History of creation
“Having read what was written carefully, I saw that all this had gone to the extreme, that I had taken up the subject in the wrong way, that one thing needed to be changed, another should be released<…>The thing is being developed in my head slowly and heavily.”
The entire novel “Oblomov” was first published only in 1859 in the first four issues of the journal “Otechestvennye zapiski”. The beginning of work on the novel dates back to an earlier period. In 1849, one of the central chapters of “Oblomov” was published - “Oblomov’s Dream”, which the author himself called “the overture of the entire novel.” The author asks the question: what is “Oblomovism” - a “golden age” or death, stagnation? In “The Dream...” the motifs of staticity and immobility, stagnation prevail, but at the same time one can feel the author’s sympathy, good-natured humor, and not just satirical negation. As Goncharov later claimed, in 1849 the plan for the novel “Oblomov” was ready and the draft version of its first part was completed. “Soon,” Goncharov wrote, “after the publication of Ordinary History in 1847 in Sovremennik, I already had Oblomov’s plan ready in my mind.” In the summer of 1849, when “Oblomov’s Dream” was ready, Goncharov made a trip to his homeland, to Simbirsk, whose life retained the imprint of patriarchal antiquity. In this small town, the writer saw many examples of the “dream” that the inhabitants of his fictional Oblomovka became. Work on the novel was interrupted due to Goncharov's trip around the world on the frigate Pallada. Only in the summer of 1857, after the publication of the travel essays “Frigate “Pallada””, Goncharov continued work on “Oblomov”. In the summer of 1857, he went to the resort of Marienbad, where within a few weeks he completed three parts of the novel. In August of the same year, Goncharov began working on the last, fourth, part of the novel, the final chapters of which were written in 1858. However, while preparing the novel for publication, Goncharov rewrote Oblomov in 1858, adding new scenes, and made some cuts. Having completed work on the novel, Goncharov said: “I wrote my life and what grows into it.”
Goncharov admitted that the idea of “Oblomov” was influenced by the ideas of Belinsky. The most important circumstance that influenced the concept of the work is considered to be Belinsky’s speech regarding Goncharov’s first novel, “An Ordinary Story.” The image of Oblomov also contains autobiographical features. By Goncharov’s own admission, he himself was a sybarite, he loved serene peace, which gives rise to creativity.
Published in 1859, the novel was hailed as a major social event. The Pravda newspaper, in an article dedicated to the 125th anniversary of Goncharov’s birth, wrote: “Oblomov appeared in an era of public excitement, several years before the peasant reform, and was perceived as a call to fight against inertia and stagnation.” Immediately after its publication, the novel became the subject of discussion in criticism and among writers.
Plot
The novel tells about the life of Ilya Ilyich Oblomov. Ilya Ilyich, together with his servant Zakhar, lives in St. Petersburg, on Gorokhovaya Street, practically without leaving the house and without even getting up from the couch. He does not engage in any activities, does not go out into the world, he only indulges in thoughts about how to live and dreams of a cozy, serene life in his native Oblomovka. No problems - the decline of the economy, threats of eviction from the apartment - can move him from his place.
His childhood friend Stolz, the complete opposite of the sluggish, dreamy Ilya, makes the hero wake up for a while and plunge into life. Oblomov falls in love with Olga Ilyinskaya and subsequently, after much thought and retreat, proposes to marry her.
However, succumbing to Tarantiev’s intrigues, Oblomov moves to an apartment rented to him on the Vyborg side, ending up in the house of Agafya Matveevna Pshenitsyna. Gradually, the entire economy of Ilya Ilyich passes into the hands of Pshenitsyna, and he himself finally fades away in “Oblomovism”. Rumors are circulating around St. Petersburg about the imminent wedding of Oblomov and Ilyinskaya; upon learning of this, Ilya Ilyich is horrified: in his opinion, nothing has been decided yet. Ilyinskaya comes to his house and is convinced that nothing will awaken Oblomov from his slow descent into final sleep, and their relationship ends. At the same time, Oblomov’s affairs are taken over by Pshenitsyna’s brother Ivan Mukhoyarov, who entangles Ilya Ilyich in his machinations. At the same moment, Agafya Matveevna is repairing Oblomov’s robe, which, it would seem, no one can fix. From all this, Ilya Ilyich falls ill with a fever.
