Mikhail Ivanovich Glinka (1804 – 1857)
Composer's parents Evgenia Andreevna Ivan Nikolaevich
Glinka was raised by his grandmother, Fyokla Alexandrovna, who spoiled him in every possible way, which is why he grew up sickly and weak.
From the notes of M.I. Glinka:
“Soon after my birth, my mother Evgenia Andreevna, nee Glinka, was forced to leave my initial education to my grandmother Fyokla Alexandrovna (my father’s mother), who, having taken possession of me, transferred me to her room. I spent about three or four years with her, a nurse and a nanny, seeing my parents very rarely...”
Elementary education Glinka
First musical impressions
composer - serf singing
peasants and the ringing of local bells
churches. Moreover, he was interested in
playing by an orchestra of serf musicians
on my uncle's estate
Afanasy Andreevich Glinka.
Mikhail Ivanovich studied violin and piano and music had such an influence on him strong influence that once, in response to a remark about absent-mindedness, he remarked:
“What should I do?... Music is my soul!” .
In 1817, Mikhail’s parents brought him to St. Petersburg and placed him in the Noble boarding school at the Main Pedagogical Institute, where his tutor was the poet, Decembrist Wilhelm Karlovich Kuchelbecker, a friend of A. S. Pushkin.
V. K. Kuchelbecker
At the boarding house Glinka studied foreign languages, geography, zoology. In St. Petersburg he attended concerts, Opera theatre, and also took lessons from major musicians, including the Irish pianist and composer John Field.
John Field
After graduating from the boarding school in 1822, Mikhail Glinka intensively studied music: he studied Western European musical classics, participated in home music-making in noble salons, sometimes leads his uncle's orchestra. At the same time, Glinka tried himself as a composer, composing variations for harp or piano on a theme from the opera. Austrian composer Joseph Weigl's "The Swiss Family"
In 1824 he entered service in the office of the Main Directorate of Communications.
In 1828, he left the service and devoted himself to music. By this time he was already the author of romances, “Russian songs”, arias in Italian style, quartets.
The composer's health has deteriorated and he goes to Europe for water.
At the end of April 1830, the composer went to Italy, stopping in Germany along the way.
Arrived in Italy at the beginning of autumn
and settled in Milan.
In Italy, Glinka meets
with outstanding composers
V. Bellini and G. Donizetti,
studies Bel Canto vocal style
and he himself writes a lot in
"Italian spirit". Here he is
he gets the idea to write
an opera based on a Russian plot.
In July 1833, Glinka went to Berlin, stopping for some time in Vienna along the way. In Berlin, Glinka, under the guidance of the German theorist Siegfried Dehn, worked in the fields of composition, polyphony, and instrumentation.
Siegfried Dehn
Having received news in 1834
about the death of his father, Glinka decided
return to Russia immediately.
Returning to Russia, Glinka begins to look for a plot for an opera. On the advice of Zhukovsky, he dwells on the story of the Russian peasant Ivan Susanin.
V. A. Zhukovsky
At the end of April 1835, Glinka married Marya Petrovna Ivanova. Soon after this, the newlyweds went to Novospasskoye, where Glinka began writing an opera.
In 1836, the opera “A Life for the Tsar” was completed, but Mikhail Glinka managed with great difficulty to achieve a production on the stage of the St. Petersburg Bolshoi Theater.
The opera was warmly received by the progressive public, but the aristocracy and the imperial court found it "coachman's".
Listening to this new thing,
Envy, clouded with malice,
Let him grind, but Glinka
It won't be able to trample into the mud.
A.S. Pushkin
Sing in delight, Russian choir,
A new product has been released,
Have fun, Rus'! Our Glinka -
Not clay, but porcelain.
Vielgorsky
In 1856, Glinka left for Berlin. After one of the concerts in the hall Royal Palace Glinka caught a bad cold and died on February 3, 1857.
At the insistence of his sister, Glinka’s ashes were transported to Russia in 1857 and buried in the cemetery of the Alexander Nevsky Lavra.
Slide 1
Slide 2
Composer, traditionally considered one of the founders of Russian classical music. Glinka's writings had a strong influence on subsequent generations composers, including members of the “New Russian School”, who developed his ideas in their music.
Slide 3
Mikhail Glinka was born on May 20, 1804 in the village of Novospasskoye, Smolensk province. Until the age of six, he was raised by his grandmother Fyokla Alexandrovna.
Slide 4
Mikhail grew up as a nervous, suspicious and sickly gentleman - a “mimosa”, according to Glinka’s own description. At the age of ten, Mikhail began learning to play the piano and violin. Glinka’s first teacher was governess Varvara Fedorovna Klammer, invited from St. Petersburg.
