N. Kalugina - Repertoire of modern folk ensembles and amateur folk choirs. What does Russia sing about? What folk ensembles do you know the names of?

  • Krasnoznamenny named after A.V. Aleksandrova song and dance ensemble of the Soviet Army under the direction of B.A. Aleksandrov perform revolutionary songs “Orelik”, “Listen”, “Black Raven”, songs “Along the Narrow Bridge” by K. Akimov, “Holy Leninist Banner” "A.V. Aleksandrova, "Song of the pilots" by B.A. Aleksandrova, "At a camping halt" by L.O. Bakalova, "Goodbye, city and hut", "Song about Shchors", "Under our banner", " Soldier's service", "The sun disappeared behind the mountain", "High-speed tanks" by M.I. Blanter, "The Black Sea Sun is burning" by A.P. Dolukhanyan, "Naval Guard" by Yu.S. Milyutin, "Wait for the soldier", "The waves will scatter" "B.A. Mokrousova, "Russia", "Smuglyanka" by A.G. Novikov, "Near the Garden" by G.N. Nosov, "Song of Troubled Youth" by A.N. Pakhmutova, "The Wave is Noisy, the String is Ringing "Yu.M. Slonova, "On the Road", "On a Sunny Meadow" by V.P. Solovyov-Sedoy, "At the Native Frontier" by V.K. Sorokin, "Guards Polka" by B.M. Terentyev, "Lenin is always with you”, “We are for peace”, “My beloved homeland”, “I was leaving for the army” by S.S. Tulikov, “There is a good town in the north” by T.N. Khrennikov.
  • The VR Song Ensemble under the direction of A.S. Andrusenko performs the songs “Like at Dawn” by N.P. Budashkin, “Budyonny’s Horse” by A.A. Davidenko, “My Komsomol Youth” by A.P. Dolukhanyan, “Song of Past Campaigns” by Z .L. Kompaneitsa, “We Went Hiking” by K.Ya. Listov, “Song about Voroshilov” by F. Sabo, “Song about Lazo” by F. Sadovoy, “Rapid Spaces” by A.G. Flyarkovsky, “Waltz of Friendship” by A. I. Khachaturyan, “Song of the Don Cossacks” by N.K. Chemberdzhi.
  • The State Russian Folk Choir named after M.E. Pyatnitsky under the direction of P.M. Kazmin performs the songs “Song of Our Youth” by P.S. Akulenko, “Our Strength is in the Just Cause,” “Glory to the Soviet Power,” “A Border Guard Came from Service” V.G. Zakharova, “Don’t lag behind your friends” Z.L. Kompaneets, “Let’s be friends”, “Raise the Banner of Labor”, “The party is faithful to the people” A.G. Novikov, “ Soviet Russia» S.S. Tulikova.
  • The State Russian Folk Choir of the Northern Song under the direction of A.Ya. Kolotilova performs the songs “Belomorets” by V.A. Laptev, “Clear Month” by A.G. Novikov.
  • The VR Russian Song Choir, directed by N.V. Kutuzov, performs the songs “Why We Love Our Motherland” by P.S. Akulenko, “Moscow Festival” by G.N. Grankin, “Timoshka’s Curls Are Curly” by Yu.M. Slonov.
  • The State Siberian Russian Folk Choir under the direction of V.S. Levashov performs V.S. Levashov’s songs “I was sitting under the window”, “The sea spilled without edge”, “Wide steppes”.
  • The Voronezh Russian folk choir under the direction of K.I. Massalitinov performs K.I. Massalitinov’s songs “They say that I’m good”, “The nightingale has flown away”.
  • The State Volga Folk Choir under the direction of P.M. Miloslavov performs songs by G.F. Ponomarenko “ Saratov choruses" and "Here near Kuibyshev."
