STATE OF MIND:
Tatyana: she was withdrawn and silent, removed from society and even from her family: “she seemed like a stranger in her own family.” She liked peace and solitude more, in which she found a certain comfort, which was also decorated with her dreams. She was still a child at heart. She fell in love with the “deceptions of Richardson and Rousseau” - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.
She did not understand THEM and THEY did not understand her - Tatyana was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered like a heroine French novels, which Tatyana grew up with.
Olga: When reading the description of Olga in the novel, it creates light image ease. She is always cheerful, “like the morning”; simple-minded, “like the life of a poet,” simple. Even her movements and voice were light, and she was characterized by “ruddy freshness.” However, Onegin believed that “Olga has no life in her features.” She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish, tragedies. “Like windy hope, playful, carefree, cheerful.” At one ball, her frivolous attitude and frivolity, quite typical of many society ladies, are especially revealed: “Barely out of diapers, a coquette, a flighty child! She knows cunning, she’s already learned to cheat.” Olga reacted quite simply to Lensky’s death: “Yawning, she cried for a short time. Alas! The young bride of her sadness is unfaithful. Another captivated her attention.” And soon she got married.
Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if you compare the description - older sister the poet gave a more voluminous description, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: “Tatyana, dear Tatyana! Now I’m shedding tears with you.” And he admits, apologizing to the reader: “Forgive me, I love my dear Tatyana so much.”
Olga: In the very first lines of Olga’s description, Pushkin gives her a very pleasant description. However, he considers her flighty, frivolous, and eventually admits that he is very tired of her. Pushkin enclosed all her beauty in her appearance, but there was nothing left for her soul. She was not for the poet bad person, he just saw it empty.
COMMUNICATION, RELATIONS WITH SOCIETY:
Tatyana: The society to which her sister was drawn was alien to her. Since childhood, she “was a child herself; she didn’t want to play or jump in a crowd of children, and often sat alone all day silently by the window.” Even in the family, she felt like she didn’t belong; she didn’t consider the interests of society similar to her own. And “from the most lullaby days, thoughtfulness is her friend.” She was not looking for other friends.
Olga: She fit into high society, was sociable, cheerful, and as a child the nanny collected for Olga wide circle all her friends, they played happily. She belonged in this society, loved evenings, balls, was flirtatious with guys, friendly with her friends.
INDIVIDUALITY:
Tatyana: absolutely not like others. Even her name was used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she was often sad, she was “wild” (as the author writes) in the sense that “alien, unknown to people.” She was an excellent dreamer.
Olga: Pushkin says that Olga is “as sweet as the kiss of love, eyes like the sky, blue, smile, flaxen curls, movements, voice, light figure - everything in Olga...” However, you will meet such a person in any novel, there are plenty of them, that’s why Pushkin was immensely tired of it. He had met her more than once on the pages of books. Olga is just like everyone else, under the influence public opinion and the desire to join secular society.
INTERESTS, FAVORITE ACTIVITIES, EDUCATION:
Olga: loved fun, holidays, balls, activities of the secular youth of that time, games and amusements, entertainment, fashion, girlfriends. Raised by society, adjusted to its laws.
An essay about " Comparative characteristics Olga and Tatiana" 4.67 /5 (93.33%) 6 votes
Pays much less attention to Olga than to Tatyana. Tatyana Larina is described with all psychologism, in contrast to Olga, who is a typical heroine of Western sentimental novels. He treats Tatyana with sympathy, but describes her character without embellishment. Tatyana is a heroine who is beautiful, first of all, with her soul. She learns from her mistakes, unlike Onegin, she knows how to change, but at the same time she is faithful to her principles. Tatyana expresses all the features of an ideal Russian woman according to A. The girl is close to the author in thoughts and worldview.
