds", stated the researcher.

What are the ancient solfeggio frequencies? These are the original sound frequencies used in ancient Gregorian chants, such as the great hymn of St. John the Baptist. Many of them, according to church authorities, were lost centuries ago.

These powerful frequencies were discovered by Dr. Joseph Puleo. This is described in the book “Healing Codes for the Biological Apocalypse” by Dr. Leonard Horowitz.

Up to - 396 Hz - Release from guilt and fear
Re - 417 Hz - Neutralizing situations and promoting change
Mi - 528 Hz - Transformation and Miracles (DNA Repair)
Fa - 639 Hz - Connection and Relationships
Salt - 741 Hz - Awakening Intuition
A - 852 Hz - Return to spiritual order.

Frequency 432 is obtained in an interesting way 700: PHI = 432.624 Or 24 hours x 60 minutes x 60 seconds = 864 | 000 864 / 2 = 432

The music around us not only distracts our consciousness, but also, bypassing it, is loaded directly into the subconscious, transforming the information hidden in it in such a way that people can be controlled.

Ecology of life. Cognitive: The world is one and complete, and each part of it is a fragmentary reflection of everything common in a small...

The world is one and complete, and each part of it is a fragmentary reflection of everything common in the small.

The frequency of 432 Hz is an alternative tuning that is in accordance with the harmonics of the Universe.

432 Hz based music has beneficial healing energy because it is the pure tone of nature's mathematical foundation.

Archaic Egyptian instruments, which have been discovered so far have mostly been tuned to 432 Hz.

Musical instruments in ancient Greece were predominantly tuned to 432 Hz. In the archaic Greek mysteries, Orpheus was the god of music, death and rebirth, as well as the guardian of Ambrosia and the music of transformation (his instruments were tuned to 432 Hz). And this is no coincidence; the ancients knew more about the unity of the Universe than their contemporaries.

The current 440Hz based music tuning is not in harmony with us on any level and does not match cosmic movement, rhythm or natural vibration.

Who did this and why will become clear if we take into account the following.

When did the 440 hertz system appear? Why and who needed to establish mental control over the masses through this frequency?

The first attempt to massively change the waves occurred in 1884, but through the efforts of G. Verdi, they preserved the previous system, after which the setting “A” = 432 hertz began to be called the “Verdi system”.

Later, J.C. Digen, serving in the US Navy and a student of the physicist Herman Helmholtz, convinced the American Federation of Musicians at its annual meeting in 1910 to adopt A=440hz as the standard universal tuning for orchestras and bands. He was a professional in the field of astronomy, geology, chemistry, and studied many branches of physics, especially the theory of light and sound. His opinion was fundamental in the study of musical acoustics. J.C. Digen designed the 440 hertz military chime, which was used for propaganda news during World War II.

Also, shortly before World War II, in 1936, the minister of the Nazi movement and secret leader in the control of the masses, P. J. Goebbels, revised the standard for 440 hertz. The frequency that has the strongest effect on the human brain and can be used to control large numbers of people and promote Nazism. This was explained by the fact that if the human body is deprived of its natural tuning and the natural tone is raised a little higher, the brain will regularly receive irritation.

In addition, people will stop developing, many mental abnormalities will appear, a person will begin to withdraw into himself, and it will become much easier for him to lead. This was the main reason why the Nazis adopted the new frequency of the note "A".

Around 1940, US authorities introduced the 440 Hz setting worldwide, and it finally became an ISO 16 standard in 1953. The change from 432 Hz to 440 Hz is attributed to the Cult of Musical Control: the Rockefeller Foundation's war on mind control by replacing and superimposing the 440 Hz frequency instead of the standard tuning.

The science of Cymatics (the study of the visualization of sound and vibration) proves that frequency and vibration are the master keys and organizing basis for the creation of all matter and life on this planet. When sound waves move on a physical medium (sand, air, water, etc.) the frequency of the waves has a direct bearing on the formation of structures that are created by the sound waves as they pass through a specific medium, such as the human body, which consists of more than 70% water!

The frequency comparison can be seen in the picture.

Special operation to change the classical frequency 432 to 440

What do we know about the note "A" 432 hertz?I think not so much, because 58 years have passed since the International Organization for Standardization (ISO) adopted the “A” tuning of 440 hertz as the main one for concerts. Nobody plays the 432 hertz scale anymore.

