Dear TV viewers!
I, the permanent host of TV shows from the “Seasons” series, Evgeny Zharov, am glad to welcome you. This program is dedicated to winter. But the conversation today will not be about bitter frosts, strong snowstorms and cloudy days. After all, this harsh time of year is already coming to an end. And although the ground is still covered with snow, spring is just around the corner. This transition period We'll look at it now. And a painting by the famous Russian painter K. will help us with this.
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Yuona “End of Winter. Noon".
The artist captured the countryside on his canvas. There is quite a lot of snow here, and it may seem that spring is still far away. But that's not true. Some details of the picture indicate the opposite. The gray-blue shades of the snow, heavy with moisture, and the chickens, which could only be released outside in warm and calm weather, immediately catch the eye. And the bright shadows of birches are visible in the snow, but the sun is not visible in the clear sky. This means it is high, like at the end of winter.
In such excellent weather it is impossible to sit at home. While the snow had not yet completely melted, several children decided to go skiing. Moreover, there is plenty of space on the outskirts of the village. There are only two houses here, and the rest of the space is occupied by fields and mixed forest. A ski trip in such a place promises to be very interesting, enjoyable and useful. Here the terrain is hilly, the nature is beautiful, and the air is clean and fresh.
I want you, my dear TV viewers, to take every opportunity to walk in the fresh air. And all seasons are good for this. You just need to be able to find in them those wonderful moments that will bring you joy, benefit, and a lot of bright impressions. On this positive note, I bid you farewell. See you again on air.
Updated: 2017-03-25
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The painting by Russian artist Konstantin Fedorovich Yuon depicts winter at its end, most likely this is February. The warm, almost spring sun warms up, the white snow becomes loose and gradually begins to melt. The landscape of the painting lifts your spirits and charges you with positive energy. You can feel the imminent arrival of spring.
On the left in the picture there is a small wooden village house, its roof is still thickly covered with snow, already sagging in places. Firewood stored by the owners lies near the house. They are simply necessary in order to light the stove.
Near the house there are white birch trees that cast shadows on the snow-white, loose snow. Very soon the long-awaited spring will come and buds will begin to appear on beautiful birch trees, and then the first green leaves.
Not far from the house, chickens are walking, they are pecking something in the snow, apparently trying to find something to eat. In the snow you can see boot tracks left by someone.
On the right in the picture you can see tall, slender spruce trees. The sun has warmed up, the snow has already melted off them and they delight the eye with their green decoration.
The kids poured out into the street and skied. They say goodbye to winter, try to enjoy the last days of winter and the fluffy snow that has not yet melted.
Another house is visible at a distance. The sky is not yet clear; the artist depicted it in light gray shades.
In the background of the picture, on a hillock there is a thick dark forest, which is gradually awakening from winter sleep. The trees are freed from snow and ready to welcome spring.
The picture turned out wonderful. The artist masterfully managed to convey the splendor of the Russian winter. Admiring the picture, you are involuntarily transported to the winter season, you feel the frosty, fresh smell, feel how the snow blinds your eyes and hear the sounds of the approaching spring.
Essay for 7th grade
Before us is a painting by Konstantin Fedorovich Yuon “The End of Winter. Noon". This is a landscape depicting midday last days winter.
The painting describes an ordinary day in the village. Chickens are walking around the yard, playful kids are getting ready to go skiing, a wooden fence encloses a wooden house standing in the foreground, in which the owners may have gathered around a warm stove and are drinking hot tea from a samovar.
Since the landscape is winter, white colors predominate on it. The earth in the picture is covered with a cold white blanket. However, a slight hint that winter is coming to an end are the bare branches of the trees: green thorns of spruce trees and beautiful branches of birch trees. The wooden texture of the house and the bright plumage of poultry also add variety to the monotonous picture. The gentle rays of the sun, not yet warming, but so familiar, penetrate into all corners of the picture, giving the colors a certain shine. Soon the red sun will warm every corner of the Earth and every inhabitant of it, young and old.