Characters and some quotes
- Oblomov, Ilya Ilyich- landowner, nobleman living in St. Petersburg. Leads a lazy lifestyle, doing nothing but reasoning.
". lazy, pure, “good-natured,” smart, honest, romantic, sensitive, “dovelike” gentle, open, sensitive, potentially capable of much, indecisive, quickly “lights up” and quickly “goes out,” fearful, alienated, weak-willed, gullible, sometimes naive, does not understand business, physically and spiritually weak.
Whom you don’t love, who isn’t good, you can’t dip bread into the salt shaker with. I know everything, I understand everything - but there is no strength and will. It's hard to be smart and sincere at the same time, especially in feeling. Passion must be limited: strangled and drowned in marriage.- Zakhar- Oblomov’s servant, faithful to him since childhood.
- Stolts, Andrey Ivanovich- Oblomov’s childhood friend, half-German, practical and active.
- Tarantyev, Mikhei Andreevich- an acquaintance of Oblomov, roguish and cunning.
- Ilyinskaya, Olga Sergeevna- noblewoman, Oblomov’s beloved, then Stolz’s wife.
- Anisya- Zakhara's wife.
- Pshenitsyna, Agafya Matveevna- the owner of the apartment in which Oblomov lived, then his wife.
- Mukhoyarov, Philip Matveevich- Pshenitsyna’s brother, official.
Second plan
- Volkov- a guest in Oblomov’s apartment.
- Sudbinsky- guest. Official, head of department.
- Alekseev, Ivan Alekseevich- guest. "an impersonal allusion to the human mass!"
- Penkin- guest. Writer and publicist.
Criticism
- Nechaenko D. A. The myth about the dreaminess of Russian life in the artistic interpretation of I. A. Goncharov and I. S. Turgenev (“Oblomov” and “Nov”). // Nechaenko D. A. History of literary dreams of the 19th-20th centuries: Folklore, mythological and biblical archetypes in literary dreams of the 19th-early 20th centuries. M.: University Book, 2011. P.454-522. ISBN 978-5-91304-151-7
see also
Notes
Links
- Goncharov I. A. Oblomov. A novel in four parts // Complete works and letters: In 20 volumes. St. Petersburg: Nauka, 1998. Vol. 4
- Otradin M.V. Prof., Doctor of Philology “Oblomov” in a series of novels by I. A. Goncharov.
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2010.:- Synonyms
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See what “Oblomov” is in other dictionaries: bummers - Cm …
Synonym dictionary OBLOMOV - hero of I.A. Goncharov’s novel “Oblomov” (1848-1859). Literary sources of the image of O. Gogol Podkolesin and old-world landowners, Tentetnikov, Manilov. Literary predecessors of O. in the works of Goncharov: Tyazhelenko (“Dashing Sickness”), Egor ...