Musicians performing works from the Baroque era prefer “A” - 415 hertz, which was most often used before the classic era. Modern musicians often use 440-442 hertz, and sometimes higher, as the most familiar and convenient tuning.

But for a long period in musical history, it was the note “A” with a frequency of 432 hertz that was used.

Even after the adoption of the standard, in 1953, 23 thousand musicians from France held a referendum in support of the "Verdi" tuning of 432 hertz, but were politely ignored.

Where did “A” 440 hertz come from, and why did it replace the similar note 432 hertz that had existed for so long?

System 432 existed back in ancient Greece, starting from Plato, Hippocrates, Aristotle, Pythagoras and other great thinkers and philosophers of antiquity, who, as is known, possessed invaluable knowledge about the healing effects of music on humans and cured many people precisely with the power of music!

What note does the classical scale begin with? From the note "C", isn't it!? So, the note “do” in this scale will be equal to 512 hertz, an octave lower than 256 hertz, even lower - 128-64-32-16-8-4-2-1. Those. the lowest note will be equal to one vibration per second, accordingly this is the first note of the scale!

The greatest violin maker of all time, Antonio Stradivari (the secret of his mastery of creating instruments has not yet been revealed), created his masterpieces precisely in tuning 432 hertz!

The sound of 432 is much calmer, warmer and closer. You feel it with all your heart.

Plato's code or why it is impossible to hide the secrets of the divine frequency 432

Despite the control established by the Illuminati since the time of Helmholtz and the Nazi Goebbels, replacing the frequency of 432 with 440, musicians continue to play in an independent setting at the frequency of 432. Because there is a decrease in the stretch along the strings, the drummer thus weakens the skin of the drum a little, the keyboard player is easier to tune in to control .

Goebbels knew that frequency 432 had perfect harmonic balance. This is the only frequency that evokes the Pythagorean musical spiral, which contains the famous and unsolved PLATO CODE.

True, recently the American mathematician and science historian Jay Kennedy, who works at the University of Manchester in the UK, announced that he had cracked a secret code hidden in the works of the ancient Greek philosopher Plato. According to Kennedy, Plato shared the Pythagorean ideas about the music of the spheres - the inaudible musical harmony of the universe - and built his works according to the laws of musical harmony.

“One of the most famous Platonic dialogues, the Republic, is divided into twelve parts, according to the number of sounds in the chromatic musical scale, the ideas of which were among the ancient Greeks. Moreover, at each junction there are phrases that in one way or another relate to music or sounds,”- stated the researcher.

What are the ancient solfeggio frequencies? These are the original sound frequencies used in ancient Gregorian chants, such as the great hymn of St. John the Baptist. Many of them, according to church authorities, were lost centuries ago.

These powerful frequencies were discovered by Dr. Joseph Puleo. This is described in the book "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz.

Here they are:

Before- 396 Hz - Release from guilt and fear
Re- 417 Hz - Neutralizing situations and promoting change
Mi- 528 Hz - Transformation and miracles (DNA repair)
F- 639 Hz - Connection and Relationships
SOL- 741 Hz - Awakening Intuition
La- 852 Hz - Return to spiritual order"

Frequency 432 is obtained in an interesting way 700: PHI = 432.624
Or 24 hours x 60 minutes x 60 seconds = 864 | 000
864 / 2 = 432

SUBSCRIBE to OUR YouTube channel Ekonet.ru, which allows you to watch online, download free videos from YouTube about human health and rejuvenation. Love for others and for yourself,how the feeling of high vibrations is an important factor in healing - website

A small comparison of 432hz and 440hz using the example of Andantino de Mozart:

What do we know about the note A 432 hz? It doesn’t seem like much, because 60 years have passed since the International Organization for Standardization (ISO) adopted the “A” tuning of 440hz as the main one for concerts. In fact, no one plays in the 432hz system anymore. Musicians performing works from the Baroque era prefer “A” - 415hz, which was most often used before the Classical era. Modern musicians often use 440-442hz, and sometimes higher, as the most familiar and convenient tuning. But for a long period in musical history, it was the note “A” that was used, with a frequency of 432hz. Even after the adoption of the standard, in 1953, 23,000 musicians from France held a referendum in support of the "Verdi" 432hz tuning, but were politely ignored.