Olga is unlike her sister. Her image emphasizes the depth of Tatyana’s image, contrasting a cheerful, silly girl with a thoughtful woman with a huge and complex inner world. Tatyana initially appears as a dreamer detached from the world, but as her image unfolds, we see that Tatyana is a realist and not insensitive. Olga, who initially attracted the reader with her cheerful disposition, reveals herself to us as a carefree girl who does not understand serious things. The author describes Olga as a porcelain doll - an ideal girl, cheerful, beautiful... but nothing else. Olga has a poor inner world, and although she also has positive traits, yet the image of Tatyana is a real woman with whom you can connect your destiny, start a family and raise children. With Olga you can only have fun and have a short romance. skillfully describes the cloying image of Olga. A woman full of virtues is a picture, not a living person. He thinks so, and he skillfully expressed his opinion with a description female images novel, the heroes of which chose Tatyana.
In conclusion, we can say that I conveyed the depth of Tatiana’s image, showing it through the prism of Olga’s image. Both images are found today, but, unfortunately, there are fewer spiritually deep ones. Monotony is boring, Tatyana’s image is not the only true one, you just need to strive so that your worldview and principles are closer to the ideal and do not harm either you or others.
It is also important that it is even moral pure Tatyana She also turned out to be a victim of that “disease” of the entire nobility, which Klyuchevsky would later call “intercultural inter-mind.” Evgeniy really suffered seriously from this “disease”. Symptoms of the “disease” are contempt for one’s culture, loss of roots. In Europe, the Russian nobleman was not accepted; he was still alien. And it turned out that a whole generation stood in the middle of the river, because both banks turned out to be strangers. Tatyana, nevertheless, remained, unlike Evgeny, on a moral high ground: “but I was given to another and I will be faithful to him forever.” She remained a “Russian soul.” The closeness to the people and the simple village wisdom absorbed from the nanny’s stories had an impact here. Even if she finds herself in high society, Tatyana remains internally a real Russian woman who truly understands the importance of duty. Her morality, despite the all-encompassing “illness” of the nobility, comes from the people, from provincial simplicity, but no less honest and wise simplicity.
Pushkin introduces two heroines into the novel - sisters Tatyana and Olga. But this elusive image of a thin girl that appears in the reader’s imagination is like the antipode of Olga’s younger sister, whose features can be found in any novel of that time. The frivolity of the verse in which Olga is described suddenly gives way to serious intonation:
Allow me, my reader,
Take care of your older sister.
And she appears on the pages of the novel.
Not your sister's beauty,
Nor the freshness of her rosy cheeks,
She wouldn't attract anyone's attention.
Dick, sad, silent,
Like a forest deer is timid,
She is in her own family
Seemed like a stranger to the girl
This is not the heroine to whom the novel is dedicated. There is another one whose “pages tender romance we willfully dedicate.” Olga’s beauty is familiar, but Tatyana’s is different, memorable. But Pushkin still notes some kinship between the sisters. And besides the external similarity (“movement, voice, light body” is inherent in both), there is a spiritual unity between them:
...friend of many years,
Her dove is young,
Her dear confidante...
Tatyana is not round and not red-faced, she is pale, but at the same time there is life in her features. Pale is Tatyana’s constant epithet: “pale color”, “pale beauty”. Already being a princess, eclipsing the “brilliant Nina Voronskaya” in the world. Tatiana is still the same “old Tanya, poor Tanya” “sits unkempt, pale.” Pushkin does not give a direct description of Tatyana’s appearance, does not liken the painter from his specific image an object, and “based on a specific force, conveys the impression produced by the object.” The poet creates an image using a method inherent only in verbal art. The image is conveyed through impressions, sensations, and the attitude of the author. 3. The time has come, she fell in love.
The image of the moon in “Eugene Onegin” is inextricably linked with the internal experiences of the main character. Tatyana is under the influence of the moon when, seeing her
...two-horned face...
In the sky on the left side,
She trembled and turned pale.”
Illuminated by the moon,
Tatiana writes a letter to Onegin.
And my heart ran far
Tatyana, looking at the moon...
Suddenly a thought appeared in her mind...
...the moon is shining on her.
Leaning on her elbows, Tatyana writes.
Tatyana writes without a lamp. Her state of mind takes her far from the world of reality that daylight generates. This is the highest degree of abstraction.
Tatiana's letter is in front of me;
I cherish it sacredly,
I read with secret longing
And I can’t read enough.