Synonym dictionary- The hero of the novel I.A. Goncharov "Oblomov". The novel was written between 1848 and 1859. Ilya Ilyich Oblomov is a landowner, hereditary nobleman*, an educated man, 32–33 years old. In his youth he was an official, but, having served for only 2 years and being burdened by the service,... ... Linguistic and regional dictionary
The genre of the novel is Oblomov and received the best answer
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I. A. Goncharov's novel "Oblomov" is a socio-psychological novel, depicting the destructive influence of the noble-landowner environment on the human personality. "Oblomov" appeared when the feudal system was increasingly revealing its insolvency. Goncharov worked on this work for many years. The novel was published in 1859 in the journal Otechestvennye zapiski and immediately attracted the attention of readers. Goncharov, like few others, managed to touch the most intimate strings of the “Russian soul” with the artist’s pen. The writer created a hero who, oddly enough, embodies the main features of the Russian national character, although in a form that is not the most attractive, but at the same time evokes love and sympathy. Goncharov's merit lies in the fact that he revealed the socio-historical reasons for the emergence of such a character as Oblomov. That is why in the novel an important place is occupied by the depiction of those conditions and the environment in which the formation of its hero took place. The writer with amazing depth reproduced the life of a provincial noble estate, the life of middle-class landowners, their psychology, morals, customs, and views. In the chapter “Oblomov’s Dream” the author depicts the stillness, the soporific peace and silence of the “peaceful corner”. “The annual circle is completed there correctly and calmly”; “neither terrible storms nor destruction can be heard in that region”; “life, like a calm river, flowed past them” - such phrases characterize the life of the hero and his environment
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Hello! Here is a selection of topics with answers to your question: Genre of the Oblomov novel
Goncharov’s novel “Oblomov” was written in 1858, and in 1859 published in Otechestvennye zapiski. However, the first part of the work, “Oblomov’s Dream,” was published back in 1849 in the “Literary Collection,” becoming an iconic element of the plot and ideological structure of the novel. “Oblomov” is one of the works of Goncharov’s novel trilogy, which also included “An Ordinary Story” and “The Precipice.” In the book, the author touches on many acute social issues for his era - the formation of a new Russian society and the opposition of the original Russian mentality to European principles, as well as the “eternal” problems of the meaning of life, love and human happiness. A detailed analysis of Goncharov’s “Oblomov” will allow us to more accurately reveal the author’s idea and better understand the brilliant work of Russian literature of the 19th century.
Genre and literary movement
The novel “Oblomov” was written in the traditions of the literary movement of realism, as evidenced by the following features: the central conflict of the work, developing between the main character and a society that does not share his way of life; a realistic depiction of reality, reflecting many everyday historical facts; the presence of characters typical of that era - officials, entrepreneurs, townspeople, servants, etc., who interact with each other, and in the process of the narrative the development (or degradation) of the personality of the main characters is clearly visible.
The genre specificity of the work allows us to interpret it, first of all, as a social and everyday novel, revealing the problem of “Oblomovism” in the author’s contemporary era, its harmful effect on the bourgeoisie. In addition, the work should be considered as a philosophical novel, touching on many important “eternal questions,” and a psychological novel - Goncharov subtly reveals the inner world and character of each hero, analyzing in detail the reasons for their actions and their future fate.
Composition
An analysis of the novel “Oblomov” would not be complete without considering the compositional features of the work. The book consists of four parts. The first part and 1-4 chapters of the second are a description of one day in Oblomov’s life, including events in the hero’s apartment, his characterization by the author, as well as a chapter important for the entire plot - “Oblomov’s Dream”. This part of the work is an exposition of the book.
Chapters 5-11 and the third part represent the main action of the novel, describing the relationship between Oblomov and Olga. The culmination of the work is the separation of the lovers, leading to Ilya Ilyich again falling into the old state of “Oblomovism.”
The fourth part is the epilogue of the novel, telling about the further life of the heroes. The denouement of the book is the death of Oblomov in a kind of “Oblomovka” created by him and Pshenitsyna.
The novel is divided into three conventional parts - 1) the hero strives for an illusory ideal, the distant “Oblomovka”; 2) Stolz and Olga bring Oblomov out of a state of laziness and apathy, forcing him to live and act; 3) Ilya Ilyich again returns to his previous state of degradation, having found “Oblomovka” from Pshenitsyna. Despite the fact that the main plot point was the love story of Olga and Oblomov, from a psychological point of view, the leitmotif of the novel is the depiction of the degradation of Ilya Ilyich’s personality, its gradual disintegration until actual death.