Slide 5
After a long search for a plot for the opera, Glinka, on the advice of V. Zhukovsky, settled on the legend of Ivan Susanin. At the end of April 1835, Glinka married Marya Petrovna Ivanova. Soon after this, the newlyweds went to Novospasskoye, where Glinka began writing an opera with great zeal.
Slide 6
In 1836, the opera “A Life for the Tsar” was completed, but Mikhail Glinka with great difficulty managed to get it accepted for production on the stage of the St. Petersburg Bolshoi Theater. The premiere of “A Life for the Tsar” took place on November 27, 1836. The success was enormous, the opera was enthusiastically received by the advanced part of society.
Slide 7
Mikhail Ivanovich Glinka died on February 16, 1857 in Berlin and was buried in the Lutheran cemetery. At the grave there is a monument created by the architect A. M. Gornostaev. Currently, the slab from Glinka's grave in Berlin is lost. At the site of the grave in 1947, the Military Commandant's Office of the Soviet sector of Berlin erected a monument to the composer. The original monument at the grave of M. Glinka in Berlin. Monument-tombstone of M. I. Glinka at the Tikhvin cemetery.
Glinka
Slides: 14 Words: 1578 Sounds: 0 Effects: 28Mikhail Glinka. Mikhail's mother. Meetings. Composer. Moscow. Ivan Susanin. Opera "Ivan Susanin". Sing in delight. Ruslan and Ludmila. Introduction to the opera. Return trip. I went on a trip. - Glinka.ppt
Glinka music
Slides: 8 Words: 110 Sounds: 0 Effects: 2M.I.Glinka is the founder of Russian classical music. Musical creativity. Childhood on his native estate. Glinka's first teacher was governess Varvara Fedorovna Klamer, invited from St. Petersburg. First works. Glinka's first experience in composing music dates back to 1822, the time he graduated from boarding school. Romances. Folk origins. Opera creativity. - Glinka music.ppt
Mikhail Glinka
Slides: 38 Words: 1053 Sounds: 0 Effects: 0Mikhail Ivanovich Glinka. Date of Birth. The estate where M.I. Glinka was born. Dining room in the house of M.I. Glinka. Living room in the house of M.I. Glinka. Hall in the house of M.I. Glinka. Pond on the territory of M.I. Glinka’s estate. Bridge on the territory of M.I. Glinka’s estate. Parents bring Mikhail to St. Petersburg. Museum M.I. Glinka in Smolensk. Fragment of the exhibition of the M.I. Glinka Museum. M. Glinka and N. Pavlishchev. Portrait of M.I.Glinka. Portrait of M. Glinka by the artist Ya. F. Yanenko. Mikhail Glinka, 1852. Premiere of "Ivan Susanin". Monument to Glinka. Monument to M. Glinka in Smolensk. Died on February 15, 1857. The original grave marker. - Mikhail Glinka.ppt
Composer Glinka
Slides: 13 Words: 874 Sounds: 4 Effects: 24Geography of M. I. Glinka’s creativity. Goal: Study of the influence of impressions received from traveling around the world on the composer’s work. Objectives: Relevance of the problem: Geography of travel. In 1830-1834. Glinka visited Italy, Austria and Germany. Glinka spent the spring and summer of 1838 in Ukraine. 1844-1848 The composer spends his time in France and Spain. In 1851 the composer was in Warsaw, then moved to France, and in 1854. In the spring of 1856, Glinka made his last trip abroad (to Berlin). Thus, several periods of the European journey can be distinguished. - Composer Glinka.ppt
Mikhail Ivanovich Glinka
Slides: 20 Words: 173 Sounds: 3 Effects: 3Mikhail Ivanovich Glinka. Mikhail Ivanovich Glinka - the founder of Russian classical music of the XIX century. A son, Mikhail Glinka, was born into the family of Ivan Nikolaevich and Evgenia Andreevna Glinka. The village of Novospasskoye, Smolensk province. Mikhail Glinka's first musical impressions were connected with folk song. IN early childhood loved ones musical instrument there were bells. "Music is my soul." 1817-1822 Petersburg. 1830 Italy, Austria, Germany. 1836 Petersburg. “Life for the Tsar” (“Ivan Susanin”). Domestic heroics is a tragic opera. 1842 Petersburg. The first Russian epic opera. - Mikhail Ivanovich Glinka.ppt
Biography of Glinka
Slides: 17 Words: 611 Sounds: 0 Effects: 2Mikhail Ivanovich Glinka. Composer. Elementary education. He entered the Noble boarding school in St. Petersburg. Opera "Ivan Susanin". Conversations with Pushkin. Folk musical drama. Generations of Russian musicians. Glinka met Ekaterina Kern. Meeting M. A. Balakirev. The composer again went to Paris for several months. Glinka's ashes. Coin. State Museum. - Biography of Glinka.ppt