Where did the “A” 440hz come from, and why did it replace the similar note that had existed for so long - 432hz? The 432hz scale existed in ancient Greece, starting from Plato, Hippocrates, Aristotle, Pythagoras and other great thinkers and philosophers of antiquity, who, as is known, possessed invaluable knowledge about the healing effects of music on humans, and cured many people precisely by the power of music ! What note does the classical scale begin with? From the note "C", isn't it!? So, the note “C” in this tuning will be equal to 512hz, an octave below 256hz, even lower - 128-64-32-16-8-4-2-1. Those. the lowest note will be equal to one vibration per second, accordingly this is the first note of the scale! The greatest violin maker of all time - Antonio Stradivari (the secret of the mastery of creating instruments, which has not yet been revealed), created his masterpieces precisely in the tuning of 432 hz! When did the 440hz scale appear?

The first attempt to massively change the waves occurred in 1884, but through the efforts of G. Verdi, they maintained the same structure. After which they began to call A=432 “Verdiian system”. Later, J.C. Diegen, a US Navy man and student of the acoustic physicist Herman Helmholtz, in 1910 convinced the American Federation of Musicians, in its annual convention, to adopt A=440hz as the standard universal tuning for orchestras and bands. He was deeply interested in astronomy, geology, chemistry, and all branches of physics, especially the theory of light and sound, and he was considered a leader in the fields of music and acoustics. J.C. Digen designed the military chime, at 440 Hz, which was used for propaganda news in World War II. Also during World War II, in 1936, the Nazi propaganda minister and mastermind of mass control, Goebbels, revised the standard to 440hz as the frequency that had the greatest impact on the human brain, and could be used to control large numbers of people and Nazi propaganda. . After all, if you deprive the human body of its natural tuning and raise the natural tone a little higher, then the brain will regularly receive irritation. In addition, people will stop developing, many mental disorders will appear, a person will begin to withdraw into himself, and it will become much easier for him to lead. This was the main reason why the Nazis adopted the new frequency of the note "A".

But what guided you later when you adopted the 440hz tuning as the main one? I think the answer lies on the surface. Another interesting fact - famous violinist, 1st violin of the “Amadeus” quartet - Norbert Brainin was a supporter of the “Verdi” tuning fork. He performed on a Stradivarius violin, tuned “A” = 432 hertz, at many concerts, claiming that Stradivari designed the acoustics of his instruments precisely for this tuning.

Much has been found on the Internet about the preference for the setting A = 432 Hz, which mathematically corresponds to number series Fibonacci, and therefore the design of the Universe.

I needed to figure this out, so below are examples of the sources of information that I used while researching this FROM SPECIALISTS IN MUSIC AND INSTRUMENT SETTINGS.

Research by specialists in other subject areas is deliberately not presented here so as not to confuse the vision of the issue.

a selection of the most impartial and controversial publications covering the issue of introducing a frequency standard of 440 Hz for the note “A” of the first octave and the cessation of the use of the Pythagorean scale with the frequency of the note A equal to 432 Hz.

reasons for the controversy:

outlined in a number of publications, such as The 432Hz ‘God’ Note: Why Fringe Audiophiles Want to Topple Standard Tuning, or on the Russian Internet,

Question disclosure:

independent comparison of frequencies by studying the experiments with frequency and sound included in the link Cymatics experiment tonoscope 432-440Hz

examples 1-5 studies of the use of base frequency settings

From a metaphysical perspective, it is no coincidence that the interval between the frequency A = 440 Hz (equivalent to the note Fa = 741 Hz in the ancient original Solfeggio scale), and the frequency A = 444 Hz (Do (5) = 528 Hz in the ancient original Solfeggio scale), is known in musicology like the Devil's Interval, due to its extremely off-putting disharmonious sound produced when the two notes are played simultaneously. (36) More harmonious alternatives were obviously suppressed. For example, during last decade analysis of the frequency A = 444 Hz found that this frequency is more compatible with nature. (22) [Denis: here I again disagree and claim that the frequency A = 444 Hz also affects human consciousness negatively (but in a completely different and more subtle way) and I advise using the frequency A = 432 Hz, which is really more compatible with nature.]