Character system
The central core of characters is represented by two contrasting male and female images - Oblomov and Stolz, as well as Ilyinskaya and Pshenitsyna. Apathetic, calm, more interested in everyday life, the warmth of home and a rich table, Oblomov and Pshenitsyna act as bearers of outdated, archaic ideas of Russian philistinism. For both of them, “breakdown” as a state of calm, detachment from the world and spiritual inactivity is the primary goal. This is contrasted with the activity, activity, practicality of Stolz and Olga - they are bearers of new, European ideas and norms, a renewed Russian-European mentality.
Male characters
The analysis of Oblomov and Stolz as mirror characters involves considering them as heroes of different time projections. So, Ilya Ilyich is a representative of the past tense, for him the present does not exist, and the ephemeral “Oblomovka of the Future” does not exist for him either. Oblomov lives only in the past tense; for him, all the best was already a long time ago in childhood, that is, he strived back, not appreciating the experience and knowledge gained over the years. That is why the return to “Oblomovism” in Pshenitsyna’s apartment was accompanied by a complete degradation of the hero’s personality - it was as if he was returning to a deep, weak childhood, which he had been dreaming about for many years.
For Stolz there is no past and present, he is focused only on the future. Unlike Oblomov, who is aware of the goal and outcome of his life - the achievement of the distant "paradise" Oblomovka, Andrei Ivanovich does not see the goal, for him it becomes a means of achieving goals - constant work. Many researchers compare Stolz to an automated, masterfully tuned mechanism, devoid of the inner spirituality that he finds when communicating with Oblomov. Andrei Ivanovich appears in the novel as a practical character who has no time to think while he needs to create and build something new, including himself. However, if Oblomov was fixated on the past and was afraid to look into the future, then Stolz did not have time to stop, look back and understand where he was coming from and where he was going. Perhaps it is precisely because of the lack of exact landmarks at the end of the novel that Stolz himself falls into the “traps of debris”, finding peace in his own estate.
Both male characters are far from the ideal of Goncharov, who wanted to show that remembering your past and honoring your roots is just as important as constant personal development, learning something new and continuous movement. Only such a harmonious personality, living in the present tense, combining the poetry and good nature of the Russian mentality with the activity and hard work of the European, is worthy, in the author’s opinion, to become the basis for a new Russian society. Perhaps Andrei, Oblomov’s son, could become such a person.
Female characters
If when depicting male characters, it was important for the author to understand their direction and meaning of life, then female images are associated primarily with issues of love and family happiness. Agafya and Olga not only have different origins, upbringing and education, but also have different characters. Meek, weak-willed, quiet and economical, Pshenitsyna perceives her husband as a more important and significant person, her love borders on adoration and idolization of her husband, which is normal within the framework of the old, archaic traditions of house-building. For Olga, a lover is, first of all, a person equal to her, a friend and teacher. Ilyinskaya sees all Oblomov’s shortcomings and tries to change her lover until the very end - despite the fact that Olga is depicted as an emotional, creative person, the girl approaches any issue practically and logically. The romance between Olga and Oblomov was doomed from the very beginning - in order to complement each other, someone would have to change, but neither of them wanted to give up their usual views and the heroes continued to unconsciously oppose each other.
Symbolism of Oblomovka
Oblomovka appears before the reader as a kind of fabulous, unattainable place, where not only Oblomov strives, but also Stolz, who constantly settles his friend’s affairs there and tries at the end of the work to take home the last thing that remains of that old Oblomovka - Zakhara. However, if for Andrei Ivanovich the village is devoid of its mythical qualities and attracts rather on an intuitive, unclear level for the hero, connecting Stolz with the traditions of his ancestors, then for Ilya Ilyich it becomes the center of his entire illusory universe in which the man exists. Oblomovka is a symbol of everything old, dilapidated, passing away, which Oblomov keeps trying to grab onto, which leads to the degradation of the hero - he himself becomes decrepit and dies.
