AT 4. Famusov, annoyed by Chatsky’s desire to talk only about Sophia, exclaims: “Repeats the same thing five thousand times!»What is this technique called?
From 1. What is Famusov’s formula for success in life and which heroes of Russian classics are close to Famusov in their views on the world and man?
Answers
Option 6 (group 2)
Sophia, Lisa, Molchalin.
Sophia
Molchalin! How my sanity remained intact!
You know how dear your life is to me!
Why should she play, and so carelessly?
Tell me, what's wrong with your hand?
Should I give you some drops?
Don't you need peace?
Send to the doctor, it shouldn’t be neglected.
Molchalin
I bandaged it with a scarf, and it hasn’t hurt me since then.
Lisa
I'll bet it's nonsense
And, if it weren’t for the face, there’s no need for bandaging,
It’s not nonsense that you can’t avoid publicity:
Just look, Chatsky will make you laugh,
And Skalozub, as he twirls his crest,
He will tell the story of fainting, add a hundred embellishments;
He’s also good at making jokes, because nowadays who doesn’t joke!
Sophia
Which one do I value?
I want - I love, I want to say;
You came in, didn’t say a word,
I didn’t dare to breathe in front of them,
To ask you, to look at you.-
Molchalin
No, Sofya Pavlovna, you are too frank.
Sophia
Where to get secrecy from!
I was ready to jump through your window.
What do I care about anyone? before them? to the whole universe?
Funny? - let them joke; annoying? - let them scold.
Molchalin
This frankness would not harm us.
Sophia
Are they really going to challenge you to a duel? Molchalin
Oh! Evil tongues are worse than a pistol.
Lisa
They are sitting with the priest now,
If only you would flutter through the door
With a cheerful, carefree face:
When they tell us what we want, -
Wherever one would like to believe!
And Alexander Andreich - with him
About the old days, about those pranks
Take a look at the stories:
A smile and a few words
And whoever is in love is ready for anything.
Molchalin
I don't dare advise you.
(Kisses her hand.)
Sophia
Do you want?..
I’ll go and be nice through my tears;
I'm afraid that I won't be able to withstand the pretense.
Why did God bring Chatsky here! (Leaves.)
(A. From Griboedov “Woe from Wit”)
A1. Comedy genre chosen by A.S. Griboyedov, was one of the most popular genres in literature
A2. What is the plot line of the comedy by A.S. Griboyedov's "Woe from Wit" is developed in this episode?
1) love 2) everyday 3) social 4) political
A3. The theme of his comedy “Woe from Wit” by A.S. Griboyedov elected
1) events of the Decembrist uprising 3) brutal manifestations of serfdom
2) the morals of the Russian nobility 4) the happy love of the main characters
A4. In this scene, the heroes of the comedy A.S. Griboyedov "Woe from Wit" discuss how best to behave in order to avoid gossip about
1) the unexpected meeting of Famusov and Molchaliv at the door of Sophia’s bedroom
2) Famusov’s intentions to woo and marry Sophia to Skalozub
3) Famusov’s quarrel with Chatsky, which occurred during a conversation about Sophia
4) the fainting that happened to Sophia after Molchalin fell from his horse
A5. The main positive hero of the play is
1) Sofya, in love with Molchalin 3) Liza, sympathetic to Sofya’s lover
2) Alexander Andreevich mentioned in the episode 4) Molchalin calling for caution
IN 1. Indicate the type of literature to which A.S.’s play belongs. Griboedova Woe from Wit."
AT 2. Which of the characters participating in this episode owns the aphorisms: “At my age one should not dare to have one’s own judgment,” “ We often find patronage there where we don’t see it»,« We are small in rank....» ?
AT 3. Indicate the term that in literature refers to the author’s explanations in the text of the play that accompany the actions of the characters: “ Kisses her hand», « Leaves" and etc.
AT 4. What is the consonance of the ends of poetic lines called?
Which one do I value?
I want - I love, I want - I will say.
Molchalin! as if I didn’t force myself?
You came in and didn’t say a word.
I didn’t dare to breathe in front of them.
To ask you, to look at you.