Brief biography of Glinka
Slides: 11 Words: 540 Sounds: 0 Effects: 0Mikhail Ivanovich Glinka. Glinka Mikhail Ivanovich was born on May 20 (June 1), 1804. The loud voice of a nightingale was heard from the tree. At first, Misha was raised by his grandmother. Music occupied Misha very much. Misha loved listening to his nanny's songs. On holidays, bells were rung in all churches. Misha did not stay in the village for long. Musical impressions childhood. Loved to travel, visited different countries. Opera. - Brief biography of Glinka.pptx
Works by Glinka
Slides: 11 Words: 1064 Sounds: 2 Effects: 2Works for orchestra by M.I. Glinka. Works for orchestra. Glinka remained true to his artistic principles. "Kamarinskaya". Symphonic fantasy"Kamarinskaya". The tune of “Kamarinskaya” is fast and cheerful. "Waltz Fantasy" Episodes with varied content. Overtures. Everlastingly beautiful samples symphonic music. - Works by Glinka.ppt
Waltz fantasy
Slides: 10 Words: 480 Sounds: 0 Effects: 0"Waltz-fantasy". Composer: M. Glinka. Orchestra composition: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, trombone, timpani, triangle, strings. In 1839, Glinka, who had already gained fame in St. Petersburg as the author of beautiful romances and instrumental plays, worked on his first opera. Unlike her mother, Ekaterina Kern was not a beauty, but Glinka became seriously interested in her. It's all over. The waltz began to be called Melancholic, or Pavlovian. In 1845, while in Paris, Glinka himself orchestrated “Waltz Fantasia” for performance in symphony concert. Worked on the presentation: Natalya Yanushkevich and Angelina Cherenkova. - Waltz-fantasy.ppt
Ivan Susanin
Slides: 15 Words: 502 Sounds: 0 Effects: 0Ivan Susanin. The idea of creating a Russian national opera. Russian by heart. Characters. Antonida. Susanin's adopted son. Russian warrior. Choirs of peasants and peasant women. Main character operas. Overture music. Viewer. Holy Rus'. The existence of Russian opera. The significance of M.I.’s creativity Glinka. - Ivan Susanin.pptx
Ivan Susanin opera
Slides: 7 Words: 68 Sounds: 0 Effects: 0Glinka. Topic: Opera "Ivan Susanin". Mikhail Ivanovich Glinka years of life: 1804-1857. Ivan Susanin. Sigismund, Polish king. Vanya Bogdan Sobinin. Antonida. - Ivan Susanin opera.pptx
Opera Ivan Susanin
Slides: 11 Words: 1295 Sounds: 0 Effects: 0M.I. Glinka’s opera “A Life for the Tsar” “Ivan Susanin”... Just such an exception happened with the opera “A Life for the Tsar”. There are a lot of very interesting circumstances associated with the first Russian “classical” opera. The story of Ivan Susanin somehow especially attracted Russified foreigners. First Kavos, and then Baron Rosen (from the Germans). [Characters.]. Ivan Susanin, peasant of the village of Domnina, bass. Vania, Foster-son Susanina - contralto. Bogdan Sobinin, militia soldier, Antonida's fiancé, tenor. Russian warrior - bass. Polish messenger - tenor. Sigismund, King of Poland, bass. [Words by V. Korshikov.]. - Opera Ivan Susanin.ppt
Glinka "Ivan Susanin"
Slides: 12 Words: 427 Sounds: 0 Effects: 0Heroic theme. Opera "Ivan Susanin". "Life for the Tsar." M.I.Scotti “The Feat of Ivan Susanin.” Aria Susanina. You will come, my dawn. Choir "Glory" from the opera "Ivan Susanin". Museum of the exploits of Ivan Susanin. A monument was erected to Ivan Susanin. Russian folk song. - Glinka “Ivan Susanin”.pptx
Ruslan and Ludmila
Slides: 28 Words: 443 Sounds: 0 Effects: 0M.I. Glinka's opera “Ruslan and Lyudmila. Fairy tales and songs have always been the soul of the people. Mikhail Ivanovich Glinka. M.I. Glinka was the founder of Russian classical music. The history of opera. Work on the opera began in 1837 and lasted for five years. Libretto. M.I. worked here. Glinka on the opera “Ruslan and Lyudmila”. Mikhail Glinka worked on the opera “Ruslan and Lyudmila” in Kachanovka. Manuscript by M.I. Glinka. Fairy tale plot of the opera. Illustrations for the poem by A.S. Pushkin "Ruslan and Lyudmila". Magical adventures of heroes. “Ruslan and Lyudmila” is a fairy-tale-epic opera. The development of the plot is characterized by a calm and leisurely flow. -
Slide 1
The presentation was prepared by: Olga Grigorievna Vovk, music teacher of Fedorovsky Khanty-Mansi Autonomous Okrug-Yugra