In Ilya Ilyich’s dream, Oblomovka is closely connected with rituals, fairy tales, and legends, which makes it itself part of the ancient myth of the village-paradise. Oblomov, associating himself with the heroes of the fairy tales told by the nanny, seems to find himself in this ancient world that exists parallel to the real one. However, the hero does not realize where dreams end and illusions begin, replacing the meaning of life. The distant, unattainable Oblomovka never becomes closer to the hero - it only seems to him that he found it with Pshenitsyna, while he slowly turned into a “plant”, ceasing to think and live a full life, completely immersing himself in the world of his own dreams.
Issues
Goncharov in his work “Oblomov” touched on many historical, social and philosophical issues, many of which do not lose their relevance to this day. The central problem of the work is the problem of “Oblomovism” as a historical and social phenomenon among Russian philistines who do not want to adopt new social principles and change. Goncharov shows how “Oblomovism” becomes not only a problem for society, but also for the person himself, who is gradually degrading, fencing off his own memories, illusions and dreams from the real world.
Of particular importance for understanding the Russian national mentality is the depiction of classical Russian types in the novel - both in the example of the main characters (landowner, entrepreneur, young bride, wife), and secondary ones (servants, swindlers, officials, writers, etc.), and also revealing the Russian national character in contrast to the European mentality using the example of the interaction between Oblomov and Stolz.
An important place in the novel is occupied by questions of the meaning of the hero’s life, his personal happiness, place in society and the world in general. Oblomov is a typical “superfluous person” for whom the world striving for the future was inaccessible and distant, while the ephemeral, essentially existing only in dreams, ideal Oblomovka was something close and more real than even Oblomov’s feelings for Olga. Goncharov did not depict the all-encompassing, true love between the characters - in each case it was based on other, prevailing feelings - on dreams and illusions between Olga and Oblomov; on the friendship between Olga and Stolz; on respect from Oblomov and adoration from Agafya.
Theme and idea
In the novel “Oblomov,” Goncharov, considering the historical theme of changes in society in the 19th century through the prism of such a social phenomenon as “Oblomovism,” reveals its destructive effect not only for the new society, but also for the personality of each individual, tracing the influence of “Oblomovism” on fate Ilya Ilyich. At the end of the work, the author does not lead the reader to a single thought, who was more right - Stolz or Oblomov, however, an analysis of the work “Oblomov” by Goncharov shows that a harmonious personality, like a worthy society, is only possible with full acceptance of one’s past, drawing spiritual values from there basics, with constant striving forward and continuous work on oneself.
Conclusion
Goncharov, in his novel “Oblomov,” first introduced the concept of “Oblomovism,” which remains a common noun today to designate apathetic, lazy people stuck in the illusions and dreams of the past. In the work, the author touches on a number of important and relevant social and philosophical issues in any era, allowing the modern reader to take a fresh look at his own life.
Work test
“Oblomov” is a realistic social and everyday novel. This work clearly reflected the leading features of realism: objectivity and reliability of the depiction of reality, the creation of typical concrete historical characters embodying the features of a certain social environment.
The patriarchal-local way of life had a decisive influence on Oblomov’s character and lifestyle. This influence was expressed in a lazy and empty existence, which for Ilya Ilyich was a semblance of life. His helplessness, futile attempts to revive
Under the influence of Olga and Stolz, marriage to Pshenitsyna and death itself are defined in the novel as “Oblomovism.” Oblomov’s character itself is larger and more ambitious.
Goncharov believed that a type “is made up of long and many repetitions or layers of phenomena and persons.” That is why unhurried writing of everyday life, objective recreation of everyday life are characteristic features of I. A. Goncharov’s realistic writing.
The author's position in relation to the image of Oblomov is contradictory. Showing the emptiness and inertia of the already outdated patriarchal landowner environment, the writer at the same time contrasts the moral integrity of Oblomov and the “Oblomovites” with the soullessness of the noble-bureaucratic society represented by Alekseev, Tarantiev, Mukhoyarov, Zatertoy and others.
Goncharov expands the boundaries of the social and everyday novel, revealing Oblomov’s features not only in the era, environment, but also in the depths of the Russian national character. The main advantage of the writer can be considered the disclosure of personality against the background of the historical development of the nation.