Give a complete, detailed answer to the problematic question, drawing on the necessary theoretical and literary knowledge, relying on literary works, the author’s position and, if possible, revealing your own vision of the problem. (8-10 sentences)
From 1. What role in the comedy by A.S. Griboyedov's “Woe from Wit” plays on the theme of gossip, and in what works of Russian literature did the fear of “evil tongues” influence the actions and fates of the heroes?
Answers
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1. What is Famusov’s formula for success and which heroes of Russian classics are close to Famusov in their views on the world and man?
25 messages
1) What is Famusov’s formula for success and which heroes of Russian classics are close to Famusov in their views on the world and man?
2) What is the inconsistency of the image of Sophia and which heroines of Russian classics are similar to her?
3) What role does the topic of gossip play in comedy and in what works of Russian literature did the fear of “evil tongues” influence the actions and fates of the characters?
4) What is the meaning of comparing the image of Chatsky with the image of Repetilov?
1) Do you remember Famusov’s monologue about Maxim Petrovich? The “formula for success” is clearly formulated there (honor of rank, helpfulness, and the accompanying things). Close heroes - Fonvizin “Unorosl” (Skotinin, Prostakova, “why do we need geography if there are cab drivers”).
2) Sophia, on the one hand, is confident, strong, because... she preferred the poor Molchalin, knowing that she would be condemned by her father, and on the other hand, spreading gossip about Ch.’s madness, she joins the Famus society, which is hateless, uneducated, ignorant. etc.:)
3) Pushkin - “EO”, the duel between Lensky and Onegin (mostly due to fear of gossip), Ostrovky - “The Thunderstorm”
short and clear :)
I was absolutely sure that these questions had already been answered in the discussions, but I couldn’t find them.
It seems like a lot, but in fact there are 10 sentences))
3) The motif of rumors and gossip, present in the comedy by A. S. Griboedov “Woe from Wit”, is a means of satirical characterization of the depicted society and its individual representatives, and also plays a plot-forming role. Gossip also becomes one of the means of revealing satirical characters in comedy, and the characters’ attitude towards it is one of the criteria by which their character can be assessed. A special, plot-forming role in Griboedov’s comedy is played by gossip about Chatsky’s madness, associated with the antithesis “mind - madness”, already specified in the title of the play. This is a weapon of struggle, chosen by society to get rid of Chatsky, it expresses the reaction of the world to the mentality and behavior of the young man, which is regarded as madness. Gogol continues Griboedov's traditions in Dead Souls, where gossip also becomes an integral part. city life, a means of creating the image of the central character and the driving principle of the plot. This motif is realized in Dostoevsky’s “Poor People”: Makar Devushkin perceives Gogol’s story “The Overcoat” as a libel against petty officials like him; the fear that haunts him of gossip and rumors as a form of interference in his personal life is correlated in Dostoevsky with the fear of literature penetrating into the carefully hidden ins and outs of the hero:
“Sometimes you hide, you hide, you hide in what you didn’t take, you are sometimes afraid to show your nose - no matter where it is, because you tremble at gossip, because out of everything that is in the world, out of everything, they will make a libel for you, and that’s it.” your whole civil and family life is based on literature, everything is printed, read, ridiculed, judged! Yes, you won’t even be able to show yourself on the street here.”
In the novel “The Little Demon,” F. Sologub gives a modernist interpretation of gossip and rumors. The stupefying boredom of provincial life, with its monotony of life experiences, the monotonous cycle of days, the lack of cultural values and, as a result, the poor spectrum of spiritual life, recognizes only gossip as the only entertainment. The city is full of rumors. In Sologub’s sociological characterization of townspeople, the determining factor is their attitude to gossip; gossip is the only interesting subject of conversation for everyone in any company; and a potential groom can be interested not only in delicious pancakes, but also in the promise “to walk around the city every morning, collect all the gossip, and then tell it.”
Educational and methodological material (literature) on the topic:
Preparation for the Unified State Exam in literature.
Questions for preparing miniature essays.
Preview:
Preparing for the literature exam
Old Russian literature, literature of the 18th century and the first half of the 19th century
2. What details indicate a close connection between “The Tale of Igor’s Campaign” and folk poetry, and in which works of Russian classics are there elements of imagery from Russian folklore?
3. How, in your opinion, is the patriotism of the Author of “The Tale of Igor’s Campaign” expressed?
4. Why did the central artistic image of “The Tale of Igor’s Campaign” become the image of the “Russian land”, and not the images of princes and squads?