  • The ensemble "Beryozka" under the direction of N.S. Nadezhdina performs I.O. Dunaevsky's song "Oh, the viburnum is blooming."
  • Chuvash state ensemble songs and dances under the direction of F.M. Lukin perform the songs “Favorite Party” by F.M. Lukin, “Glory to the Native Party” by G.Ya. Khirby.
  • The VR Big Choir under the direction of K.B. Ptitsa performs the songs “Dawn of Ages” by A.A. Babaev, “Resort Song”, “Fly Doves” by I.O. Dunaevsky, “We Sing” by S.A. Zaslavsky, “Our Soviet power" by D.B. Kabalevsky, "Country of October" by F.I. Maslov, "Glory to our native state" by K.V. Molchanov, "March of the Communists" by A.G. Novikov, "We are communists", "This is the youth coming "S.S. Tulikova, "Hail the Great Soviet Union"A.N. Kholminova, "The sun shines on us" by R.K. Shchedrin.
  • The State Academic Russian Choir of the USSR under the direction of A.V. Sveshnikov performs revolutionary songs “You have fallen as a victim”, “We are blacksmiths”, A.G. Schnittke’s song “Wherever you go or go”.
  • The Ural Russian folk choir under the direction of L. L. Christiansen performs G. I. Vekshin’s song “Groom”.
  • The VR Song Ensemble, directed by V.V. Tselikovsky, performs the songs “We are going, friends” by V.I. Muradeli, “Soviet Country Komsomol” by S.S. Prokofiev.
  • The children's choir of the Moscow City House of Pioneers and the orchestra conducted by V.S. Loktev performs the songs “Fly the Wind” by V.S. Loktev, “Pioneer” by A.I. Ostrovsky.
  • The Ryazan Russian Folk Song Choir under the direction of E.G. Popov performs E.G. Popov’s songs “Birch”, “In the Meadow, on the Shore”, “Russian Blizzard”.
  • The State Belarusian Folk Choir under the direction of G.I. Tsitovich performs A.G. Flyarkovsky’s songs “Autumn Lines”, “After the Rain”.
  • State Academic choir chapel The BSSR, under the direction of G.R. Shirma, performs the song “My beloved land” by G.K. Pukst.
  • The State Ukrainian Folk Choir under the direction of G. G. Verevka performs G. G. Verevka’s song “Shakhterochka”.
  • The Soviet Song Ensemble of the Latvian Radio, directed by T. Kalnins, performs the songs “Zhiguli” by B.A. Mokrousov, “Long live the Moscow Festival” by A.I. Ostrovsky, “Love and Friendship” by S.S. Tulikov.
  • The State Choir of the Lithuanian SSR, under the direction of K. Kavyackas, performs K. Kavyackas’ songs “The Earth Wept in the Evening Twilight”, “The Fisherman’s Song”.
  • The vocal and instrumental ensemble "Werner" (GDR) performs the songs "Only Eleven Years" by H. Bath, "Kiss Me" by B. Davy, "Song of Love" by I. Riadon, "Tell" by S. Fein, "About the First Meeting" .Eichenberg.
  • Vocal quartet “Cheyanda” (Poland) performs the songs “Your loving eyes” by A. Belostotsky, “I am in love with my Warsaw” by E. Wieler, “Song about the Vistula” by V. Gan, “Under the sky of Paris” by Z. Zhiro, “Your heart is with me” by N. Zemensky, “The Lighthouse” by T. Kucher, “The Game of Blind Man’s Bluff” by A. Mushinsky, “Captain”, “Don’t teach me to dance” by V. Shpilman.

