The great Italian painter was born in 1483 in Urbino. His father was also a painter and graphic artist, so the future master began his training in his father’s workshop.
Raphael's parents died when the boy was barely 11 years old. After their death, he went to Perugia to study in the workshop of Pietro Perugino. He spent about 4 years in the master's workshop and during this time he acquired his own style.
Start of a career
As it says short biography Rafael Santi, after completing his studies, the artist went to live and work in Florence. Here he met such outstanding masters as Leonardo da Vinci, Michelangelo, Bartolomeo della Porta. He learned the secrets of these outstanding masters portrait painting and sculptures.
In 1508, the artist moved to Rome and became the official painter of the papal court. He held this position under both Pope Julius II and Pope Leo X. It was for the latter that Raphael painted the Sistine Chapel - greatest masterpiece Renaissance.
In 1514, Raphael became the chief architect of St. Peter's Basilica. He also did a lot of excavations in Rome, worked on orders for numerous churches, painted portraits (though mostly portraits of friends), and carried out particularly significant private orders.
Retrospective of the artist’s work: the Florentine period
The artist completed his first works in his father’s workshop. The most striking example of creativity young artist Banner with the image of the Holy Trinity. This work is still in the house museum in Urbino.
While studying with Pietro Perugino, Raphael began working on the images of his classic Madonnas. His most striking work from 1501 to 1504 is “Madonna Conestabile”.
The Florentine period is the most eventful in Raphael's life. At this time he created his recognized masterpieces, such as: “Lady with a Unicorn”, “ Holy family", "St. Catherine of Alexandria.”
Also during this period he painted a lot of Madonnas. Raphael's Madonna is, first of all, a mother (most likely, the artist was greatly influenced by the early departure of his own mother). The most best Madonnas of this period: “Madonna of the Carnation”, “Madonna of Granduca”, “The Beautiful Gardener”.
Retrospective of the artist's work: the Roman period
The Roman period of creativity is the pinnacle of the artist’s career. He departed a little from the classic biblical stories and turned to Antiquity. Recognized world masterpieces are: “School of Athens”, “Parnassus”, “Sistine Madonna” (painting on the wall Sistine Chapel- the pinnacle of Raphael’s mastery), “Madonna Alba”, “Madonna with the Fish”.
Death of an Artist
Raphael died in 1520, presumably from Roman fever, which he “caught” during excavations. Buried in the Pantheon.
Other biography options
- Raphael knew A. Durer. It is known that the latter gave Raphael his self-portrait, but its fate is still unknown to this day.
- Villa Farnesina is a special stage in the artist’s career. We can say that for the first time he addresses ancient mythology and historical painting. This is how the frescoes “The Triumph of Galatea” and “The Wedding of Alexander and Roxana” appear. It is interesting that Raphael also painted from nudes. His best work in this regard is “Fornarina” (it is believed that most of the female portraits made by the artist were copied from his model and beloved Fornarina, about whose fate little is known).
- Raphael wrote beautiful sonnets, mainly dedicated to the love of women.
- In 2002, one of graphic works Raphael was sold at Sotheby's for a record amount for this type of work - 30 million pounds sterling.
Features of the work of Raphael Santi (1483-1520), Italian artist, masters of graphics and architecture, representative of the Umbrian school of painting, are described in this article.
Rafael Santi creativity and basic ideas
The work of Rafael Santi briefly
Creativity embodied the bright and sublime ideals of Renaissance humanism. He lived a short but eventful life. And during this time, the content of Rafael Santi’s work expanded to create an ideal of harmoniously developed, wonderful person, surrounded by majestic landscape and architecture. Studying with Perugino, future artist adopted the freedom of posing figures, the smoothness of lines.
At the age of 17, he had already created a number of paintings full of spiritual clarity, harmony and maturity - “Madonna Conestabile”, “Sistine Madonna”, “Betrothal of Mary”.