If it were necessary to spiritually suppress humanity, the musical frequency of A = 444 Hz [and especially A = 432 Hz] would be strictly ignored, as it is. Religious leaders suppressed the original Solfeggio scale, in which the frequency A = 444 Hz (virtually equivalent to Do (5) = 528 Hz) is the tone of the "E" or "miracle" note played by the Pythagoreans, who, according to Tobias, subscribed to the bioenergetic epistemology described by Helmholtz. Most of this recovered knowledge was suppressed for thousands of years. However, Hydrosonics, LOVE528.com and LOVE The Real da Vinci CODE provide enough amazing details about A=444 Hz to cause worldwide outrage over the imposition of A=440 Hz and spark a musical revolution. (22) “Vitruvian Man” by Leonardo da Vinci This knowledge explains well why so many musicians intuitively feel better by going a semitone higher or lower than the standard frequency of A = 440 Hz. More natural options, especially the frequency A = 444 Hz (C = 528 Hz) and the frequency A = 432 Hz are gaining more and more popularity. (21, 22)

Example 2 for understanding the subject area

Purpose: To study the phenomenon of sound and sound formation, the properties of simple and complex sound; Study the sound recording process and the possibility of acoustic copying. Learn how sound is produced in various instruments.

Historical information - development of acoustics.
Fundamentals of musical acoustics.
Musical instruments.
Sound recording, sound digitization.
References.

Example 3

Let's check the harmony with arithmetic

Strictly speaking, both the piano and the grand piano are imperfect: the pianist is forced to use one black key where there should (theoretically) be two. . . The trombonist and violinist do not experience this disadvantage. Pythagoras, with his sound series, created the so-called Pythagorean comma: for him, the whole number of fifths did not fit into the whole number of octaves. (A fifth is one of the simple intervals, the top of which is a V degree in relation to the base. A pure quantum is 31/2 tones). Andreas Werkmeister carried out a reform - he evenly distributed the Pythagorean comma among all sounds of each octave. Only the octave emerged clean from this mess. The Werkmeister sound scale is visually embodied on the guitar neck; each distance between the thresholds is related to the neighboring (smaller) one, just as the twelfth root of 2 is related to 1. In the Moscow Museum musical culture them. M. Glinka has a grand piano, made by order of the musician of the last century V. Odoevsky. Each octave of this instrument has not 12, but 17 keys. . .

In order to play all the scales perfectly, you need to add about 70 keys per octave. It would be possible to play such an instrument only by running along the keyboard. Excellent is the enemy of good. The modern equal-tempered clavier is associated with the name of I.S. Bach (1685 - -1750). In an equal-tempered scale, the octave is divided into 12 equal intervals called semitones (chromatic semitones); A semitone serves as a unique unit of measurement in music. On a piano, the transition from a white key to a black key (next to it) is a semitone. The frequency of any tone in a scale can be obtained by multiplying the frequency of the lower previous tone by 1.06. For physicists, A has 426.6 vibrations per second, musicians prefer 440 vibrations per second - 440 Hz. In the USSR, the frequency a1 = 440 Hz was approved by OST 7710 and introduced on January 1, 1936.

The reference frequency at the time of the invention of the tuning fork in 1711 by the Englishman D. Shore was 419.9 Hz. In Russia, the “St. Petersburg tuning fork” with a frequency of 436 Hz was recognized. In 1858, the Paris Academy of Sciences recommended a tuning fork, the so-called normal one, with a frequency of 435 Hz. In 1885 in Vienna, this frequency was recognized as the international standard of pitch and was named musical system. At the beginning of the 20th century, on the initiative of the American Federation of Musicians, the frequency of 440 Hz became generally accepted - the reference (standard).

Example 4

"Correct" La

“When they talk about the pitch of a tuning fork, they usually say that it has been continuously raised up to the present day. To our knowledge, no documentary evidence of this has been provided anywhere. Meanwhile, in 1859, a congress of musicians (Auber, Halévy, Thomas, Rossini, Berlioz, Verdi, Lvov), physicists (Depres, Lissajous) and manufacturers took place in Paris musical instruments(Erard, Pleyel, etc.), at which this issue was comprehensively studied. The representative of Russia, director of the Court Singing Chapel A.F. Lvov, ordered a special device from Pleyel’s company (now stored in the State central museum musical culture named after. M.I. Glinka): this device contains various tuning forks, built in accordance with the data presented at the congress. We present the years and number of vibrations of each tuning fork: 1686 - 405 counts, 1781 - 409 counts, 1785 - 410 counts, 1799 - 429 counts, 1807 - 424 counts, 1831 g - 430 units, 1832 - 434 units, 1859 - maximum formation height is 449 units. At the congress, the tuning fork of the Court Singing Chapel, equal to 435 points, was adopted as an international standard.