The textbook covers the main issues of working with a Russian folk choir. This edition has been revised and expanded. Intended for teachers and students of leadership training departments folk choir music universities.

PREFACE
With the development of Soviet choral art, interest in national traditions, including to folk choirs, is increasingly increasing. With their versatile concert and creative activities, folk choirs have won a strong place in Soviet performance, as they represent an independent type of choral art that has the deepest traditions. Based on the generalization of the creative practice of these groups, it became possible creation methods of working with the Russian folk choir, and the need arose vocational training specialists in this field of leadership of folk choirs.
In 1966 (for the first time in Russia!) at the department choral conducting The State Musical and Pedagogical Institute named after Gnesny opened a department for training Russian leaders folk choirs. In parallel, such a department began to function in the Saratov, and later in the Ural Conservatories. After this happened sharp turn in the professional system music education: a network of folk choral departments has emerged and continues to grow in cultural institutes, music and cultural-educational schools. At educational institutions Folklore rooms for Russian music and Russian folk song clubs are being created. All this should bridge the gap that long time existed between vocational training and the practice of folk music, and prepare choral conductors wider profile, meeting the requirements of life.

The education of folk singers in choirs is carried out in a practical way, therefore the methods of educational and artistic work in them are diverse. Nevertheless, the basic methodological principles are the same and can be studied in a special course. It should be taken into account that folk performance of our days continues to develop: the features of the style of the modern Russian folk choir, its vocal and choral organization and methodological principles are still being researched and systematized. This will create a certain difficulty when learning how to work with a choir.
The purpose of this course is to give future choral conductors knowledge in the field of leading a Russian folk song choir, to instill the necessary ability to navigate the stylistic features of this choir for applying them in their performing activities, as well as an interest in various forms of work in a folk choir. This course consists of lectures, seminars and prepares students to practice working with a folk choir.

The textbook covers the main issues of the lecture course: organization of the choir and selection of performers, repertoire and singing education, improvisation, work on the content and performance of songs and others.
Some of the sections are not strictly methodological, for example: style features Russian folk choir, vocal-choral structure, score. Nevertheless, consideration of them is necessary to understand theoretical foundations folk choir, since we do not yet have a scientific development of dance and choir management in the field of folk singing. Known only individual works dedicated to these issues.
In the section “Folk Choir Scores,” only some regularities of folk choral scores are analyzed and issues of arrangement are almost not addressed, since the methods of processing and arrangement for folk choir compositions require special research.

The experience of the folk choral departments of music universities led the author to the need to add a chapter on professional folk choirs to the second edition of the textbook. Some of them are known only from newspaper and magazine reviews of individual concerts. We have collected and systematized the material recent years creative activity all twelve choirs. The sheet music appendix provides the characteristic scores of these choirs. This edition includes one more new chapter- “Instrumental accompaniment in a folk choir”, also necessary for future leaders of groups.
The list of references given at the end of the textbook includes recommendations for individual chapters.

Preface
1. From the history of the formation of the Russian folk choir genre.
2. Genre features and performing forms of modern Russian folk choir
3. Repertoire.
4. Vocal-choral structure
5. Score of the Russian folk choir
6. Organization of a folk choir and selection of performers
7. Singing education
8. Working on songs with movement elements
9. Issues of improvisation Collective creativity
10. Work on the content and performance of songs
11. Organization of execution
12 Instrumental accompaniment in a folk choir
13. Musical and educational work in the folk choir.
14. Features of the activities of the leader of a folk choir.
15. Professional Russian folk choirs
Literature

Sheet music application:

OH, YES YOU, NIGHTS Folk song of the Moscow region.
ON THE HILL, ON THE SHORE. Words and melody by A. OLENICHEVA. Arranged by V. ZAKHAROV
WHITE SNOW. Words and tune by A. OLENICHEVOI. Arranged by A. KOLOSOV
PODMOSKOVNAYA LYRICAL. Words by V. BOKOV. Music by N. POLIKARPOV
Oh, YOU MOUNTAINS. Ural folk song. Chant Ural choir
IT'S NOT A WHITE DAWN. Penza folk song. Arranged by N. KUTUZOV
VOROBYEVSKY MOUNTAINS. Russian folk song
MOMMY SCORES. Folk song of the Krasnoyarsk region
DID THE EAGLE AND SWAN BATH? Folk song of the Moscow region.
I CAN'T DO ANYTHING WITH MYSELF. Words and music by N. POLIKARPOV
NOISE, NOISE, DOUBRAVASHKA. Music by A. ABRAMSKY. Words by N. GERASIMOVA
FROM THE SIBERIAN SPACIOUS FIELDS. Melody and words of the Krutinsky choir. Chant of the Omsk Choir
IN THE HALUT FIELD. Folk choir chant
YOU, SIBERIA, ARE YOUR NATIVE SIDE. Chant and words by A. OLENICHEVA
BAND. Folk song of the Voronezh region.
AM I ALSO YOUNG. Words by N. GERASIMOVA. Music by A. ABRAMSKY
THERE IS A SEA IN THE FAR EAST. Folk song of the Irtysh Cossacks. Recording and processing by E. Konkov
IT WAS GOOD, BROTHERS, IN THE SQUAD. folk song Krasnodar region
FLOWERS, MY FLOWERS. folk song Rostov region
Scores of the State Russian Folk Choirs
VETERANS SITTING. Music by A. PAKHMUTOVA. Words by M. LVOV Arranged by V. Levashov. From the repertoire of the choir named after. Pyatnitsky
BEHIND DVINA, BEHIND THE NORTH. Words by V. BOKOV and POLIKARPOV. From the repertoire of the Northern Folk Choir
OH YOU, FROZES Folk song of the Rostov region. From the Ensemble's repertoire Don Cossacks
EH, WHAT ABOUT YOU, POLYA. Arranged by K. MASSALITINOV. From the repertoire of the Voronezh Folk Choir
ON THE MOUNTAIN, ON GORONKE. Folk song. Processing by V. GORYACHYKH. From the repertoire of the Ural Folk Choir
WHAT IS BURNING IS BURNING. Arranged by V. LEVASHOV From the repertoire of the Siberian Folk Choir
I DIDN’T KNOW, I DIDN’T KNOW. Arranged by N. KUTUZOV From the repertoire of the Radio Russian Song Choir
WELL, MY NIGHT. From the repertoire of the Ryazan Folk Choir Arranged by E. POPOV
SIBERIAN SUFFERINGS. Processed by E. KALUGINA. From the repertoire of the Omsk Folk Choir
OH, STAFF, THE REEDS FALLED. Arranged by M. CHUMAKOV. From the repertoire of the Volga Folk Choir
YOU ARE WIDE, STEPPE. Russian folk song. Arranged by A. KOLOSOV From the repertoire of the Orenburg Folk Choir
OH, POLY HAS THREE TRACKS. Song of the Black Sea Cossacks. Arranged by Y. ZATSARNY From the repertoire of the Kuban Cossack Folk Choir

From April 19 to April 22, 2013 The choir participated in the All-Russian festival-competition of musical and artistic creativity " Open pages» in Tula.

From May 7 to May 11, 2014, the Russian song choir “Springs of the Soul” became a diploma winner of the festival of vocal-choral, instrumental and theatrical creativity“Land of Magnolias” in Sochi.

October 2, 2016 - WINNER of the 1st degree of the All-Russian competition of talents and talents “Life in a Fairy Tale”.

Meetings of team members are held regularly to celebrate important dates life of the country, public and Orthodox holidays, birthdays of team members.

The basis of the creative activity of the group is, of course, the promotion of Russian folk songs, which, like a balm, falls on the hearts of our viewers, wherever the group performs.

This group is unique in its uniqueness in that its repertoire includes folk songs of Russia, Ukraine, songs of contemporary composers and even romances. There are many songs in the band's repertoire about native land and about the Motherland in general.

The Russian Song Choir was created in 1971 at the Belgorod Vitamin Plant under the direction of N.I. Chendevoy. The choir consisted mainly of workers and technical workers of the plant. Over the years he became younger, and by 1992 there were no more members left in the choir. a large number of first lineup of participants. But the choristers kept in touch with each other. In October 2002, the choir resumed its activities under the direction of Honored Artist of Russia M.I. Belousenko.