Arriving in Florence, he absorbed the knowledge of local artists like a sponge. Basic ideas of Rafael Santi Florentine period were pierced lyrical theme mother's love(the artist lost his mother at the age of 8). Here he created the following paintings: “Madonna with the Goldfinch”, “Madonna in Greenery”, “The Beautiful Gardener”. They all had the same type of composition of the figures of the infant Christ, Mary and the Baptist against the backdrop of a rural landscape. The artist's brushstrokes are soft, melodious and natural.
In 1508, Pope Julius II invited him to Rome to paint the Vatican Palace. The artist worked on the palace for 8 years, which allowed him to be promoted to the top three masters of monumental art. Distinctive feature Santi is a decorative system of frescoes with allegorical figures. The Roman period was rich not only in frescoes, but also in portrait paintings.
Rafael Santi achievements in the field of portraiture: he painted portraits of Pope Leo X, Julius II, Cardinal Ludovico dei Rossi and Giulio de' Medici. They were sharp and full of life.
But the master’s greatest creation remains the Sistine Madonna. This is a very deep image of Mary walking on the clouds in her arms with a baby. The picture radiates perfect harmony, dynamic balance, smooth linear outlines, freedom and naturalness of movements.
What did Rafael Santi do for art?
He created his own worldview in art, based on his ideas. The latter were formulated on the basis of Plato's treatises. His paintings from the “Madonna” series convey the grace of mothers and beauty, and his portraits convey greatness and dignity, bearing the stamp of spirituality. The artist managed to synthesize two worlds: Christian and classical Greek. Historians see this as Santi’s main contribution to art. “Hellenized Christianity” contains the experience of the author’s predecessors, who thoroughly studied it. The master of the brush established a new ideal in the art of the West. He managed to transform humanistic ideas into clear and simple images, conveying philosophical and everyday concepts.
Rafael Santi. Madonna Conestabile. OK. 1502 03. Hermitage. RAFAEL SANTI ( Raffaello Santi) (1483 1520), Italian painter, architect. Representative High Renaissance. With classical clarity and sublime spirituality he embodied... ... Illustrated Encyclopedic Dictionary
Rafael Santi- (Raffaello Santi) (1483 1520), Italian. painter. For the first time, R.'s name appears in L.'s poem. "The Poet" (1828); and in other early productions. he resorts to comparison with Madonnas R., wanting in this way to emphasize the charm of his heroines or point out a special... ... Lermontov Encyclopedia
RAFAEL SANTI- (Raffaello Santi) (1483 1520) Italian painter and architect. Representative of the High Renaissance. With classical clarity and sublime spirituality, he embodied the life-affirming ideals of the Renaissance. Early works(Madonna Conestabile... Big Encyclopedic Dictionary
Rafael, Santi- (1483 1520) brilliant it. painter, architect. Representative of the High Renaissance. Along with Leonardo da Vinci, Michelangelo was the creator of High Renaissance art. Artist of synthesis and harmony (in the constellation of masters of the High Renaissance... ... Medieval world in terms, names and titles
Rafael Santi- (Raffaello Santi) (1483 1520), Italian painter and architect. One of the greatest masters of the High Renaissance, with classical clarity and sublime spirituality, embodied its life-affirming ideals. Early works (“Madonna… … Encyclopedic Dictionary
RAFAEL SANTI- own Raffaello Santi or Sanzio (Raphael, Raffaello Santi, Sanzio) RAFAEL. SELF-PORTRAIT (1483-1520), Italian painter and architect, one of greatest masters Renaissance. Raphael's works are distinguished by their softness and roundness of shape... Collier's Encyclopedia
Rafael Santi- (Raffaello Santi) 1483, Urbino 1520, Rome. Italian painter and architect. Son of the artist Giovanni Santi. According to Vasari, he studied with Perugino; There is no documentary evidence of this. First mentioned as an independent master... European art: Painting. Sculpture. Graphics: Encyclopedia
Rafael Santi- see Santi... Encyclopedic Dictionary F.A. Brockhaus and I.A. Efron
Rafael Santi- (1483–1520), Italian. painter and architect. From 1515 he directed the construction of the Cathedral of St. Peter's in Rome, exercised control over all finds of ancient sculpture and inscriptions. In a clear, harmoniously completed composition inherent in the works... ... Dictionary of Antiquity