From these data it is clear that in the times of Stradivari and Guarneri La was approximately a ton lower, and in the time of Villiam a quarter of a ton higher than modern La (440 col. )".

Example 5

INTERNATIONAL EXPERIENCE OF SCIENTIFIC AND ETHICAL AND PHILOSOPHICAL
STUDYING THE ROLE OF MUSICAL ART (PIANISM PHENOMENON)

Technically, we were talking about psychosomatics as the basis of perception: already in the ancient period of the development of acoustics, the relationship between the pitch and the length of the sounding body (strings, pipes), the idea of the interdependence of sound pitch and vibration frequency was discovered. It should be noted that much later the “imperfections” of the Pythagorean scale will be revealed, and it will be replaced by an equal-tempered scale. Only in the 16th century, after an impressive break, the focus of researchers’ attention was again on the problem of “establishing a connection between the pitch of a tone and the number of vibrations of the body” (research by G. Benedetta, I. Beekman, M. Mersenne, experiments by G. Galileo). Since the 17th century The theoretical, mathematical basis of musical acoustics also begins to develop (R. Hooke, I. Newton, R. Boyle). It should be noted that the most prominent place in the history of musical acoustics is occupied by strings (since strings are used as a source of vibrations in many musical instruments). The discoveries of B. Taylor are important in this area. In the 18th and 19th centuries. Research and discovery in the field of musical acoustics continues. In connection with what was said earlier, it is interesting to trace the change in the standard frequency of the tone of A of the first octave in an equal-tempered tuning. It is known that in the times of Handel and Mozart, in early XIX century, the vibration frequency of the first octave was 422 Hz, and at the beginning of the 20th century. it reached 461.6 Hz (in some American orchestras). The London Philharmonic Orchestra in 1826 was tuned to A = 422 Hz, and already in 1845 it rose to 455 Hz. At the Stuttgart conference in 1834, the frequency of the A tone of the first octave was adopted at 440 Hz. In France, the standard A was 435 Hz (established thanks to Koenig's research on tuning forks (1859)). Thus, in 1891, the International Committee recommended establishing an “international pitch standard” in Europe and America - A = 435 Hz at a temperature of 20°C. In addition, it was proposed to accept as a compromise the pitch A = 438 Hz as an average between the Stuttgart 440 and the French 435 Hz. Still in different countries both of these standards exist in the world, despite the fact that in most countries the standard a = 440 Hz is still established, including in our country (in accordance with OST 7710). However, this standard is not always met. For some reasons in big orchestras, which include wind instruments, the scale is raised to about 443 Hz. In 1955 International organization According to standardization (ISO), the A scale of 440 Hz was adopted as the main (concert) scale (in 1953, 23,000 musicians from France tried to prevent the increase of the “Verdi” scale of 432 Hz, but the attempt led to nothing). It is assumed that the 432 Hz scale existed in antiquity. The higher pitch (440 Hz) may be due to the need for musicians to play at higher pitches. concert halls before a large number listeners (the instrument sounds bright, “concert-like”, and is capable of “sounding” a large space). With a lower pitch, the sound is more intimate, muffled. "Endurance" modern instruments, the quality of the material from which the parts are made (metal, strings, wood) has also increased. A brighter, more intense sound can have an exciting, invigorating effect on the listener. The influence of music is studied by researchers from different fields of knowledge who study the psychological and physiological states of humans.

At one of the master classes of the Solaris club, opened by Daniil Rudakov and me, we talked about the healing power of music recorded at a frequency of 432 Hertz. I provided evidence that the ISO organization, which sets standards that manufacturers of musical instruments must follow when tuning them and authors when composing music, has adopted 440 Hertz tuning as the main tuning for concerts. Nowadays, the music we hear on radio and television, as well as the bulk of audio recordings, is produced at this frequency.

What do we choose: love or fear?

Ancient Greek manuscripts read: “ Musical education– the most powerful weapon, because rhythm and harmony penetrate into the innermost depths of the human soul.”

There is only 8 Hertz difference, but 432 Hertz is the healing frequency, and 440 Hertz is the suppressive frequency.

The first attempt to massively change the waves occurred in 1884, but through the efforts of G. Verdi they retained the previous system, after which the setting “A” = 432 hertz began to be called the “Verdi system”.