8th century literature
5. Why do the main characters of Fonvizin’s play have such a “non-noble” surname: Prostakovs, and in what works of Russian literature do the authors use “speaking” surnames as a means of characterizing the characters?
6. Is it possible to say that Derzhavin’s poem “Monument” continues the traditions of the odic poem?
7. Determine the main theme of the poem “Monument” and think about which Russian poets developed this same theme in their work?
8. How did the classicists (Lomonosov, Derzhavin, Fonvizin) see the ideal of the era and what type of hero was considered the embodiment of this ideal?
9. Why “Ode on the day of accession to the throne...” M.V. Lomonosov, dedicated to the accession to the throne of the Empress, turned into a work by Lomonosov about peace, about the end of wars, and in what works of Russian literature does the same idea of “prescribing an end to strife” sound?
10. What is the meaning of the ending of D.I.’s comedy? Fonvizin "Minor"?
11. Who can be considered a positive hero of D.I.’s comedy? Fonvizin "Minor"?
12. What, in your opinion, is the essence of the conflict between Pravdin and Starodum with the world of simpletons and brutes?
13. Why does Fonvizin devote so much space to discussions “about the great state,” and which Russian writers tried to create the image of an ideal ruler on the pages of their works?
14. Why is the comedy “The Minor,” which exposes feudal reality, called “the comedy of education”?
Literature of the first half of the 19th century
15. In what works of Russian literature do the actions or statements of minor characters help the reader take a critical look at the main characters?
16. What role do Osip’s monologues play in creating the image of Khlestakov?
17. Can Chatsky’s fate be considered tragic?
18. Why is the genre “Woe from Wit” defined as a comedy?
19. What is the inconsistency of the image of Sophia, and what heroes of Russian literature are similar to the heroine of the comedy A.S. Griboedova?
20. What is Famusov’s formula for success in life, and which heroes of Russian literature are close to Famusov in their views on the world and man?
21. What, from your point of view, makes Chatsky a positive hero of the play?
22. What role does the theme of gossip play in Griboedov’s comedy “Woe from Wit”, and in what works of Russian literature did the fear of “evil tongues” influence the actions and destinies of the heroes?
23. What feelings determine the mood of the lyrical hero of the poem by A.S. Pushkin's "Elegy", and how are they reflected in the features of the compositional structure of the poem?
24. What is the meaning of the poem by A.S. Pushkin's "Elegy", and which Russian poets worked in this genre?
25. What freedom-loving aspirations are reflected in the lyrics of A.S. Pushkin? (Using the example of the poems “To Chaadaev”, “Village”, “October 19”, “Anchar”, etc.)
26. What is the philosophical meaning of Pushkin’s poem “Cloud”, and which of the Russian poets followed Pushkin’s tradition in depicting nature and man?
27. Why were the main characters of “The Captain’s Daughter” not historical figures, but fictional characters, ordinary participants in historical events?
28. In what works of Russian literature is the theme of man and history resolved through the example of stories about the destinies of ordinary people?
29. How is the tragedy of the Russian rebellion shown in “The Captain’s Daughter,” and in which works of Russian classics was a similar problem addressed?
30. Why is Pushkin’s story, the main event of which was the Pugachev uprising, entitled “The Captain’s Daughter”?
31. Do you agree with V.G. Belinsky, who called the novel A.S. Pushkin's "Eugene Onegin" as an "encyclopedia of Russian life"? Justify your opinion.
32. What gives the author reason to call Tatyana Larina a “sweet ideal”?
33. Why in Pushkin’s novel “Eugene Onegin” does the author so suddenly break up with his hero in the finale?
34. What do you think is the meaning of the epigraph preceding the first chapter of the novel by A.S. Pushkin’s “Eugene Onegin”: “And one is in a hurry to live and feels in a hurry” (Prince Vyazemsky)?
35. What, in your opinion, is the uniqueness of the artistic solution to the conflict in the poem by A.S. Pushkin's "The Bronze Horseman"?
36. Why did the technique of antithesis become the basis of the compositional structure of Lermontov’s poem “It stands alone in the wild north...”?
37. What themes can be considered leading in Lermontov’s lyric poetry and in which works of Russian literature do the same themes and motifs appear?