Rafael Santi- RAFAEL SANTI (Raffaello Santi) (14831520), Italian. painter and architect. One of the greatest masters of the High Renaissance, with classic. clarity and sublime spirituality embodied his life-affirming ideals. Early production (Madonna... ... Biographical Dictionary
Books
- , Semyon Moiseevich Brilliant. These biographical sketches were published about a hundred years ago in the Life series wonderful people, carried out by F. F. Pavlenkov (1839 1900). Written in a new genre for that time... Buy for 2523 UAH (Ukraine only)
- Rafael Santi. His life and artistic activity, Semyon Moiseevich Brilliant. These biographical essays were published about a hundred years ago in the series “The Life of Remarkable People”, carried out by F. F. Pavlenkov (1839-1900). Written in a new genre for that time...
Raphael is an artist who had a monumental influence on the way art developed. Raphael Santi is deservedly considered one of the three great masters of the Italian High Renaissance.
Introduction
The author of incredibly harmonious and serene paintings, he received recognition from his contemporaries thanks to his images of Madonnas and monumental frescoes in the Vatican Palace. The biography of Rafael Santi, as well as his work, is divided into three main periods.
Over the 37 years of his life, the artist created some of the most beautiful and influential compositions in the history of painting. Raphael's compositions are considered ideal, his figures and faces are considered flawless. In the history of art he appears as the only artist who managed to achieve perfection.
Brief biography of Rafael Santi
Rafael was born in Italian city Urbino in 1483. His father was an artist, but died when the boy was only 11 years old. After the death of his father, Raphael became an apprentice in Perugino's workshop. In his first works one can feel the influence of the master, but by the end of his studies the young artist began to find his own style.
In 1504, the young artist Raphael Santi moved to Florence, where he was deeply admired by the style and technique of Leonardo da Vinci. In the cultural capital he began creating a series of beautiful Madonnas; It was there that he received his first orders. In Florence, the young master met da Vinci and Michelangelo - masters who had the most strong influence based on the work of Rafael Santi. Raphael also owes Florence the acquaintance of his close friend and mentor Donato Bramante. The biography of Raphael Santi during his Florentine period is incomplete and confusing - judging by historical data, the artist did not live in Florence at that time, but often came there.
Four years spent under the influence of Florentine art helped him achieve an individual style and unique technology painting. Upon arrival in Rome, Raphael immediately became an artist at the Vatican court and, at the personal request of Pope Julius II, worked on frescoes for the papal study (Stanza della Segnatura). The young master continued painting several other rooms, which today are known as “Raphael’s rooms” (Stanze di Raffaello). After Bramante's death, Raphael was appointed chief architect of the Vatican and continued the construction of St. Peter's Basilica.
Works of Raphael
The compositions created by the artist are famous for their grace, harmony, smooth lines and perfection of forms, which can only be rivaled by the paintings of Leonardo and the works of Michelangelo. It is not for nothing that these great masters make up the “unattainable trinity” of the High Renaissance.
Rafael was an extremely dynamic and active person, therefore, despite short life, the artist left behind a rich heritage consisting of works of monumental and easel painting, graphic works and architectural achievements.
During his lifetime, Raphael was a very influential figure in culture and art, his works were considered the standard artistic skill, however, after Santi's untimely death, attention turned to the work of Michelangelo, and until the 18th century, Raphael's legacy remained in relative oblivion.
The work and biography of Raphael Santi are divided into three periods, the main and most influential of which are the four years the artist spent in Florence (1504-1508) and the rest of the master’s life (Rome 1508-1520).
