Sobakevich's possessions Mikhail Semenovich Sobakevich in the poem "Dead Souls" in the gallery of images appears to readers as the fourth character in a row. Acquaintance with him begins long before the appearance of the hero himself. Chichikov's gaze opens up a large village with strong and solid buildings. The house of the landowner himself seemed to have been determined "for eternal standing." The buildings that belonged to the peasants also surprised Chichikov with their reliability and good quality. In the description of the landscape, attention should be paid to the forests that surround the village. On one side there was a birch forest, and on the other, a pine forest. This also indicates the thriftiness of the owner of the estate. Gogol compares the forest with the wings of the same bird, but one of them is light and the other is dark. Perhaps this is an indication of the nature of the character. So Gogol prepares the reader for the perception of the difficult image of the landowner Sobakevich.
The appearance of Sobakevich Gogol gives a description of Sobakevich, his external characteristics in comparison with animals and inanimate objects. This is a medium-sized clumsy bear. He moves by stepping on someone's feet. His coat is bearish. Even the name, Mikhailo Semenovich, causes the reader to associate with an animal. This was done by Gogol not by chance. The characterization of Sobakevich, the description of his inner world begins precisely with the perception of the character's appearance. After all, we first of all pay attention to such features. The complexion of Sobakevich's face, which was red-hot, hot, like that of a copper penny, also indicates some kind of strength, inviolability of character.
Description of the interior and the image of the hero of the poem The interior of the rooms where Sobakevich lived is unusually similar to the image of the owner. Here the armchairs, the table, the chairs were as clumsy, cumbersome, heavy as he was. The reader, having familiarized himself with the description of the hero's appearance, his environment, may assume that his spiritual interests are limited, that he is too close to the world of material life.
What distinguishes Sobakevich from other landowners The image of the landowner Sobakevich, having many similarities with other characters in the poem, at the same time is very different from them. It brings some variety. The landowner Sobakevich not only himself loves reliability and strength in everything, but also gives his serfs the opportunity to live thoroughly and stand firmly on their feet. This shows the practical acumen and efficiency of this character. When a deal was made with Chichikov for the sale of dead souls, Sobakevich personally wrote a list of his deceased peasants. At the same time, he remembered not only their names, but also the crafts that his subordinates owned. He could describe each of them - name the attractive and negative aspects of a person's character. This indicates that the landlord is not indifferent to who lives in his village, who he owns. At the right moment, he will use the qualities of his people, of course, to his advantage. He absolutely does not accept excessive stinginess and condemns his neighbors for this. So Sobakevich speaks of Plyushkin, who, having eight hundred souls of serfs, eats worse than a shepherd. Mikhailo Semenovich himself is very happy to please his stomach. Gluttony, perhaps, is his main thing in life
Making a Deal This is an interesting point in the poem. The moment of concluding a deal related to the purchase of dead souls tells a lot about Sobakevich. The reader notices that the landowner is smart - he understands perfectly what Chichikov wants. Again, such features as practicality and the desire to do everything for the benefit of themselves come to the fore. In addition, in this situation, the straightforwardness of Sobakevich is manifested. Sometimes it turns into rudeness, ignorance, cynicism, which is the real essence of the character.
What is alarming in the description of the image of the hero Characteristics of Sobakevich, some of his actions, statements make the reader alert. Although much of what the landowner does, at first glance, seems worthy of respect. For example, the desire to ensure that the peasants stand firmly on their feet does not at all indicate the high spirituality of Sobakevich. This is done only for the benefit of oneself - there is always something to take from a strong economy of subjects. About city officials, Sobakevich says that they are swindlers, "Christ-sellers." And this is most likely true. But all of the above does not prevent him from having some profitable business and relationships with these scammers. His attitude to science and education is sharply negative. And the people who do this, Mikhailo Semenovich would have hanged - they are so hated by him. This is probably due to the fact that Sobakevich understands that education can shake the established foundations, and this is unprofitable for the landowner. Hence his heaviness and stability of views.