"Between heaven and earth…"
Slide 2
Goal: To introduce students to the romance genre, its role in the work of M.I. Glinka; Objectives: To develop students’ understanding of romance as a genre vocal music; Improve listening and analysis skills musical composition using the example of the romance “Lark”; Develop interest in the work of composer M. I. Glinka; Enrich spiritual world students, to cultivate their musical, artistic and aesthetic taste;
Slide 3
Many composers have turned and continue to turn to the romance genre. For them, this form of vocal music was and is a kind of diary of vivid impressions, a spiritual confession. Why do romances live in people's memories? Because they sing of the great human feeling - love, and with it the confusion of the soul and joyful excitement, the delight of meetings and the bitterness of separation, memories of the past and hope for happiness.
Slide 4
Romance is vocal composition, written on a short poem of lyrical content, mainly love. The homeland of romance is Spain
Slide 5
A. Alyabyev
A. Gurilev
S. Rachmaninov
A. Varlamov
P. Tchaikovsky
N. Rimsky-Korsakov
G. Sviridov
Composers created wonderful examples of Russian romances
Slide 6
Among the great Russian composers who make up the glory and pride of Russian romance, the name of Mikhail Ivanovich Glinka shines with unfading light
Slide 7
Glinka was the founder of Russian classical music. He was the first to deeply and comprehensively express the soul of the Russian people in his works. It was he who put Russian music on a par with the best works world culture, it was he who stood at the beginning of a new historical period development of Russian music. Diverse by genre vocal creativity M.I. Glinka is his invaluable contribution to the field of Russian romance and song lyrics. He was the first of the Russian composers to achieve a high fusion of music and text into a single poetic whole.
Slide 8
Being himself an excellent singer and vocal teacher, Glinka not only became the first classic of Russian romance, but also the creator of Russian vocal school, Russian bel canto, that is, “beautiful singing,” where the smoothness, flexibility, and plasticity of beautiful melodies are combined with deep realistic disclosure spiritual meaning poetic word.
Stills from the film “Composer Glinka”
Slide 9
M Glinka – N. Kukolnik “Farewell to St. Petersburg”
"Farewell to Petersburg", a cycle of 12 romances created by Glinka in 1840. ... “I wanted to leave St. Petersburg (...) I was not exactly sick, not exactly healthy: my heart was heavy with grief, and gloomy, vague thoughts involuntarily crowded into my mind...” In these romances you can hear not only " dark thoughts", but also tender, lyrical motives. Light sadness sounds in the romance "Lark" - one of the most sincere and touching works of Russian musical classics. Its natural, melodious melody involuntarily captivates with its impeccable “vocality” - you want to sing it!
Slide 10
10
Nestor Kukolnik
Mikhail Glinka
romance "Lark"
The romance “Lark” is a sincere and thoughtful song, with an easily flowing, smooth melody, natural and simple, tinged with light sadness. The piano part expressively recreates the flat Russian landscape - its endless distances, fields and meadows with stems of grass and cereals creeping in the wind. Before the singer enters, the trills of a lark are heard, accompanied by the song. The romance contains two musical lines: the thematic is the song of the lark and lyrical experiences hero. In the first, you can hear the authentic, natural trills of a lark, “which, in a mad rapture of the feeling of being, now rushes upward like an arrow, now falls from the sky, now fluttering its wings, without moving from its place, as if bathing and drowning in the blue ether” (V.G. Belinsky).
Slide 11
It is the lark's song that encourages lyrical hero to actively express feelings for your beloved. The vocal part expresses not just a touching state, but the eternal longing of the human heart for the faithful and tender love, timid hope for true feeling. A beautiful melodious melody flows in a “non-originating stream” against the backdrop of transparent accompaniment, in which soaring octave leaps convey a feeling of airiness, a state “between heaven and earth.”