Florentine period
From 1504 to 1508, Raphael led a nomadic life. He never stayed in Florence for a long time, but despite this, four years of Raphael’s life, and especially his work, are usually called the Florentine period. Much more developed and dynamic, the art of Florence had a profound influence on the young artist.
The transition from the influence of the Perugian school to a more dynamic and individual style is noticeable in one of the first works of the Florentine period - “The Three Graces”. Rafael Santi managed to assimilate new trends while remaining true to his individual style. Monumental painting also changed, as evidenced by the frescoes of 1505. The wall paintings show the influence of Fra Bartolomeo.
However, the influence of da Vinci on the work of Rafael Santi is most clearly visible during this period. Raphael assimilated not only the elements of technique and composition (sfumato, pyramidal construction, contrapposto), which were innovations of Leonardo, but also borrowed some of the ideas of the master already recognized at that time. The beginning of this influence can be traced even in the painting “The Three Graces” - Rafael Santi uses a more dynamic composition in it than in his earlier works.
Roman period
In 1508, Raphael came to Rome and lived there until the end of his days. His friendship with Donato Bramante, the chief architect of the Vatican, ensured that he received a warm welcome at the court of Pope Julius II. Almost immediately after the move, Raphael began large-scale work on frescoes for the Stanza della Segnatura. The compositions decorating the walls of the papal office are still considered the ideal of monumental painting. Frescoes, including special place occupied by “The School of Athens” and “The Controversy over Communion”, provided Raphael with well-deserved recognition and an endless stream of orders.
In Rome, Raphael opened the largest workshop of the Renaissance - under the supervision of Santi, more than 50 students and assistants of the artist worked, many of whom later became outstanding painters (Giulio Romano, Andrea Sabbatini), sculptors and architects (Lorenzetto).
The Roman period is also characterized by the architectural research of Raphael Santi. He was briefly one of the most influential architects in Rome. Unfortunately, few of the developed plans were implemented due to his untimely death and subsequent changes in the architecture of the city.
Madonnas by Raphael
During his rich career, Raphael created more than 30 paintings depicting Mary and the baby Jesus. Madonnas of Raphael Santi are divided into Florentine and Roman.
Florentine Madonnas are paintings created under the influence of Leonardo da Vinci depicting the young Mary and Child. John the Baptist is often depicted next to the Madonna and Jesus. Florentine Madonnas are characterized by calmness and maternal charm, Raphael does not use dark tones and dramatic landscapes, so the main focus of his paintings is the beautiful, modest and loving mothers depicted in them, as well as the perfection of forms and harmony of lines.
Roman Madonnas are paintings in which, apart from Raphael’s individual style and technique, no other influence can be traced. Another difference between Roman paintings is composition. While Florentine Madonnas are depicted at three-quarter length, Roman ones are often painted at full length. The main work of this series is the magnificent "Sistine Madonna", which is called "perfection" and is compared to a musical symphony.
Stanzas of Raphael
The monumental paintings decorating the walls of the Papal Palace (and now the Vatican Museum) are considered greatest works Raphael. It’s hard to believe that the artist completed work on Stanza della Segnatura in three and a half years. The frescoes, including the magnificent “School of Athens,” are painted in extremely detailed and high quality. Judging by the drawings and preparatory sketches, working on them was an incredibly labor-intensive process, which once again testifies to Raphael’s hard work and artistic talent.
Four frescoes from the Stanza della Segnatura depict the four spheres of human spiritual life: philosophy, theology, poetry and justice - the compositions “The School of Athens”, “The Controversy over Communion”, “Parnassus” and “Wisdom, Moderation and Strength” (“Secular Virtues”) .
Raphael received an order to paint two other rooms: Stanza dell'Incendio di Borgo and Stanza d'Eliodoro. The first contains frescoes with compositions describing the history of the papacy, and the second contains the divine patronage of the church.