Mortality of the soul Sobakevich's characterization, with all its positive and negative aspects, allows us to draw the main conclusion: the landowner Mikhailo Semenovich is dead just like his neighbors, officials from the city, the adventurer Chichikov. Having an established character, lifestyle, Sobakevich and his neighbors will not allow any changes around them. Why do they need it? To change, a person needs a soul, and these people do not have it. Gogol never managed to look into the eyes of Sobakevich and other characters in the poem (except Plyushkin). This technique once again indicates the absence of a soul. The deadness of the characters is also evidenced by the fact that the author tells very little about the family ties of the characters. One gets the impression that they all came from nowhere, they have no roots, which means there is no life.
"The image of Manilov" - Manilov. The original portrait of Manilov, the hero of the poem by N.V. Gogol. A cloying courtesy and a sensitive phrase. Manilov is far from the most negative character in the poem. To reveal the image of the hero from different angles. Talking portrait. Speech characteristic. Psychological characteristic. For Manilov, speech is pure poetry.
"Gogol's poem Dead Souls" - N.V. Gogol. A. Ivanov. The beginning of work on the poem - 1835. N.V. Gogol. Creative work. Poem "Dead Souls" What do we see when traveling with Chichikov? F. Moller. Work in groups: 1) Follow the route of P.I. Chichikov around the city. Gogol's drawing for the poem. Rome walks. Chichikov's arrival in the city n.
"Analysis of "Dead Souls"" - Gogol once again refers to the name of Dante. “... in parody lies the strengthening of the content” O. Freidenberg. Belinsky will point to a real-historical character. A.N. Veselovsky in connection with Gogol. On the influence of The Divine Comedy on Dead Souls. Get rid of mixed images. S. Chambinago. Kupreyanov. Genre-style and plot-compositional features.
"The image of Chichikov" - The image of Chichikov P.I. Memory. Dead Souls. Chichikov Pavel Ivanovich School life. Old house. Chichikov is quiet and inconspicuous. Money. Evil. Hope.
“Dead Souls in illustrations” - Nikolai Vasilyevich Gogol is an absolute genius. Significant experience in illustrating Dead Souls. Wealth of individual traits. Gogol's "types". The story draws the viewer in. Sobakevich. Sokolov directly introduces the image of the people into his illustrations. Illustrations by artists - contemporaries of Gogol (XIX century).
“Plyushkin in Dead Souls” - On the one hand, Gogol considers Plyushkin as a unique, exceptional phenomenon in Russian life. Among the "dead inhabitants, terrible with the motionless cold of their souls and the emptiness of their hearts." Plyushkin occupies a worthy place as the logical conclusion of the process of human dehumanization. Entangled in the networks of the "economic web", Plyushkin completely forgets about his own soul and that of others.
"Gogol Dead Souls" - Nikolai Vasilievich Gogol. 1809 - 1852. Plushkin. A scorcher and a reveler, Nozdryov shamelessly boasts and deceives everyone who meets him. Poverty, drunkenness, general laziness, stupidity - this is what a fortress village looks like. What "keys" did Chichikov pick up for Manilov and his wife, trying to conquer. Nozdrev.
"Poem Dead Souls" - Adventurism. Plushkin. Unscrupulousness. The scam had strong legal and economic grounds. Gogol's letter to V.A. Zhukovsky. Projecting (passion for unrealizable projects). N. V. Gogol. Impudence. Mismanagement. Mot and carouse. Ignorance. The immortal soul of man is dead. Only volume 1 was completed.
"N.V. Gogol Dead Souls" - Box. History of creation. ".. Sir, not handsome, but not bad-looking, not too fat, not too thin ...". Poem N.V. Gogol "Dead Souls". Manilov. Chichikov. Nozdrev. Sobakevich. Plushkin. The work was prepared by Grigory Litvinyuk. At first glance, Manilov and Sobakevich, Nozdryov and the box do not look alike.