Goncharov tried to find the connecting threads of disparate phenomena of Russian life. This tradition will continue in the works of L. Tolstoy and F. Dostoevsky.
- The result of Goncharov’s circumnavigation of the world was a book of essays, “The Frigate “Pallada,” in which the clash of the bourgeois and patriarchal world order received further, deeper understanding. The writer’s path lay through England to its many colonies in...
- World literature is very generous with love themes, and the names of literary lovers have long become textbook ones. Romeo and Juliet, Dante and Beatrice, Tristan and Isolde - there are many examples of love stories...
- A realist writer, Goncharov believed that an artist should be interested in stable forms in life, that the job of a true writer is to create stable types that are composed “of long and many repetitions or moods of phenomena and...
- The hero of the novel, Alexander Aduev, lives in that transitional time when the serene tranquility of the noble estate was disturbed. The sounds of city life with its hectic pace break into the lazy space more and more insistently...
- The first published fragment of the novel in 1849 was “Oblomov’s Dream” - “an overture of the entire novel”, however, in the final text it took the place of Chapter 9 of Part 1 of it. “Dream” is the focus...
- For a writer, both space and time are not only the object of depiction, but also an important means in the artistic exploration of the world. Turning to the spatial-temporal organization of the novel will help to better understand the ideological and artistic structure...
- The peculiarity of Goncharov’s “career” story is that overcoming the romantic ideal and joining the harsh business life of the capital is regarded by the writer as a manifestation of objective social progress. The hero's story turns out to be a reflection of historically necessary...
- School essay on Russian literature based on the novel “Oblomov” by I. A. Goncharov. Andrei Stolts is Oblomov’s closest friend; they grew up together and carried their friendship through life. It remains a mystery how so...
- The main character of Goncharov's novel is Ilya Ilyich Oblomov. This is a man “about thirty-two or three years old, of average height, pleasant appearance, with dark gray eyes.” He, “a nobleman by birth, a collegiate secretary by rank, lives forever...
- “Oblomov’s Dream” - this most magnificent episode, which will remain in our literature for eternity, was the first, powerful step towards understanding Oblomov with his Oblomovism. A novelist eager to solve the questions included in...
- Goncharov’s novel “Oblomov” is the second part of his famous trilogy, which opens with the novel “An Ordinary Story”. The novel “Oblomov” is named after the main character - Ilya Ilyich Oblomov, a landowner who lived in St. Petersburg in a calm and...
- “What is happiness?” - everyone has asked themselves this question at some point and did not receive a satisfactory answer to it. Some people think that happiness is a moment. For others it’s work. Something for the third one too...
- One of Goncharov’s most successful female characters in “The Precipice” was the grandmother, to whom the writer attaches enormous importance in the novel. In the original concept of the novel, Tatyana Markovna was an ordinary provincial landowner, distinguished only by her worldly...
- I recently read I. A. Goncharov’s novel “Oblomov”. I find in myself the traits of his main character. I thought it was just laziness, but it turned out that it was Oblomovism. Really, I really want to lie there...
- Goncharov studied at a private boarding school, where he began reading books by Western European and Russian authors and learned French and German well. In 1822 he entered the Moscow Commercial School. Not...
- In the literary tradition, the disputes between Pyotr Ivanovich and Alexander Aduev are most dependent on the episode of the disputes between Onegin and Lensky in Eugene Onegin - with the significant difference that in Pushkin’s novel the disputes...
- In the novel “Oblomov,” Goncharov reflected part of his contemporary reality, showed types and images characteristic of that time, and explored the origins and essence of contradictions in Russian society of the mid-19th century. The author used a number... Studying the fates of Russian writers of the 19th century, you begin to involuntarily get used to the fact that their lives were often ended by a bullet, a gallows, hard labor, or madness. Ryleev and Radishchev, Pushkin and Lermontov, Gogol and Dostoevsky -...