38. Which lyrical works of Lermontov ideologically and thematically echo the novel “A Hero of Our Time”?
39. How do Pechorin’s thoughts about himself and the entire generation relate to the problems of other works of Russian classics?
40. Does the title of M. Yu Lermontov’s novel “Hero of Our Time” sound serious or ironic?
41. What are the artistic functions of the author’s preface to the novel “A Hero of Our Time”?
42. Why do Pechorin’s victories not bring him honor, but only aggravate his loneliness?
43. For what purpose does the author of the novel “A Hero of Our Time” constantly change narrators?
44. Why is Pechorin classified as a “superfluous person”?
45. Why exactly does the story “Fatalist” complete Lermontov’s novel “A Hero of Our Time”?
46. What role do detailed descriptions of heroes and their life play in the composition of Gogol’s poem “Dead Souls” and in other works of Russian literature?
47. What is the meaning of the title of N.V.’s poem? Gogol's "Dead Souls"?
48. Is Chichikov a strong personality or a “person with petty passions”?
49. Do you agree with the statement of the philosopher V. Rozanov that all the heroes of Gogol’s poem are “pathetic and funny dolls”?
50. Why N.V. Gogol opens a gallery of images of landowners with Manilov, and ends with Plyushkin?
51. What is innovative about the dramatic conflict of Gogol’s comedy “The Inspector General”?
52. What is the basis for the comedy of the scenes in the play “The Inspector General,” and in what works of Russian literature do similar comic situations occur?
53. Why is the city named conventionally in Gogol’s play “The Inspector General,” and in what works of Russian literature does the city become the subject of artistic depiction?
54. How do you understand the words of the critic about the image of Akaki Akakievich: through “cold, evil humor” sounds “common, worldly, Christian love” (Based on Gogol’s story “The Overcoat”)
In which works of Russian literature is there a fear of evil tongues?
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Gossip plays an important role in A.S. Griboedov’s comedy “Woe from Wit”, being an integral part of the life of Famus society. Rumors became a kind of engine for the plot of the work: after all, it was the talk that Chatsky’s mother went crazy eight times, and he himself “was wounded in the forehead in the mountains, went crazy from the wound” that forced the offended hero to flee Moscow. The theme of gossip is quite common in works of Russian classical literature of the 19th century.
So, around the rumor that Khlestakov is the same St. Petersburg inspector, the entire plot of N.V. Gogol’s famous comedy “The Inspector General” revolves. The very fact that the resourceful mayor so easily believed the local gossips Bobchinsky and Dobchinsky, mistook an “icicle, a rag” for an “important person” is quite ridiculous. How can you not believe in such a seemingly “true” story when panic fear clouds your mind? And all the facts, as luck would have it, converged with each other. The behavior of the newcomer was very reminiscent of the officials of the city of NN themselves: he lives in a tavern “and doesn’t pay a penny.” And Khlestakov’s actions were similar to the duties of an inspector: he carefully examined everything and even looked into the visitors’ plates. All this made the smart and resourceful mayor, believing in gossip, mistake Khlestakov for an auditor.
The finale of the chapter “Princess Mary” from M. Yu. Lermontov’s novel “A Hero of Our Time” was also largely determined by gossip. Young and madly in love with the young Princess Ligovskaya, cadet Grushnitsky spread rumors about the relationship of his “sympathy” with Pechorin. What was the reason for such a vile act? Banal jealousy: the younger Ligovskaya’s feelings for the arrogant youth cooled and now all her precious attention belonged to Pechorin. Grushnitsky’s ardent and inexperienced heart could not withstand such a blow, so the hero conspired with the dragoon captain against his hated “friend.” Within a few days, the main topic of all conversations “on the waters” was the fictitious wedding of Pechorin and Mary. It was this gossip that became the reason for the duel between the main character and the cadet.
Thus, the theme of gossip is found in many works of Russian classics and is an important part of their plot.
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“Rumors and gossip as a driving force in A. S. Griboedov’s comedy “Woe from Wit””
From the first pages of A. S. Griboedov’s comedy “Woe from Wit,” we are presented with a living picture of Moscow society of the 1820s, with its characteristic ignorance and complete lack of deep interests and aspirations. The idle life of Moscow is filled with balls, dinners and all sorts of ruinous undertakings.