"Gogol's poem Dead Souls" - Gogol in Rome. 8. Gogol conceived a great work like Dante's Divine Comedy. 6. Paris - Germany - Rome - Jerusalem - Russia. 2. A.S. Pushkin. Lesson objectives: Gogol's drawing for the poem. 1) Z.A. Volkonskaya 2) fig. F. Moller.
"Lesson Dead Souls" - Information on the theory of literature. The order of the analysis of the images of the landlords: The plot stretched out into a long novel and, it seems, will be ridiculous ... Completed: teacher of the Chernorechenskaya secondary school Bekmukhametova G.M. There are very few Russian students. Epigraph to the lesson: The plot of the poem was suggested to Gogol by Pushkin. “I started writing Dead Souls.
"Nikolai Gogol Dead Souls" - Biography. The first period of creativity. 1842 - 1855 - the last period. Revision soul, a unit of accounting for the population of the Russian Empire in the 18th-19th centuries. Implementation of Chichikov's adventure. The idea of the work. Plot. Content. Nikolai Vasilyevich Gogol. Mother, Maria Ivanovna Kosyarovskaya (1791-1868), from a landowner's family.
Total in the topic 22 presentations
Sobakevich. Portrait "A healthy and strong man", whom nature "chopped from the whole shoulder"; very similar "to a medium-sized bear"; “... it seemed that there was no soul in this body at all, or he had one, but not at all where it should be, but, like an immortal koshchey, somewhere beyond the mountains, and covered with such a thick shell that everything, whatever was tossing and turning at the bottom of it, produced absolutely no shock on the surface.
Slide 14 from the presentation "Landlords in Dead Souls". The size of the archive with the presentation is 607 KB.Literature Grade 9
summary of other presentations"The theme of love in Bunin" - Love in the works of Bunin. Theme of love. Captain's daughter. The theme of love in the work of I. Bunin. Glossary. Analysis of the works of I. Bunin. Sunstroke. Great happiness. Children. Happiness. The theme of love in the stories of I.A. Bunin. The Secret of the Cup of Life. Love.
"Paustovsky" Simple Oilcloth "" - The main plot elements. "Scarlet Sails" Pirosmani. Love. Konstantin Paustovsky "A simple oilcloth". Scarlet Sails. Word thematic series. Simple oilcloth. Giraffe. "Mosaic" of the Caucasus. Tale of life. Finish the sentences. Time in Paustovsky's story. The best dress. Happiness. Pirosmani's birthday. Oilcloths Pirosmani. Musicality of gradation. What is Paustovsky's work about? Involving students in creativity.
"Analysis of the poem "Cliff"" - Works on etymology. Word groups. Wrinkle. Topic. Linguistics (the science of the Russian language). Groups of words by meaning. Etymological analysis of the poem by M.Yu. Lermontov "Cliff". There were no original words in M.Yu. Lermontov's poem "Cliff". Researched area. Indo-European language family. Night. Origin of words. Parts of speech. Cliff.
"The theme of love" - The theme of eternal love in the works of Russian and foreign literature. M. Bulgakov "Master and Margarita". Works about eternal love. A. Kuprin "Garnet bracelet". I. Turgenev "Fathers and Sons". Love is selfless, selfless, not waiting for a reward. Romeo and Juliet. Stendhal "Red and Black" Biography of Stephenie Meyer. Novel New Moon.
"Satire in the story "Heart of a Dog"" - A satirical image of the owners of the new time. The tragic fate of the writer. What is the difference between satire and humor. Laugh at yourself. House committee members. The play "Inspector". What is your relationship with the dog? means of satire. Professor Preobrazhensky. Quiz. Remember Russian writers and poets. Moments. The character of the novel "The Master and Margarita". Desk M. A. Bulgakov. Dog's heart. Dogs. Learned head.
"Storytellers" - Distinctive features of European fairy tales. Acquaintance with the biographies of Ch. Perro. New material. The meaning of fairy tales. Great storytellers of Europe. Storytellers of Europe and the modern reader. We need a fairy tale today. Knowledge of European fairy tales. Tales of G.H. Andersen. Tales of Ch. Perrault. Hans Christian Andersen. Charles Perrot. Tales of E.T.A. Hoffmann. Ernst Theodor Amadeus Hoffmann.