Shortly before World War II, in 1936, the Nazi minister and mastermind of mass control, P. J. Goebbels, revised the standard to 440 Hertz, the frequency that has the strongest effect on the human brain and can be used to control large numbers of people and propaganda. Nazism This was explained by the fact that if the human body is deprived of its natural tuning and the natural tone is raised a little higher, the brain will regularly receive irritation. In addition, people will stop developing, many mental abnormalities will appear, a person will begin to withdraw into himself, and it will become much easier for him to lead. This was the main reason why the Nazis adopted the new frequency of the note "A".

The question naturally arises: what guided the ISO organization when it adopted the 440 hertz scale as the main one? Even after the adoption of the standard, in 1953, 23,000 musicians from France held a referendum in support of “Verdi's” 432 hertz tuning, but were politely ignored.

In the first half of the 20th century, three tuning forks were encountered and used in practice.

A standard tuning fork, common in Russia, produces the sound “A” of the 1st octave with a frequency of 440 Hz. In Nazi Germany, the tuning fork was tuned to a frequency of 449 Hz. In some European countries tuning forks have a frequency of 432 Hz.

The 432 Hertz scale existed in ancient Greece, starting from Plato, Hippocrates, Aristotle, Pythagoras and other great thinkers and philosophers of antiquity, who, as is known, possessed invaluable knowledge about the healing effects of music on humans and healed people precisely with the power of music! The greatest violin maker of all time, Antonio Stradivari (the secret of his mastery of creating instruments has not yet been revealed), created his masterpieces precisely in tuning 432 hertz!

Sound and music

Music is vibration - it is energy. Each person's voice has its own sound frequency, and our thoughts are also waves that are either full of harmony or dissonance. Many of us want to raise our own vibration so we can open ourselves to new energies of peace, goodness, abundance and love. AND important step is awareness of what kind of music we listen to and what effect it has on our body and on the body of planet Earth.

Indian philosophers have been healing and maintaining health through speech for centuries. Those who have studied singing know how important physical exercise For vocal cords how they help keep the throat, chest area and nervous system. Clearly singing the sounds “om”, “hraam”, “khriim”, “khruum”, “khraym”, “hraum” and “khraa” has beneficial influence on vital human organs.

In the book " Secret power music" David Tame claims that there is not a single function in human body, which would not be influenced by music. “Research has shown that music affects digestion, internal secretion, blood circulation, nutrition and breathing... Music affects the body in two different ways: direct effect, i.e. the effect of sound on cells and organs, and indirect effect through its effect on emotions, which , in turn, influence many processes in the human body.”

Music is a force that can be used for both good and evil, and is a factor that sets the direction for the development of civilization. Aristotle said: “One must always beware of the introduction of a new type of music as a possible danger to the entire state, since a change in the style of music always affects the most important aspects political structure."

And yet harmony returns!

While I was writing this article, I found a lot of conflicting reviews about frequency 432: the comments were either devastating or enthusiastic. To understand, I suggest listening to this composition by Mozart, which was recorded first at a frequency of 432 Hertz, and then at 440 Hz. As you listen, pay attention to how you feel and how your body reacts.

Did you feel the difference? Perhaps not. I felt uncomfortable listening to the second recording and I felt the dissonance right away (I did, because I didn’t watch the video, the music was playing, but I looked at the information about frequency 432 on the Internet).

Our subconscious, our body understands the difference. 432 Hz is awakening, opening of the heart center, the level of love, harmony, joy. 432 Hertz is also called the frequency of the Universe. And 440 Hz is the mental level, the level of ego, control, fear and power. Suffice it to say that all pop music is written at this frequency (no comments here).

A short excerpt from the brochure music album Janos "Sound Activations":

“Music on this scale corresponds to the vibration of our DNA, which, like holograms (codes of sacred geometry), produces a healing effect. Music at a frequency of 432 Hz is calming, sounds clearer and more pleasant to the ear, and also has a positive effect on the chakras: the 440 Hz level works at the level of thinking (3rd eye chakra), and the 432 Hz level expands feeling (heart chakra) and accelerates our spiritual growth.

Sacred Geometry is a language that we do not speak, but which we feel. By focusing our gaze on holograms, within us are activated and decoded certain qualities. Geometric shapes exist in both visual imagery and sound. Music carries vibrations, and the rhythm of the body is tuned to the frequency of the Earth and the Universe.