It should be noted that Tatiana’s letter is a translation from French. Writing in French and thinking in a foreign language is an indicator of high education, which is typical for any Russian nobleman of that time. Of course, there was no original in French, and the letter is “a mythical translation from the wonderful original of Tatiana’s heart.” Researchers Pushkin's creativity, in particular Lotman, argues that “ whole line phraseological clichés go back to Rousseau’s “New Heloise.” For example, “This is the will of heaven; I’m yours,” “...The soul of inexperienced excitement. Coming to terms with time (who knows?).” Pushkin defines such clichés as Gallicisms:
Gallicisms will be sweet to me,
Like the sins of past youth,
Like Bogdanovich's poems.
In addition to the influence of “Heloise” by Rousseau, Tatiana may have read poetry by the French poetess. Tatyana understands what she is dooming herself to if Onegin divulges the secret of the letter. Both “shame” and “contempt” will really fall on Tatyana. In the 19th century it was a shame to write to a stranger young man, declaring his love. But Tatyana writes with a firm hand, this is her choice. She always decides her own destiny. Subsequently, the decision about the wedding and moving to Moscow depended only on her.
me with tears of spells
The mother begged; for poor Tanya
All the lots were equal... The mother did not order, but begged. Tatyana is sure that after reading the letter, Evgeny will not reject her: “Even if you keep a drop of pity, you will not leave me.” So, she knew that they would love her. Intuition? Or is it not confidence at all, but hope, a prayer. Belinsky will say: “Onegin did not recognize his soul mate; Tatyana recognized her own in him kindred spirit, not as in its full manifestation, but as in possibility...” Tatyana guessed about this possibility. At the beginning of the letter, Tanya’s self-evident unity with her loved ones appears in childish simplicity. Yes, Tatyana saw Evgeny briefly, several times, she listened to him carefully, but is this enough for a real high love? Who is this stranger to whom Tanya turns to you? He is much older than the 18-year-old heroine, he was raised in the capital. She is right:
In the wilderness, in the village, everything is boring for you.
She can only “Think everything, think about one thing
And day and night until we meet again.
The main character of A.S. Pushkin’s novel “Eugene Onegin” is a nobleman, an aristocrat. It is directly connected with modernity, with the real circumstances of Russian reality and with the people of the 1820s. Onegin is familiar with the Author and some of his friends....
The letters of Tatiana and Onegin stand out sharply from general text Pushkin's novel in verses "Eugene Onegin". Even the author himself gradually highlights them: an attentive reader will immediately notice that there is no longer a strictly organized “Onegin stanza”, but a noticeable...
“Despite the fact that the novel bears the name of its hero, there is not one, but two heroes in the novel: Onegin and Tatyana,” V. G. Belinsky rightly wrote in one of his articles about “Eugene Onegin”. It was the feelings of Tatiana and Evgeny that became the plot core of the work...
Eugene Onegin, main character novel of the same name in the poems of A. S. Pushkin, he is depicted as a young rake who meets the criteria of the world, dandy not only in clothes, but also in his lifestyle. But secular society does not suit Onegin; it outrages his critical...
About Tatyana Larina, A.S.’s favorite heroine. Pushkin, the reader knows much more than about her sister Olga. These images are not antipodes, but they so accurately reflect the author’s attitude to the role of women in noble society, which are perceived only in comparison, less favorable for Olga than for Tatyana.
About the characters
Olga Larina – literary character novel in verse "Eugene Onegin", the younger sister of the main character of the work Tatyana Larina, a typical representative of the noble environment, who inherited her morals and moral values.
Tatyana Larina – main character novel, which became the embodiment of the best human qualities And moral ideal a poet who endowed her with exceptional virtues and integrity of character.
Comparison
They are almost the same age, raised in the same conditions, surrounded by the love and care of loved ones.
But Olga grew up as an ordinary girl, a little spoiled, but cheerful, eagerly perceiving the world in all its manifestations.
Tatiana with early years she was reserved, did not like noisy games and entertainment, listened with pleasure to her nanny's stories about the old days, read the novels of Richardson and Rousseau, dreamed of romantic love and waited for her hero.