Blurred silhouettes of trees in the background, a bright wooden house going around it, a fence and shadows that seem to fall on you create the effect of complete immersion in the atmosphere created by the artist’s masterful brush. It’s as if you feel the aromas of pine needles and breathe in the fresh, still cold, country air, and the thought runs through your mind to go skiing with the kids, then drink tea from the samovar while sitting by the stove. But suddenly you realize that in front of you is only a picture, and not a door to fairy world. Although... Paintings by real masters are always a door to a special fairy-tale world, the world of dreams and imagination.
I really liked the painting by Konstantin Fedorovich Yuon “The End of Winter. Noon". It seems to me that it is truly brilliant, because not every painting creates a unique effect of spatial immersion, not every painting helps to find peace of mind. Konstantin Fedorovich managed to create such a masterpiece.
Essay based on a painting End of winter. Noon Yuona
This picture amazes the viewer with its realism and unimaginable beauty. Looking at her, you involuntarily plunge into the atmosphere of the approach of spring, and a pleasant languor passes through your entire body. The author depicts the end of winter so convincingly that it seems that for a while you find yourself next to this wooden hut, experiencing a wonderful unity with nature.
The painting depicts a certain village; skiers are strolling near the house. Perhaps they went to watch the forest landscape or just breathe in the almost spring air.
The sun is barely visible through the trees. It is not at all like what happens in winter. Its rays gently envelop everything around, and you can almost physically feel its warmth, the author has drawn this detail so well.
There is an unremoved layer of snow on the houses depicted. The snow lying on the ground already looks somewhat melted and dirty. It is no longer as crispy as at the beginning of winter, this is not difficult to determine if you look closely at the color. Thawed patches and holes are visible, and blue, black and brown colors have also been added to the picture.
In the background we see a forest. The author of the picture drew every detail and all the nuances with precision. All colors are applied very balanced and natural. The forest looks very beautiful and fits harmoniously into the depicted landscape. There is practically no snow in the distance, which makes it even clearer that very soon spring will come into its own.
There are chickens on the street. They bring the painting to life with their movement and color. They bring some contrast and draw attention to themselves.
This picture will not leave any viewer without attention. You can see how the artist, with trepidation and love, depicted and drew every detail, every section of the forest, nature and its revival. Looking at this image, you are filled with a feeling of anticipation for spring, a feeling of something completely new, completely unexpected and beautiful. As you know, along with nature, everything around comes to life. So does the viewer, looking at Yuon’s painting “The End of Winter. Noon” found himself in that place for some time and felt an awakening and a feeling of immense happiness from contemplating such beauty.
Essay according to plan based on Yuon's painting End of winter noon
Plan
- Introduction about the painting
- Messenger birds
- Conclusion. The joy of viewing a picture
This is not the first time that the artist has turned to winter landscape themes. And Ligachevo became a household name in his work. The painting “The End of Winter. Afternoon” takes us to the artist’s favorite place near Moscow, in which winter, the real Russian one, is depicted in several forms. Either we see her depicted by the artist as fabulous, fluffy, magical, enveloping the forest in white shawls, then she suddenly becomes faded, leaving, retreating, giving way to spring.
The name is given by the artist in two ways. And immediately it displays double time periods: this time of year is transitional, borderline, changeable. Even the village children express this borderline quality - the winter has passed, but they did not have time to have enough fun with the primordial winter games and events, so they catch the last moments before the snow has yet melted to go skiing in the forest. Noon is also a borderline state. Even what we know from Russian fairy tales - the Slavs believed that noon or midnight is a boundary not only in time, but also in space - it is a kind of portal connecting the past and the present, the present and the future, the secret with the obvious. This is the border between two worlds. This is true. Winter is ready to give power to the new “world” - the spring one.
Snow in Yuon's painting "End of Winter Noon"
The snow is no longer as white and clean as it was in winter, as bold as when it first fell. It is already beginning to melt and lose its magical properties, and with this loss comes routine, the mystery disappears. As it melts, it changes its color to a deeper one, closer in shade to blue, which is usually used to represent the water surface, that is, another element. This means that cheerful streams are about to flow and announce to the whole world about a joyful event - the coming of spring. Even the tracks made by the boys in the snowdrifts seem to hasten the melting process.