Open Literature Lesson in Grade 9B
The system of images of landowners in the poem by N.V. Gogol
"Dead Souls"
Nikolai Vasilyevich Gogol
( 1809 - 1852 )
- reveal the features of the system of images of landlords in N.V. Gogol's poem "Dead Souls";
- reveal the internal logic of creating images of the local nobility;
- check the level of formation of the skill of analyzing a literary character;
- engage students in research work.
Statements about landowners from "Dead Souls" by N.V. Gogol:
Not a shadow of goodness, not a single bright thought,
there is not a single human feeling in them.
G.A. Gukovsky
Gogol leads Chichikov through the ranks of truly Russian people, each of whom is an epic figure. And Manilov, and Sobakevich, and Plyushkin - they all came from the world of fairy tales.
P. Weil, A. Genis
Dead souls... all these Nozdryovs, Manilovs and all the others.
A.I. Herzen
Quiz "Know the character"
- “He was of medium height, a very well-built fellow with full ruddy cheeks, teeth as white as snow, and sideburns as black as pitch. He was fresh as blood and milk; health seemed to spurt from his face.
Nozdryov
- 2. “... the little eyes had not yet gone out and were running from under high-growing eyebrows, like mice, when, sticking their sharp muzzles out of dark holes, pricking up their ears and blinking their mustaches, they look out for a cat or a naughty boy hiding somewhere, and sniff the very air suspiciously” (Plyushkin)
- 3. Of the people “known by the name: people are so-so, neither this nor that, neither in the city of Bogdan, nor in the village of Selifan ...” (Manilov)
- 4. “The complexion had a red-hot, hot, which happens on a copper penny ... the strongest and wonderfully stitched image ...” (Sobakevich)
- 5. “... human feelings, which were not deep in him anyway, became shallow every minute, and every day something was lost in this worn-out ruin” (Plyushkin)
- 6. “...was in some respects a historical man. Not a single meeting where he was, did not do without a story” (Nozdrev)
- 7. “In his eyes he was a prominent person; his features were not devoid of pleasantness, but this pleasantness, it seemed, was too much transferred to sugar ... ” (Manilov)
- 8. “He thought about the well-being of a friendly life, about how nice it would be to live with a friend on the banks of some river, then a bridge began to be built across this river, then a huge house” (Manilov)
- 9. “... by no means and efforts it would be impossible to get to the bottom of what his dressing gown was concocted from: the sleeves and upper floors were so greasy and shiny that they looked like yuft, which goes on boots ...” (Plyushkin)
- 10. “In his office there was always some kind of book, bookmarked on the fourteenth page, which he had been constantly reading for two years” (Manilov)
- 11. “... most of all there was tobacco. He was in different things: in caps and in a tobacco case, and, finally, he was poured simply in a heap on the table. On both windows were also placed mounds of ash knocked out of a pipe, arranged, not without diligence, in very beautiful rows. (Manilov)
- 12. “... led them to his office, in which, however, there were no noticeable traces of what happens in the offices, that is, books or paper; only sabers and two guns hung - one worth three hundred and the other eight hundred rubles ... Following that, a hurdy-gurdy appeared to the guests ” (Nozdrev)
- 13. “It would have been impossible to say that a living creature lived in this room, if the old, worn cap lying on the table did not announce its presence” (Plyushkin)
- 14. “Table, armchairs, chairs - everything was of the most difficult and restless nature, - in a word, every object, every chair seemed to say: “And I, too, _________!” or “I also look a lot like _________!” (Sobakevich)
This is a landowner, who is the widow of a collegiate secretary, a very thrifty and economic woman, already elderly.
Her village is small, but everything is in order in it, the economy is flourishing, which brings a good income. She knows the names of all the peasants belonging to her (“... she knew almost all of them by heart”), she speaks of them as diligent workers, she is engaged in farming on her own.