The choir began its concert activities in May 2003 and in a short period of time gave a large number of concerts to audiences in Belgorod and the region. The team is in great demand and is constantly being replenished with new members. The choir's repertoire is constantly expanding. In 2004 and 2007 the team became a laureate of the International Russian Festival folk art in Ukraine "Talitsa" (Kharkov). The Russian Song Choir is a laureate and diploma winner of many International, All-Russian, regional and regional competitions and festivals, and a participant in all significant events of the city and region. Has the title “People's Collective”.

On March 26-27, 2011, the II International festival-contest choirs and vocalists "Silver Wind". All vocal nominations were presented at this festival: folk, pop academic vocals, solo, ensemble and choral singing. “Folk group” Russian song choir “Springs of the Soul” in the “folk choir” nomination was awarded a 1st degree Laureate diploma and, as the best choir group, was awarded the Grand Prix.

On April 8-10, 2011, the television International Vocal Art Festival took place in Yalta (Ukraine). The choir of the Russian song “Springs of the Soul” was awarded the Cup and diploma of the 1st degree Laureate in the category “ folk vocals", once again confirming his high level and love for Russian folk songs.

April 28, 2012 at concert hall The Belgorod State Folk Art Center held a festive concert of the Russian song choir “Springs of the Soul”, dedicated to the 10th anniversary of the creative activity of the group. The concert program was attended by: Russian dance ensemble “Bylina” under the direction of Honored Worker of Culture of the Russian Federation V.I. Belykh, vocal and choreographic ensemble “Belogorye” under the direction of Honored Worker of Culture of the Russian Federation N.I. Chendevoy, ensemble ballroom dance“Grace” (director - Honored Worker of Culture of the Russian Federation V.A. Babkin), Cossack song ensemble “Sisters and Cossacks” under the direction of V.M. Dolgosheeva. The choir "Springs of the Soul" performed Russian, Ukrainian and Cossack folk songs, modern composers, songs by Belgorod composer Alexander Grigorievich Syomka. The enthusiastic applause of the audience sounded non-stop. At the end of the celebration, the team was awarded Thanksgiving letters from the Department of Culture of the Belgorod Region, the Belgorod State Folk Art Center for many years of active participation in amateur artistic creativity and in connection with the 10th anniversary of the creation of the team.

11/29/2016 at the Aviator State Cultural Center, as part of the children's music philharmonic Airport nursery music school will take place concert-presentation teacher's project Biserova Anastasia Viktorovna "FOLK CHOIR OF RUSSIA".

Choral groups of the choral and instrumental departments took part in the project (teachers - Biserova A.V., Maltseva L.Yu., Abanshina S.M., accompanists - Biserov S.I., Rtishchev P.A., Sharkova I.N. , Avdeeva Yu.A.)

I represented the Northern Russian Folk Choir.

The idea of ​​this event was as follows.

Students from the Airport Children's Music School made a report on one or another state folk choir. Then the choir, ensemble or soloists of the music school introduced the audience to the repertoire of this choir or performed a song from the region to which the folk choir belongs. The speaker was encouraged to present a typical (possibly stylized) folk costume a given region of Russia.

In total, students of the music school prepared 12 presentations on state folk choirs:

  1. Ensemble of Don Cossacks. them. Kvasova,
  2. Volga Folk Choir named after P.M. Miloslavova
  3. Voronezh Folk Choir named after K.I. Massalitinova
  4. Kuban Cossack Choir
  5. Omsk Folk Choir
  6. Orenburg Folk Choir
  7. Ryazan Folk Choir named after E.G. Popova
  8. Northern Folk Choir
  9. Siberian folk choir Ural folk choir
  10. Choir named after M.E. Pyatnitsky
  11. State vocal and choreographic ensemble "Rus" named after Mikhail Firsov
  12. State Penza Folk Choir

********

Here is the text of my report-presentation about the Northern Russian Folk Choir.