Birds in Yuon's painting "End of Winter Noon"
The very first heralds of the arrival of spring are birds, in this case their domesticated relatives, chickens, are depicted. For the first time they went out for a long-awaited walk after winter hibernation. And now they reach out to the sun in a desire to warm themselves and even feed on thawed grains, safely buried under the ice cap. With bright spots against the background of faded snow, they resemble the traditional Russian delicacy for Maslenitsa - lollipops in the shape of cockerels. It is not without reason that this bird was chosen by the artist to be depicted. The rooster is the one who plays the role of a “catalyst”; he notifies about important events in nature - about the change of day and night, and in this case - the change of winter in spring. These are also messengers of hope; the crow of a cock in Rus' has been considered since ancient times to disperse evil spirits.
In general, the picture is inspiring, evokes joy, conveys the painter’s jubilant mood, reflects trepidation and hope thanks to not so bright, but already clearly visible colors: these are pleasant blue, emerald green, and bright orange tones. You can even feel the freshness and special smell of spring air. Incomparable to anything.
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The end of winter is the time when nature comes to life on the eve of the coming spring. The time when you want to breathe deeply, reveling in fresh air. The sun is already warming up and the snow is melting from its rays. In the painting by K.F. Yuon depicts precisely this time, when winter recedes and is replaced by the long-awaited spring. The snow is no longer fluffy like in winter, but loose and wet. It is already beginning to melt, and very soon mischievous babbling rivulets will begin to run. Chickens and a rooster are trampling on this snow on the path, they are pecking something from the ground. They are like bright spots against the background of already dirty snow.
Everything is still covered in snow, even the roofs of the houses, but it feels like spring is coming very soon. The sky became somehow translucent and weightless. The air is humid and clean, it is intoxicating and it is impossible to breathe in it. As if there is not enough lung capacity to inhale and get enough of it. Just the warm rays of the sun and the heady air can breathe joy and desire to live into a person. It feels like nature wakes up and begins new life. The forest on the mountain is shrouded in a light haze; it seems that something new is being born behind the mountain and it is because of it that spring will come with all its delights.
There are several people standing near the fence who have decided to take advantage of what may be their last opportunity to ski. Two are standing leaning on sticks, and the third has already taken off his skis. The three of them are waiting for a friend who is crossing the bridge. Apparently they had already finished their walk on a warm day at the end of winter. Now they are waiting for each other to go home together and drink hot aromatic tea. It’s spring-like warm outside, which means that very soon the snow will melt and other chores will begin. K.F. Yuon knows how to convey the mood sunny day. His landscapes inspire and inspire. They give the person looking at them a feeling of lightness, freedom and weightlessness. You can feel the warmth of the sun's rays and the freshness of almost spring air.
Konstantin Fedorovich Yuon
End of winter. Noon. Ligachevo
Canvas, oil. 89x112 cm
State Tretyakov Gallery,
Moscow
The great skill of Yuon the landscape painter lies in the fact that he can transform the most ordinary landscape motif into artistic image, attracting with its poetry and fresh perception of the world. A striking example of this is one of best paintings artist “End of Winter. Noon".
The artist depicted a typical corner of the Moscow region. The country yard, the snow-covered distances - everything is flooded with the rays of the sun. The birch tree trunks and spring-like loose snow turn dazzlingly white. Wooden house on the hill, children skiing, chickens digging in the snow give the landscape a “lived-in” feel and a special warmth. There is a lot of true poetry in a simple, familiar landscape motif.
Painting “End of Winter. Noon” is distinguished by its naturalness and vital spontaneity. It seems that the artist did not think about the composition, but simply painted what was before his eyes. But actually it is not. The composition of this canvas has its own logic, which is why the picture makes such a complete impression. In fact, the fence divides it into almost equal parts horizontally, the house on the left is balanced by the dark masses of fir trees on the right. This brings the necessary balance to the composition and prevents it from falling apart.