The behavior of this landowner, the address "father" to the guest, the desire to serve him (since Chichikov introduced himself as a nobleman), arrange for the night in the best possible way, treat him - these are all features characteristic of the landowner class in the provinces. The portrait of Korobochka is not as detailed as the portraits of other landowners. It is, as it were, stretched out: first, Chichikov heard the voice of an old servant woman (“a hoarse woman”), then another woman appeared, younger, but very similar to her, and finally, when he was led into the house and he had already looked around, she herself entered mistress Korobochka ("Dead Souls").
Korobochka Nastasya Petrovna -
Pavel Ivanovich Chichikov
Why does Chichikov need dead souls?
Question #2
Which of the heroes of the poem "Dead Souls" corresponds to the following characteristics: 1. "... Sir, not handsome, but not bad-looking, neither too fat nor too thin,
to say that he is old, but not so much that he is too young. "2. "The landowner ... is not yet an elderly person at all, who had eyes as sweet as sugar." placed in chest of drawers. AT
one bag is taken away by all the bankers, in another fifty dollars, in the third quarters ... " 4. "he was of medium height, a very well-built fellow, with full ruddy cheeks, with
snow white teeth and jet black sideburns. He was fresh as blood and milk,
health seemed to be spurting from his face. "5. "This time he seemed to him like a medium-sized bear ... to complete the resemblance
his tailcoat was completely bear-colored, the sleeves were long, the pantaloons were long, his feet
he stepped at random and at random, and stepped incessantly on other people's feet. "6. "For a long time he could not see what gender the figure was. Her dress was perfect.
indefinite, similar to a woman's hood, a cap on her head ... "Oh, a woman!" he thought to himself.
What unites all the landowners depicted by Gogol? Here are the statements of modern critics:
1) some believe that “there is not a shadow of goodness, not a single bright thought, not a single human feeling in them” (Gukovsky G.A.);
2) others argue that Gogol's heroes are not virtuous and not vicious, they are "ordinary". "average" people, but recreated with Gogol's unique "brightness, strength and size"; they are vulgar, but, according to these critics, in the first half of the 19th century the word “vulgar” meant “ordinary” - Gogol showed the “ordinary nature of an ordinary person” (Kozhinov V.V.);
3) others believe that “gogol leads Chichikov through the ranks of truly Russian people, each of whom is an epic figure. And Manilov, and Sobakevich, and Korobochka, and Plyushkin - they all came from the world of a fairy tale. It is easy to recognize Koshchei the Immortal or Baba Yaga in them. Majestic in their passions and vices, these epic heroes represent Russia as a fabulous, wonderful, absurd country ”(Vail P., Genis A.)
An expressive reading of an excerpt from the novel "Eugene Onegin" by A.S. Pushkin (chapter five, XXV-XXVIII)
Description of food and its role in the poem "Dead Souls" by N.V. Gogol
"Schi from a pure heart" at Manilov
problem question
Which of the characters in the poem has a biography?
Whoever has a past will have a future. Who is capable of rebirth?
Manilov
“Manilov had nothing…”
The complete absence of living thoughts, aspirations, interests. Fruitless fantasy, sweet talk.
Nastasya Petrovna Korobochka
Senseless hoarding, irrepressible thirst for profit - and complete spiritual poverty.
Typical "club-headed" landowner.
Nozdrev
"... talkers, revelers reckless - a prominent people."
An empty, absurd waste of life.
Sobakevich
"Patriot of the Russian stomach", hatred of culture and education. Brute force, assertiveness and arrogance.
The landowner is a merchant and a kulak.
Plushkin
A person who has lost his human appearance, completely descended.
“And a person could descend to such insignificance, pettiness, filth.” "A hole in humanity."
Conclusion
"... Not revisionists - dead souls, but all these Nozdrevs, Manilovs and all the others."
A.I. Herzen
Homework:
Write out excerpts from lyrical digressions from the text of the poem "Dead Souls". What are they about?
What is their role in this work?