Gossip and gossip flourish in this society. Every step, every word is discussed. The gentlemen know everything about each other, and therefore they are very afraid of public opinion, which is why they are so dependent on it. Outwardly everything should be decent. This is what Moscow society is based on, where hypocrisy and slander rule, where “they scold everywhere,” but “they accept everywhere.”
At his first meeting with Chatsky, Molchalin reports that Muscovites were surprised and even pitied him when they learned that he “was not given ranks.” “Tatyana Yuryevna was telling me something. with the ministers about your relationship, then the breakup. ", he says. And Chatsky is sincerely surprised by such “care” from a woman whom he has never met or even known. Then Platon Mikhalych recommends Zagoretsky to him: “. He is a secular man, a notorious swindler, a rogue. Be careful in front of him: it’s too much to bear and don’t play cards: he’ll sell you.”
Then Chatsky meets with Skalozub, and he tells him the latest “news”:
There is some kind of Princess Lasova here,
Rider, widow, but there are no examples,
So that many gentlemen travel with her.
The other day I was completely bruised, -
The jockey did not support it; he apparently thought it was flies. -
And without that she is, as you can hear, clumsy,
Now the rib is missing
So she is looking for a husband for support.
There is so much bile, malice, and mockery in his words, but in a personal meeting with Princess Lasova, he would never have uttered these words, but most likely would have bowed before her in respect and began to whisper embellished rumors or gossip about someone else in her ear . The maid Lisa aptly characterizes his “talent” as a gossip:
Skalozub, how he twirls his crest,
The fainting story will be told, adding a hundred embellishments.
Sophia may be ready to neglect gossip and rumors for the sake of her love: “. What do I care about anyone? Before them? Funny? - let them joke; annoying? - let them scold. “, but her lover, Molchalin, is not ready - he is too dependent on public opinion: “This frankness would not harm us. Oh! Evil tongues are worse than a gun."
Neither the rootless secretary nor the owner himself has his own opinion. Famusov, whose image reflects the mental inertia and complacency of the old Russian nobility, was also accustomed to thinking like everyone else, repeating the walking stories of his circle. Here they are not afraid of bad deeds, here they are afraid to show individuality and be branded as dissidents: “Sin is not a problem. ", "As possible against everyone!" Of course, a person who is smart, educated, who, in addition, has his own beliefs and principles and is not embarrassed to speak the truth to his face, is alien to this society. Sophia, a girl who is not naturally stupid, but brought up according to the laws of this society, thinks about Chatsky, who was the cause of the “terrible disorder”: “I am happy to humiliate, to stab; envious, proud and angry! G. N. finds her thinking about these thoughts and also starts a conversation about Chatsky, wondering what he is like after his return. “He’s out of his mind,” Sophia waves it off irritably. And then the gossip spreads at incredible speed. G. N. reports the “news” to G. V., who tells Zagoretsky, a well-known gossip, who goes on. And now the whole society is discussing in every possible way “Chatsky’s madness”, “absurdity. they repeat out loud.” The sleepy society stirred and made noise. Versions - one more absurd than the other - are born in perverted minds: “In the mountains he was wounded in the forehead, went crazy from the wound,” “enlisted” in the “pusurmans,” “changed the law”; "Crazy. Yes, by chance! Yes, so quickly!”; “He took after his mother. The deceased woman went crazy eight times”; “I drank tea beyond my years. I drank glasses of champagne. Bottles, sir, and big ones. Forty barrels"; “Learning is the plague, learning is the cause. “Some “fools believed, they passed it on to others, the old women instantly sounded the alarm - and here is public opinion!”
It is also worth paying attention to the phrases of the old, deaf countess, who misinterprets words using similar endings. But how he misinterprets it! To Zagoretsky’s words: “. Chatsky made all this mess,” she asks again: “What, Chatsky? Who took you to prison? And at the end of the dialogue he concludes: “A cleaver and a satchel for him, to become a soldier!” No joke! changed the law! This old woman, inconspicuous at first glance, acts as a representative of the ideology of autocracy. In her person, society pronounces a verdict on everyone who tries to “change the law” of Russian public life.