Thoughtfulness compositional solution made it possible for Yuon to focus the viewer’s attention on the main thing that he wanted to express, namely, the feeling of the vital forces hidden in nature, the feeling of joy and festivity that a person experiences in the face of nature triumphant in its eternal beauty. This sensation and this feeling arise mainly due to the radiant coloring with which Yuon achieves the impression of a bright sunny day. The snow, transparent blue shadows from the trees, and the haze enveloping the forest expanses are depicted with great skill in the painting. This skill made it possible to convey with great conviction the state of nature on the eve of spring, when the sun begins to warm up, when the shadows become deeper, when nature wakes up after winter days.
It is important that Yuon connects the life of nature with man, whose presence brings special warmth to the picture. At the same time, the feeling of festivity that the painting emits seems natural, alive, thanks to the presence of people in the painting. The artist seems to be saying that his experiences when looking at this view are akin to the experiences of skiers returning from a walk. He immediately introduces the viewer into his world of feelings and thoughts, revealing to him the beauty in nature.
By means of composition and color, the artist asserts eternally living life nature and its impact on human feelings and thoughts. These remedies are very typical. Despite its structure, the picture gives the impression of freedom and naturalness. It seems to be a fragment of a large panorama: the edges of the frame cut off the tops of birches and blue shadows from the trees, the viewer mentally imagines the whole house and spruce trees beyond the right edge of the picture.
The coloring of the picture is based on contrasting comparisons and combinations. Dark, brown-green spruce trees are contrasted white snow with intense blue and blue shadows. The color composition of the canvas is enlivened by the bright spot of a woodpile of yellow firewood and a red rooster rummaging in the snow. Colorful combinations create that emotional tension, which helps the artist express the feeling of freshness, joy, and festivity that arises when looking at this jubilant nature.
Yuon's painting demonstrates the use of great realistic traditions of Russian landscape painting. Here you can recall the colorful paintings of Kuindzhi or Yuon’s contemporary artist Rylov. These traditions consist primarily of true portrayal nature, in an effort to find in it features that would allow the artist to express the feelings that excite him. These traditions also consist in the desire to create a landscape-picture that contains Big world stating a significant idea. But it is natural that Yuon, as an extremely original and original master, processed these traditions in his own way and expressed with his painting the thoughts that worried his contemporaries - Soviet people late 1920s.
Yuon’s painting “End of Winter. Noon”, distinguished by its bright, decorative sound of colors, captivates with the spirit of life affirmation and optimism. The art of this wonderful painter will always serve as an example of purposeful and thoughtful creative work aimed at a deep comprehension of reality and expression in artistic images of the great social ideas of his era.
http://www.rodon.org/art-080812185646
1 essay option:
The famous Russian artist Yuon Konstantin Fedorovich lived and worked mainly in Moscow and the town of Ligachevo near Moscow. He loved to paint portraits, architectural monuments and landscapes of his favorite places.
Landscapes of his native Moscow region are captured in Yuon’s paintings “March Sun. Ligachevo”, “Spring Sunny Day”, “End of Winter. Afternoon”. In addition to drawing, Yuon studied the history and theory of art.
The painting depicts a winter day in the village. The snow is white and fluffy, like a blanket. It covers the earth like a soft blanket, under which it sleeps until spring. There is snow on the roofs of houses
People also rejoice in the spring warmth. We see how in the background of the picture some family is in a hurry to cross the river to ski in the forest. They have to cross the bridge, and one of them (apparently a child) has already taken off his skis, and his parents are just getting ready to do this. In addition, one of the family members or their friends has already crossed the bridge and is “insuring” the rest...
The mischievous winter did not frighten people with frost and snow.
The artist wanted to say that he really loves the Russian winter, fluffy and snowy, and not in the city, but in the countryside. You look at this reproduction and feel a little sad because you don’t see the same snow outside your window until you can go skiing
Essay option 2:
The work of K.F. Yuon is a bright page of Russian pre-revolutionary and Soviet painting. A master of unique artistic talent, he saw in his own way the architecture of ancient Russian cities and the nature of the Central Russian strip. His paintings are distinguished by a joyful perception of reality and a decorative richness of the palette.