The meeting with Evgeny Onegin shocked Tatyana and awakened in her inexperienced heart deep feeling. Love revealed in her extraordinary strength of character, fostered a sense of self-esteem, forced me to think, analyze, make decisions.
Tatyana's simplicity and sincerity are not perceived as weakness. Preserve these qualities in the false splendor of palace halls, accepting secular flattery and pompous arrogance with equal indifference high society, only an extraordinary woman could. This is exactly how Evgeny Onegin saw her years later, who did not consider in young Tatyana the spiritual subtlety and selfless readiness to share any fate with him.
Olga is also capable of love, but her feeling for Vladimir Lensky is neither deep nor dramatic. She is prone to coquetry and gladly accepts the advances of Onegin, who decided to annoy his friend for the awkward situation in which he had to explain himself to Tatyana, refusing her naive confession.
The death of Lensky did not darken Olga for long: a year later she got married and left parents' house quite happy.
Tatyana's marriage became a deliberate step: having no hope for Onegin's reciprocal feelings, she gave consent to a man with undoubted advantages. She learned to value and cherish her husband’s honor above all else, not wealth, not social splendor, but the honor of her husband, despite the emotional drama of which Eugene Onegin remained the hero.
Conclusions website
- Tatyana is a deep person with strength of character and strong will. Olga perceives life superficially, easily endures shocks and values pleasures too much.
- Tatyana reads, thinks, analyzes a lot. Olga loves entertainment, accepts male advances without a shadow of a doubt and does not show any inclination to seriously evaluate her actions.
- For Tatyana, love is a test mental strength. For Olga, it is a romantic feeling that does not leave a truly deep mark in her soul.
- Tatiana - bright personality, its merits are recognized by a discerning secular society. Olga is one of many, who does not attract the attention of others except for her appearance and easy disposition.
In the novel "Eugene Onegin" there are two heroines: Tatyana and Olga Larina. Of course, the main one is Tatiana, and Olga is contrasted with her.
Olga is very pretty, she is beautiful, sweet (“Sweet as the kiss of love, eyes like the blue sky; smile, flaxen curls, movements, light figure.”).
We cannot describe the exact image of Tatyana; Pushkin seems to be telling us that everyone has their own image of Tatyana, but we understand that she is not as beautiful as Olga (“Neither with the beauty of her sister, nor with the freshness of her rosy face. Would she have attracted the eyes ").
As for the soul, the inner world, everything is different here. Soulful world Olga is poor, monotonous and petty, because she very rarely picks up books, really, not her soul, but an album that all noble ladies have (“Of course, you’ve seen it more than once. A county lady’s album that all her girlfriends have spoiled.
From the end, from the beginning and all around...").
Tatiana's spiritual world is very rich and deep, because everything free time she spends time behind books, reading French authors(“She liked novels early; They replaced everything for her; She fell in love with deceptions. And Richardson and Rousseau.”). But her inner world is especially revealed in the letter she writes to Onegin (“I’m writing to you - what more? What else can I say?...”).
If we talk about her attitude to life, then Olga is satisfied with the life she lives (balls, conversations, idleness).
Tatyana, on the contrary, does not like social life. She doesn’t like either balls or idleness, so she tries to wait out the celebrations in a quiet corner.
Olga is flighty in love, she does not know how to love deeply, with all her heart. Olga Larina, like a match, quickly lights up and quickly goes out. Lensky died, Olga cried for a day and continued to flirt.
Tatiana is again the complete opposite of Olga. She cannot love halfway, she loves only with all her heart, with all her soul. But her whole problem is that she cannot control her feelings, and this destroys her, makes her weak. Even after realizing that Onegin is not so good man, Tatyana never stops loving him.
The author treats his characters differently. Tatyana is Pushkin’s ideal, his love. The author is lenient towards her, he asks readers to forgive Tatyana for her excessive openness and carelessness. The author sympathizes with his hero because of unrequited love.
So, Olga and Tatyana are two images that have many differences, although they were born in the same family and sisters, but their different social circles and the attention of their parents helped each hero to reveal himself in his own way.