As soon as someone appears to Moscow society as undesirably dangerous, it bristles and shows sharp fangs. No one, of course, believed in Chatsky’s madness, but everyone unanimously repeated the gossip out of anger. And the voice of general hostility reaches him. In addition, he was finally convinced of Sophia’s dislike for him, for whom he only appeared.
to Moscow. Crazy! - this is the verdict of Moscow society on his mind, progressive views and noble impulses. As a bearer of new ideas and beliefs, he found himself outside the circle of their interests, norms and rules of social behavior, and therefore was forced to flee, misunderstood, slandered and insulted by this society of bigots, with their petty goals and low aspirations. What about society? He makes some noise, gossips, drives him away, gets agitated for a while and calms down again.
Griboyedov's merit lies in the fact that he portrayed his heroes in such a way that we see the social laws behind them that determine behavior, and we understand that in the conditions of a serf-dominated society, every independent thought, every living passion, every sincere feeling is doomed to persecution.
Literature test on the topic:
We are preparing for the Unified State Exam in Literature. A.S.Griboyedov
A selection of tasks on the works of A.S. Griboyedov
1.Where did Griboedov study and what education did he receive?
2.What foreign languages did Griboyedov speak?
3.Which work of Griboyedov did Pushkin read while in exile in Mikhailovsky?
4. What historical events did Griboyedov witness?
5.What did Griboyedov do?
6. How did Griboedov feel about the Decembrists?
7.Who owns the words on the monument to Griboedov in Tiflis (now Tbilisi): “Your mind and deeds are immortal in the memory of Russians, but why did my love survive you?”
8.Who said about Griboyedov: “Griboedov belongs to the most powerful manifestations of the Russian spirit”?
9. Who said: “The comedy “Woe from Wit” is a criticism of morals, and a gallery of living types, and an ever-sharp, burning satire... In a group of twenty faces, reflected like a ray of light in a drop of water, all the former Moscow, its drawing, its then spirit, historical moment and morals"?
1.Which literary movement does “Woe from Wit” belong to?
2. Indicate the name of the literary movement of the 18th century, the tradition of which Griboyedov continues, giving some of the heroes of his realistic play “speaking” surnames and characteristics.
3. The features of which literary movement are Chatsky’s incomprehensibility by others, his maximalism, the hero’s confrontation with the surrounding reality?
4. In the literature of which direction of the late 18th and early 19th centuries, the comedy genre chosen by A.S. Gribo-edov was one of the most popular?
5.Indicate the name of the type of literature to which A.S. Griboedov’s play “Woe from Wit” belongs.
6. In what poetic meter is A.S. Griboyedov’s comedy “Woe from Wit” written?
7.What is the original title of the play “Woe from Wit”.
8.Name the genre of the work, the features of which are:
- limitation in space and time
- dialogues and monologues
- the special role of conflict (the clash and struggle of characters striving for different goals. The main conflict determines the development of the action)
9.Name the main conflicts of comedy.
10.What is the type of conflict in Griboedov’s play associated with the storyline of Sophia – Molchalin – Chatsky called in literary criticism?
11. Sofya, Famusov, Chatsky are the main characters of A.S. Griboyedov’s comedy “Woe from Wit”, and what are characters like Liza and Repetilov called in dramaturgy?
12. The surname “Famusov” comes from the word “rumor,” which characterizes the hero’s dependence on public opinion. What are such names and surnames called in a dramatic work?
13. Madame Rosier does not take part in the action, Famusov only mentions her. What is the name of such a character in a dramatic work?
14.Name the characters in the comedy.
15.Plot is a chain of events, i.e. the life of the characters in its spatio-temporal changes. The plot not only embodies the conflict, but also reveals the characters.
What are phenomena 1-5 of action 1 in terms of action development?
16.What is the climax?
17. “The fire contributed a lot to her decoration.” Name the year in Russian history associated with this “fire”.
18. “And all the Kuznetsky Bridge and the eternal French...” Name the city in which the events described in “Woe from Wit” take place.
19. In Famusov’s mind, the “Golden Age” for a careerist corresponds to the period of which emperor (empress)?
20. To which city in A.S. Griboedov’s comedy “Woe from Wit” does Famusov promise to send Sophia in a moment of anger.
21.Which of the characters in the comedy “Woe from Wit”...
An ancient, faithful member to the grave" _____________________________________
B) “And a golden bag, and aims to become a general” ________________________________
B) “Since I’ve been listed in the Archives,
Received three awards" __________________________________________
D) "He is a secular man,
Outspoken swindler, rogue" _____________________________________
D) “I myself have been raving about a dinner or a ball for a whole century!