Yuon's great skill as a landscape painter lies in the fact that he can transform the most ordinary landscape motif into an artistic image that attracts with its poetry and freshness of perception of the world. A striking example of this is one of the artist’s best paintings, “The End of Winter. Noon".
The artist depicted a typical corner of the Moscow region. The dacha yard, the snow-covered distances - everything is flooded with the rays of the sun. The birch tree trunks and spring-like loose snow turn dazzlingly white. A wooden house on a hill, children skiing, chickens digging in the snow give the landscape a “lived-in” feel and a special warmth. There is a lot of true poetry in a simple, familiar landscape motif.
Painting “End of Winter. Noon" is distinguished by its naturalness and vital spontaneity. It seems that the artist did not think about the composition, but simply painted what was before his eyes. But actually it is not. The composition of this canvas has its own logic, which is why the picture makes such a complete impression. In fact, the fence divides it into almost equal parts horizontally, the house on the left is balanced by the dark masses of fir trees on the right. This brings the necessary balance to the composition and prevents it from falling apart.
The thoughtfulness of the compositional solution made it possible for Yuon to focus the viewer’s attention on the main thing that he wanted to express, namely, the feeling of the vital forces hidden in nature, the feeling of joy and festivity that a person experiences in the face of nature triumphant in its eternal beauty. This sensation and this feeling arise mainly due to the radiant coloring with which Yuon achieves the impression of a bright sunny day. The snow, transparent blue shadows from the trees, and the haze enveloping the forest expanses are depicted with great skill in the painting. This skill made it possible to convey with great conviction the state of nature on the eve of spring, when the sun begins to warm up, when the shadows become deeper, when nature wakes up after winter days.
It is important that Yuon connects the life of nature with man, whose presence brings special warmth to the picture. At the same time, the feeling of festivity that the painting emits seems natural, alive, thanks to the presence of people in the painting. The artist seems to be saying that his experiences when looking at this view are akin to the experiences of skiers returning from a walk. He immediately introduces the viewer into his world of feelings and thoughts, revealing to him the beauty in nature.
By means of composition and color, the artist affirms the ever-living life of nature and its impact on human feelings and thoughts. These remedies are very typical. Despite its structure, the picture gives the impression of freedom and naturalness. It seems to be a fragment of a large panorama: the edges of the frame cut off the tops of birches and blue shadows from the trees, the viewer mentally imagines the whole house and spruce trees beyond the right edge of the picture.
The coloring of the picture is based on contrasting comparisons and combinations. Dark, brown-green spruce trees are contrasted with white snow with intense blue and blue shadows. The color composition of the canvas is enlivened by the bright spot of a woodpile of yellow firewood and a red rooster rummaging in the snow. Colorful combinations create that emotional tension, which helps the artist express the feeling of freshness, joy, and festivity that arises when looking at this jubilant nature.
Essay option 3:
In front of me is a reproduction of a painting by K.F. Yuona "End of Winter. Midday." I really like her. The artist, apparently, really loved the beginning of spring.The artist, apparently, really loved the beginning of spring. The painting depicts a sunny day.The painting depicts a sunny day. The sky is in pearlescent shades that are reflected in the snow. And the snow is loose, sticky and very beautiful. The sun pleases everyone with its beauty and warmth. The air is clean, pleasant, warm. Snow is reflected in the sky, like in a mirror. In the background of the picture the kingdom of winter is depicted. In the foreground I see happy chickens, they are looking for last year's seeds. In the background of the painting, the landscape artist depicted a dark forest. There is still the kingdom of winter. The snow in the forest is white and white, no shades. The hut is all in the sun's rays. A cap of snow slides off her. The skiers turned their faces to the sun. The chickens are so happy that they run around and fuss. Cross marks from chicken feet are visible in the snow. The birch trees have raised their branches and are reaching for the sun. Even the spruce stands happy. Everyone is waiting for warmth and light. With the help of paints, the artist showed the struggle between spring and winter.