The history of the creation of the novel "Oblomov". Theme, idea, problematic, composition.
“The story of how the sloth Oblomov lies and sleeps
and even though neither friendship nor love can awaken and raise him,
God knows what a story..."
1. The concept of the novel “Oblomov.
The concept of the novel "Oblomov" arose in 1847, but the work was created slowly. In 1849 one was published in the Sovremennik magazine chapter from the novel "Oblomov's Dream", in which he gave an amazingly bright and deep picture of patriarchal landowner life. But the main part of the novel was written almost 10 years later, V 1857, in Marienbad (Germany), where Goncharov was treated with mineral waters. During this decade, the author not only carefully thought through the entire plan of the work, but also all the plot moves and details. Subsequently, the writer noted that he “wrote almost all of the last 3 volumes of Oblomov within 7 weeks.” Goncharov did a colossal job. He wrote until he was exhausted. “I worked so hard, did so much in these two months that no one else wrote so much in his two lives.”
IN 1858"Oblomov" wasfinished, and was fully published only in 1859.
2. Theme, idea of the novel.
The theme is the fate of a generation searching for its place in society, but unable to find the right path.
Idea - show the conditions that give rise to laziness and apathy, trace how a person gradually fades away, turning into a dead soul. " I tried to show in Oblomov how and why our people turn prematurely into... jelly - the climate, the outback environment, the drowsy life and more private, individual circumstances for each».
3. Issues
1) In his novel the writer showed what serfdom has a detrimental effect on life, culture, and science . The consequence of these orders is stagnation and immobility in all areas of life .
2) Conditions landowner life And noble upbringing give birth to a hero apathy, lack of will, indifference .
3) Personality degradation and personality disintegration.
4) Goncharov puts in the novel questions about genuine friendship, love, O humanism.
Time, depicted in the novel "Oblomov", about 40 years old.
4. Artistic merits of the novel “Oblomov” :
1) A broad picture of life in Russia is presented.
2) Particular attention is paid to the description of the internal state of the characters: the internal monologue of the characters and the transmission of experiences through gesture, voice, and movements.
3) The full disclosure of the character of the characters is achieved through repeating details (for Oblomov - a robe and slippers).
5. Structure of the novel:
Part 1 - Oblomov lies on the sofa.
Part 2 - Oblomov goes to the Ilyinskys and falls in love with Olga, and she with him.
Part 3 - Olga sees that she was mistaken about Oblomov, and they part ways.
Part 4 - Olga marries Stolz, and Oblomov marries the owner of the house where he rents an apartment - Agafya Matveevna Pshenitsy noah. Lives on the Vyborg side, peace that turns into “eternal peace.”
« That's all. No external events, no obstacles...interfere with the romance. Oblomov's laziness and apathy are the only spring of action in his entire story. ()
6. Composition
All actions unfold around the main character - Ilya Ilyich Oblomov. He unites all the characters around him. There is little action in the novel. Scene in the novel - Petersburg.
1. Exposition - the first part and 1.2 chapters of part 2 are drawn out, the conditions for the formation of Oblomov’s character are shown in great detail.
2. Tie 3 and 5 ch. Part 2 - Oblomov’s acquaintance with Olga. Oblomov’s feelings for Olga are growing stronger, but he doubts whether he can give up laziness.
3. Climax - Chapter 12 of the 3rd part. Ilya Ilyich declares his love for Olga. But he cannot sacrifice his peace, which leads to a quick break in the relationship.
4. Denouement– 11, 12 chapters of part 3, which show Oblomov’s insolvency and bankruptcy.
In chapter 4 of the novel - further decline of the hero. He finds ideal living conditions for himself in Pshenitsyna’s house. He again lies on the sofa in a robe all day long. The hero suffers a final downfall. Relationship between Olga and Stolz.
In the epilogue – Chapter 11, part 4, Goncharov talks about the death of Oblomov, the fate of Zakhar, Stolz and Olga. This chapter explains the meaning of “Oblomovism.”