I forgot about the children! I deceived my wife!
Played! Lost! Taken into custody by decree!
He held the dancer! And not just one:
Drank dead! I haven't slept for nine nights!
He rejected everything: laws, conscience, faith!” _____________________________________
E)"not on silver,
Ate on gold; one hundred people at your service;
All in orders; I was always driving in a train...
When do you need to help yourself?
And he bent over” _____________________________________________________
He wants to preach freedom” _____________________________________________
G) “Chinov doesn’t want to know! He’s a chemist, he’s a botanist...” ______________________________
Z)"I got a firm grip on some new rules,
The rank followed him - he suddenly left the service,
I)” Helpful, modest, with a blush in his face.
Here he is on tiptoe, and not rich in words...” __________________________________
K) “Who else will settle everything so peacefully!
There he will stroke the pug in time,
There he will rub the card in time,
Zagoretsky will not die in it. » ________________________________________________
22.Which character in the comedy owns the words...
A)"Pass us beyond all sorrows
And lordly anger, and lordly love" _________________________________________________
B) “Happy people don’t watch the clock” _________________________________________________
B) “And what matters to me, what doesn’t matter,
My custom is this:
Signed, off your shoulders" ________________________________________________
D) “I would be glad to serve, but it’s sickening to be served” ____________________________________
D) "At my age one should not dare
Have your own opinions" ______________________________________________________________
E) “With me, strangers’ employees are very rare
More and more sisters, sisters-in-law, children" _____________________________________
E) “I will make you happy: universal rumor,
That there is a project about lyceums, schools, gymnasiums,
There they will only teach in our way: one, two” _____________________________________
G) “I’m pathetic, I’m ridiculous, I’m ignorant, I’m a fool” ___________________________________________
Z) “I am quite happy in my comrades, -
Vacancies are currently open:
Then the elders will turn off others,
Others, look, they were killed” _________________________________________________
And) “Where, show us, are the fatherlands,
Which ones should we take as models? _____________________________________
K) “We’re making noise, brothers, we’re making noise” _________________________________________________
L) “Well, how can you not please your loved one. » _____________________________________
M)”...if evil is to be stopped:
Take all the books and burn them" _________________________________________________
N) “The houses are new, but the prejudices are old” ___________________________________________
Oh) "Oh" my God! what will he say
Princess Marya Alekseevna" _________________________________________________
P) “Whoever is poor is not a match for you” _________________________________________________
R) “Who are the judges? For the antiquity of years
Their enmity towards free life is irreconcilable.
Judgments are drawn from forgotten newspapers
The times of the Ochakovskys and the conquest of Crimea" _______________________________________
C)"Take from head to toe,
All Moscow ones have a special imprint ________________________________________________
T)"Who is so sensitive, and cheerful, and sharp,
Like Alexander Andreich Chatsky!” _____________________________________________
U)"Learning is the plague, learning is the reason,
What is worse now than before,
There have been crazy people, affairs, and opinions.” _______________________________________
23.Which of the heroes of the comedy is the primary source of the rumor about Chatsky’s madness?___________
Why is gossip about Chatsky’s madness spreading so quickly?_______________________________________________________________________________
Which of the heroes expresses doubt about Chatsky’s madness, saying: “Well, that’s it, you can’t believe it, but I doubt it”? ____________________________________________________________
24.Who attributes the following qualities to Chatsky:
A) “He knows how to make everyone laugh nicely...
Sharp, smart, eloquent" ________________________________________________
25.To whom does Chatsky say:
A) “Blessed is he who believes, he is warm in the world!” ________________________________________
B) “...the one whose neck bent more often was famous” _____________________________________
B)"For mercy, you and I are not guys,
Why are other people’s opinions only sacred?” _____________________________________________________
D) "Listen! Lie, but know when to stop” _________________________________________________
26.Who said about Molchalin and which of the characteristics more accurately defines his image:
A) “Molchalin is ready to forget himself for others,
The enemy of insolence..." _____________________________________________
B) “Low-worshipper and businessman” ___________________________________
27. Everyone reacted differently to Molchalin’s fall from his horse. Indicate the author of the remark: “Shall I look at how it cracked, in the chest or on the side?”