Rafael Santi: portraits
The portrait genre in Raphael's work does not occupy such a prominent role as the religious and even mythological or history painting. Early portraits the artist is technically behind his other paintings, however, the subsequent development of technology and the study of human forms allowed Raphael to create realistic portraits, imbued with the serenity and clarity characteristic of the artist.
The portrait of Pope Julius II painted by him is to this day an example to follow and an object of aspiration for young artists. The harmony and balance of technical execution and emotional load of the picture create a unique and deep impression, which only Rafael Santi could achieve. A photo today is not capable of what the portrait of Pope Julius II achieved in its time - people who saw it for the first time were frightened and cried, Raphael was so perfectly able to convey not only the face, but also the mood and character of the subject of the image.
Another influential portrait by Raphael is the Portrait of Baldassare Castiglione, which was copied by Rubens and Rembrandt in their time.
Architecture
Raphael's architectural style was predictably influenced by Bramante, which is why Raphael's short period as chief architect of the Vatican and one of the most influential architects in Rome was so important in preserving the stylistic unity of the buildings.
Unfortunately, few of the great master's building plans exist to this day: some of Raphael's plans were not carried out due to his death, and some of the already built projects were either demolished or moved and remodeled.
Raphael's hand belongs to the plan of the Vatican courtyard and the painted loggias facing it, as well as the round church of Sant' Eligio degli Orefici and one of the chapels in the church of St. Maria del Poppolo.
Graphic works
The painting of Rafael Santi is not the only type of fine art in which the artist achieved perfection. More recently, one of his drawings (“Head of a Young Prophet”) was sold at auction for 29 million pounds, becoming the most expensive drawing in the history of art.
To date, there are about 400 drawings belonging to the hand of Raphael. Most of them are sketches for paintings, but there are also those that can easily be considered separate, independent works.
Among Raphael's graphic works there are several compositions created in collaboration with Marcantonio Raimondi, who created many engravings based on the drawings of the great master.
Artistic heritage
Today, the concept of harmony of shapes and colors in painting is synonymous with the name Raphael Santi. The Renaissance acquired a unique artistic vision and almost perfect execution in the work of this wonderful master.
Raphael left his descendants an artistic and ideological legacy. It is so rich and diverse that it is hard to believe it, looking at how short its life was. Raphael Santi, despite the fact that his work was temporarily covered by a wave of Mannerism and then Baroque, remains one of the most influential artists in the history of world art.
Raphael Santi was born in the city of Urbino in 1483, on April 6. His interest in painting began quite early. His father Giovanni Santi worked as a court painter for the Duke of Urbino, Federigo da Montefeltro. During the time that Raphael was with his father, he had the opportunity to study the basics of painting. At the age of 8, Rafael lost his mother, and at 11, his father. Thanks to the care of the stepmother and a sufficient amount cash, which remained after the death of his father, the master never fought for his worthy existence. In addition, he was friends with the Italian masters of that time. Through these connections, Rafael was able to become quite successful in his career quite early on.
His father, while he was still alive, apparently managed to provide training for the young master. In 1500, Raphael became a student of Pietro Perugino, who was a successful artist in the city of Perugia. Within four years, Raphael had mastered Perugino's technique so well that it became almost impossible to distinguish between their works. By December of the same year, Raphael had earned the title of master from some quarters. His first famous work there was an altarpiece for a church that was halfway between the city of his birth and Perugia. He was assisted by his senior comrade Evangelista Pian di Meleto. The artist worked on many other projects with Raphael's father. The young master continued to work as an assistant to Perugino until he moved to Florence.
In Florence it became obvious to him that his style needed some changes, given the latest innovative styles of Leonardo da Vinci and Michelangelo. However, the artist who influenced him most undoubtedly remained the same. His influence can be seen in Raphael's painting The Sistine Madonna. However, although he adopted the styles of various masters of the time, he continued to use his own unique style. A work in which more could already be seen characteristic of Raphael style - “The Beautiful Gardener” (La Belle Jardinire) or “Madonna and Child with John the Baptist,” as it is also called.