The date of creation of the State Academic Northern Russian Folk Choir is considered to be March 8, 1926.

The ensemble was originally formed from a circle amateur performances, which was organized in 1919 by Antonina Yakovlevna Kolotilova, a rural teacher from Veliky Ustyug. At first it was an amateur ensemble, then an amateur choir.

In 1931, Antonina Yakovlevna moved to Arkhangelsk, which became the new home of the Northern Choir.

In 1936 Northern choir takes part in the All-Union Radio Festival and becomes its laureate.

It is worth noting that throughout this time, since 1919, the members of the ensemble were ordinary people, often not knowing the notes, having worked a shift at their main job and getting together in the evening to sing folk song. AND I. Kolotilova, having education and experience pedagogical work, just gave it raw folklore material academic form, elevating folk song, putting it into a stage image.

After all, performing in an ensemble is also difficult because in a group, in addition to your personal vocal abilities, you need to be able to listen and hear others, support other voices, give in, and advance with your voice where necessary. Otherwise, it will turn out like in I.A. Krylov’s fable “Swan, Crayfish and Pike.” Each vocalist pulls the blanket over himself, and there is no result in the form of a beautiful song composition. Group performance is always more difficult than solo performance, but it is also more interesting.

What A.Ya. Kolotilova managed to find such people and put together a team, which testifies to how intertwined the song was with life. ordinary person some 100 years ago.

February 2, 1940 - the group is given professional status, which allows the immediate creation of dance and orchestral groups.

Northern choir became a prominent representative one of the main stylistic geographical zones in Russian song folklore - Northern Russian. Geographically, it is distributed in the territories of modern Novgorod, Arkhangelsk, Leningrad and Vologda regions.

In the North, all genre varieties of ritual and everyday song lyrics still exist: wedding corils, great songs, dance songs, buffoon songs, carols, “grapes” and Maslenitsa songs. The most iconic and characteristic of the north is the genre of round dance songs.

Originality folk songs gives the northern dialect. It is generally accepted that “northern speaking” means surrounding.

A distinctive feature of northern choral performance is a soft, non-shouting sound. This is due to the fact that in the North, due to climatic conditions, women sang a lot indoors. Hence, many researchers call northern singing this way - hut.

Folk songs performed by the Northern Choir cannot be confused with anything else. Everyone can recognize their costumes. The choir embodies in its images folklore traditions typical costume complex of the north. With his sundresses, soul warmers, rich headdresses. Throughout its history, the Northern Choir very carefully collected and conveyed to the viewer the features of northern songs.

Great Patriotic War I found the choir in Veliky Ustyug. Trips to military units and hospitals of the Volkhov, Leningrad and Karelian fronts began. During this time, the artists gave 1,100 concerts in military field conditions.

All post-war period, until 1961 - this is the period of resounding success of the Northern Choir. AND I. Kolotilov and the Northern Choir team received many awards during this time state awards and titles.

From 1961 to 2008 artistic director Nina Konstantinovna Meshko ( People's Artist USSR, laureate State Prize RSFSR named after Glinka, professor of the department of choral and solo folk singing of the Gnessin Russian Academy of Music).

In December 2008, Svetlana Konopyanovna Ignatieva became the artistic director of the Northern Choir. , who holds this position to this day.

All creative path Northern Choir and its leaders, especially A.Ya. Kolotilova is a vivid example of how an ordinary person, thanks to his work, is able to leave behind an imperishable mark for future generations. This year Northern choir turned 90 years old. The person is no longer alive, the first members of the ensemble are no longer alive, but the collective works, brings the folk song to the people. Perhaps this is real immortality! When the result of your work, even after you are gone, continues to benefit people.

Northern costume.

My mother and I have been sewing a costume representing the Russian north since August. The basis for the costume that my mother and I invented, compiled and sewed were samples of costume complexes from the collections of the State historical museum, Russian ethnographic museum, State Russian Museum, Sergei Glebushkin.