Composer's grandmother Fyokla Alexandrovna
Composer's parents
Evgenia AndreevnaIvan Nikolaevich
Beloved sister
Lyudmila Ivanovna In 1817, parents bringMikhail to St. Petersburg and
placed in Noble
boarding house at the Main
pedagogical institute, where
his tutor was a poet,
Decembrist V.K. Kuchelbecker. IN
Petersburg Glinka takes lessons
among the greatest musicians, in
including the Irish
pianist and composer John
Field. John Field
V.K.Kuchelbecker Upon graduation from the boarding school in 1822
Mikhail Glinka is studying hard
music: studies
Western European music
classics, participates in home
playing music in the nobility
salons, sometimes leads
uncle's orchestra. At the same time
Glinka tries herself as
composer, composing variations for
harp or piano on a theme from
operas by an Austrian composer
Joseph Weigl's "Swiss"
family". At the end of April 1830, the composer
goes to Italy, delayed
on the way to Dresden and having completed
great trip to Germany,
stretching throughout the summer months.
Arriving in Italy at the beginning of autumn,
Glinka settled in Milan, the former
at that time a major center
musical culture. In Italy he
meets outstanding
composers V. Bellini and
G. Donizetti, studies vocal
Bel Canto style and he composes a lot himself
in the "Italian spirit". In July 1833, Glinka went to Berlin,
stopping along the way for a while at
Vienna. In Berlin Glinka, under the leadership
German theorist Siegfried Dehn works in
areas of composition, polyphony, instrumentation.
Having received news of his father's death in 1834,
Glinka decided to immediately return to
Russia. Glinka returned with extensive plans to create
Russian national opera. After a long time
searching for a plot for Glinka's opera, on the advice of V.
Zhukovsky, focused on the legend about Ivan
Susanina. At the end of April 1835, Glinka
married Marya Petrovna Ivanova, his
distant relative. Soon after it
the newlyweds went to Novospasskoye, where Glinka and
He began writing the opera with great zeal. In 1836, the opera “Ivan Susanin” was completed, however
Mikhail Glinka managed to get her accepted with great difficulty.
production on the stage of the St. Petersburg Bolshoi Theater. This with
the director of the imperial
theaters A. M. Gedeonov, who gave it to the conductor for trial
Katerino Kavosu. Kavos gave Glinka's work the most
flattering review. The opera was accepted, however, on the recommendation
yard, the name “Ivan Susanin” was replaced by “Life for
Tsar”, besides, Glinka was obliged not to demand for the opera
rewards. In 1856, Mikhail Ivanovich Glinka left
to Berlin. There he began studying
ancient Russian church chants,
works of old masters, choral
works of the Italian Palestrina, Johann
Sebastian Bach. Unexpected illness
interrupted these activities.
First works.
Glinka's first experience in composing music dates back to 1822.year - the time of completion of the boarding school. These were variations for
harp or piano on a theme from an opera that was fashionable at the time
Austrian composer Weigl "Swiss
family." From that moment on, continuing
improve in playing the piano, Glinka everything
pays more attention to composition and soon
composes an extremely large amount, trying his hand at the most
different genres. For a long time he remains Romances.
dissatisfied with their work. But it was precisely during this period
well-known today romances and songs were written: “Don’t
tempt me unnecessarily" to the words of E.A. Baratynsky, "Don't sing,
beauty, in front of me" to the words of A.S. Pushkin, "Autumn night, night
dear" to the words of A.Ya. Rimsky-Korsakov and others.
Romances.
"Venetian Night" (1832)"Here I am, Inesilla" (1834)
"Night View" (1836)
"Doubt" (1838)
"Night Zephyr" (1838)
“The fire of desire burns in the blood” (1839)
Wedding song “The marvelous tower stands” (1839)
Vocal cycle "farewell to St. Petersburg" (1840)
"A Passing Song" (1840)
"Confession" (1840)
"Do I Hear Thy Voice" (1848)
“The Healthy Cup” (1848)
“Margarita’s Song” from Goethe’s tragedy “Faust” (1848)
"Mary" (1849)
"Adele" (1849)
"Gulf of Finland" (1850)
“Prayer” (“In a difficult moment of life”) (1855)
"Don't Say It Hurts Your Heart" (1856)
Opera creativity.
Mikhail Ivanovich Glinka died on February 15, 1857years in Berlin and was buried in Lutheran
cemetery. In May of the same year, at the insistence of the youngest
sisters of M. I. Glinka Lyudmila Ivanovna Shestakova,
the composer's ashes were transported to St. Petersburg and
reburied at the Tikhvin Cemetery.