In 1508, Raphael moved to work for the Vatican in Rome. He lived the rest of his life here. His influential family connections also played a huge role in his invitation to the Vatican. With the assistance of his uncle Donato Bramante (a famous architect and painter of the time), Rafael Santi becomes official artist papal court. He, at the invitation of Pope Julius II, arrives to fulfill the order of frescoing the Stanza della Segnatura, first before Michelangelo, who receives an official invitation a few months later. Raphael's first commissioned work in Rome was his largest and highest paying commission ever. He was to paint frescoes in what was to become the library of Julius II in the Vatican Palace. There have already been similar works in different halls, but they were mostly painted over, as they were commissioned by Pope Alexander VI, the predecessor and bitter enemy of Pope Julius II, Rodrigo Borgia. The works of Raphael in this room were one of best works artist. These include "Parnassus", " Athens school", "Disputation", "Virtues and Law".
In order to write these famous works, he had to paint over some other work. However, Pope Julius II decided that these works were less important. After completing the work in the first room, Pope Julius II was very impressed and decided to commission the artist to paint in another room for further work. The second room in which Raphael worked is called Stanza d'Eliodoro. In this room, Raphael mainly focuses on God's protection of human activity. The influence of Michelangelo is clearly visible in these works. However, as has been the case throughout his career, the artist manages to use his own style, while still using many techniques from other masters. At one time, Michelangelo was quite irritated by Raphael's unique skill in quickly adopting the techniques of other artists. He even accused the artist of plagiarism.
While Raphael was working on the second hall, Pope Julius II died. However, this did not affect his work in any way. The next Pope Leo X was also delighted with Raphael's skill and supported the continuation of the painting. In addition, his complex network of friends played a significant role in providing the artist with orders, in such quantities that he would probably never be left without work. Rafael Santi continued to work on the project, but already played a smaller role in it. To complete it, he began to send a team of his assistants. Its big and complex work for him, Leonardo da Vinci and Michelangelo came to define the century in which they lived.
At the end of his life, Raphael continued to receive a salary from the Vatican. However, he also received numerous other orders. His most notable projects outside the Vatican are the series altar images and Roman Madonnas. These works demonstrate an evolution in Raphael's style. In fact, he continued to develop until his death. In addition, he made a series of portraits. Among them are portraits of Pope Julius II and his successor.
His studio has been described as one of the largest ever owned by a craftsman. Undoubtedly, he adopted much of the experience of running a workshop from his father. Unlike the workshop organized by Michelangelo, Raphael's workshop worked more quickly and productively.
The artist managed not only to organize a whole subcontract of craftsmen and their assistants, but also to maintain good working relationships with all of them. His workshop was credited with developing the talent of some of the greatest masters of the time.
When Bramante died, Raphael was appointed chief architect of St. Peter's Basilica. In 1515 he also received the position of chief custodian of antiquities. Most of his works were subsequently demolished as they were, to some extent, gloomy. However, some of his works as an architect are still preserved in Rome.
Raphael often drew pictures, sometimes using a silver tip. A drawing made in this way is initially bluish-gray in color. Gradually, after oxidation, it acquires a brownish tint. As can be seen from his numerous drawings, he was a very innovative artist. Raphael never made copies of his works, but willingly collaborated with other artists and allowed them to use his sketches to create engravings.
The artist has never been married. For some time he was infatuated with Margherita Luti (Fornarina - baker), the daughter of a rich baker.
According to one version, numerous noisy games with his mistresses led to his premature death at thirty-seven years old. But still, this version is the subject of serious controversy. According to another version, he fell ill after having sex with Fornarina. But if we take into account the large amount of work that the artist performed, the morals of those times, the general state of health of the population of that century and the fact that then people generally did not live long, we can assume that all this together, in general, could have been the reason early death Raphael. In any case, after so many hundreds of years since his death, one can now only speculate about its cause, since some biographical facts remain unknown, and instead of them many conjectures, rumors, fantasies and conjectures have appeared. The artist bequeathed his considerable fortune to Margarita Luti, friends and students. After his death, Raphael was buried in the Pantheon, at his own request.