28.Which of the comedy heroes calls himself a “member of a secret meeting”?
29.Who owns the critical article on Griboedov’s play “Woe from Wit” and what is it called? What are her main thoughts?
Analysis of the passage (Action 1, phenomenon 3)
Perhaps all the fuss will fall on me.
Let's go sort out the papers.
1.Indicate the term that denotes the type of extended statement by the heroine, who in this episode talks in detail about her dream.
2. Indicate the name of the literary movement of the 18th century, the tradition of which Griboyedov continues, giving some of the heroes of his realistic play “speaking” surnames and characteristics.
Tasks with detailed answers of limited scope (5-10 sentences)
1.What caused Famusov’s dissatisfaction?
2. For what purpose does Sophia invent and tell her dream?
3.What is the inconsistency of the image of Sophia and what heroines of Russian classical literature are similar to the heroine of A.S. Griboyedov’s comedy?
Analysis of the passage. (Act 2, phenomenon 1)
Parsley, you are always with new clothes,
It wouldn't hurt to ask me
After all, I am somewhat akin to her;
At least from time immemorial
No wonder they called him Father.
1. Based on the totality of artistic characteristics, A.S. Griboyedov’s play “Woe from Wit” should be classified as literature of romanticism, classicism, modernism or realism?
2. Does this fragment relate to the exposition, plot, climax or denouement of the action?
3.What means of allegorical expressiveness does Famusov resort to, likening the coffin to a casket, “where you can neither stand nor sit”?
4.What is the name of the form of the character’s statement that the playwright resorts to at the beginning of this fragment?
5.Indicate the term that denotes the outdated words “kaftan”, “key” (as a badge of honor)
6. Famusov, annoyed by Chatsky’s desire to talk only about Sophia, exclaims: “He repeats the same thing five thousand times!” What is this technique called?
1. What themes are present in Famusov’s monologue above?
2. What feelings does Famusov have towards Kuzma Petrovich?
4. What is Famusov’s formula for success in life and which heroes of Russian classics are close to Famusov in their views on the world and man?
Analysis of the passage. (Act 2, phenomenon 11)
Molchalin! How my sanity remained intact!
You want it. I’ll go and be nice through my tears;
I'm afraid that I won't be able to withstand the pretense.
Why did God bring Chatsky here!
1.What storyline is developed in this episode: love, everyday, social, political?
2.Indicate the name of the type of literature to which Griboedov’s play belongs.
3.Which of the characters participating in this episode belongs to the aphorisms: “In this age we should not dare to have our own opinions”, “Often we find patronage where we do not seek it”, “In the ranks we are small...”?
4. Indicate the term that in literature is used to designate the author’s explanations in the text of the play that accompany the actions of the characters: “Kisses her hand,” “Leaves,” etc.
5.What is the consonance of the ends of poetic lines called:
“Which of them do I value?
I want - I love, I want - I will say.
Molchalin! As if I didn’t force myself?
You came in, didn’t say a word,
I didn’t dare to breathe in front of them,
He will ask you to take a look at you.”
1. What, from your point of view, makes Chatsky a positive hero of the play?
2.What storyline of the comedy is developed in this episode?
3.What role does the topic of gossip play in comedy and in what works of Russian literature did the fear of “evil tongues” influence the actions and fates of the characters?
Long answer questions (Essay)
2. What motivated the opinion of one of the literary critics who wrote about Chatsky: “He, of course, is a critic not of being, but of everyday life, not of the world, but only of a separate small corner”?
3. Why are there many episodic and off-stage characters in comedy?
4. Is Sofya Famusova the main culprit of Chatsky’s “millions of torments” or did she get her own “millions of torments”?
5. What is the meaning of comparing the image of Chatsky with the image of Repetilov in Griboedov’s comedy?
6. What is common and what is different in the attitude of Sophia and Chatsky to Famus society?
7. Why does Sophia prefer the inconspicuous Molchalin to the brilliant Chatsky?
8.What determined Sofia Famusova’s love choice?
9. Why didn’t Chatsky believe Sophia when she admitted that she liked Molchalin?
10.Who do you think Sophia is: a like-minded person of Chatsky or a defender of the morals of Famus society?
11.Who is Chatsky: an “extra” person or a person who has not found his place in life?