Without a doubt, Raphael is one of the leading artists of the Renaissance. Together with Titian, Donatello, Leonardo da Vinci, Michelangelo, Shakespeare, and a small group of contemporaries, Raphael became the center of the movement artistic figures, who added their masterpieces not only to Western but also to world culture.
"Sistine Madonna". The painting measures 196 cm x 265 cm and was done in oil on canvas in 1514. Located in the Old Masters Gallery, Dresden, Germany.
“The Beautiful Gardener” (Madonna with Child and John the Baptist), measuring 80 cm. 122 cm. Made in oil on panel around 1507. Located in the Louvre, in Paris.
"Madonna and the Goldfinch." The painting measures 77 cm x 107 cm and was done in oil on panel in 1506. Located in the Uffizi Gallery, Florence, Italy.
"Madonna in Green" (Belvedere Madonna). The painting measures 88 cm x 113 cm and was done in oil on panel in 1506. Located in the Kunsthistorisches Museum, Vienna, Austria.
"Madonna Conestabile". The painting measures 18 cm x 17.5 cm, made in oil in 1504, transferred from wood to canvas. Located in State Hermitage, in St. Petersburg.
"Madonna in a Chair" The painting measures 71 cm x 71 cm and was done in oil in 1514. Located in Palazzo Pitti, Florence, Italy.
"Madonna Granduca" The painting measures 55.9 cm x 84.4 cm and was done in oil on panel in 1504. Located in the Palatine Gallery of Palazzo Pitti, Florence.
"Madonna Alba". The painting is in tondo shape, measuring 94.5 cm x 94.5 cm, painted in 1511, and transferred in oil to canvas. Located in National Gallery art, in Washington, USA.
"Madonna Tempi" The painting measures 51 cm x 75 cm and was done in oil on panel in 1507. Located in art gallery"Alte Pinakothek", in Munich, Germany.
"Madonna Foligno". The painting measures 194 cm x 320 cm, made in 1512, transferred in oil to canvas. Located in the Vatican Pinacoteca.
"Three Graces" The painting measures 17 cm x 17 cm and was done in oil on panel in 1504. Located in the Condé Museum, Chantilly, France.
"Cardinal Bibbiena". The portrait measures 76 cm x 107 cm, painted in oil on panel, around 1516, located in Palazzo Pitti.
The portrait of Baldassare Castiglione (Count of Novilara, Italian writer) measures 67 cm x 82 cm, executed in oil on panel around 1515, now in the Louvre, Paris.
"Lady with a Unicorn" Portrait of a woman measures 61 cm x 65 cm, executed in oil on panel around 1506, located in the Galleria Borghese, Rome.
"Julius II". The portrait of the 216th Pope Giuliano della Rovere measures 81 cm x 108 cm, executed in oil on panel in 1511, located in the London National Gallery, Great Britain.
"Fornarina". The portrait presumably depicts Raphael's beloved woman. Its size is 60 cm x 85 cm. It was painted in oil on panel in 1519. Located in Palazzo Barberini, Rome.
"The School of Athens" The fresco measuring 770 cm x 500 cm was painted in 1511 in the Stanza della Segnatura, in the Vatican Palace (Apostolic Palace in the Vatican).
"Parnassus". The fresco, 670 cm wide, was painted in 1511 in the Stanza della Segnatura, in the Vatican Palace.
"Disputation". The fresco measures 770 cm x 500 cm, painted in 1510 in Stanza della Segnatura.
"Virtues and Law". The fresco is 660 cm wide and was painted between 1508 and 1511. in Stanza della Segnatura.